In just seventeen days, on August 15th, our collaborative anthology DISTAFF will be out there in the wide world for everyone to read. It’s been an amazing journey, from the very early ideas hatched on the SFFChronicles.com forum, to this point, less than a month from release day.
To celebrate, I asked the DISTAFF authors to think of a song that could work as a soundtrack for their stories. Here it is, the DISTAFF Anthology Playlist!
Jane O’Reilly opens the anthology with The Broken Man, a post-apocalyptic tale of caution and of cautious hope. Her suggestion is Big Yellow Taxi by Joni Mitchell.
Kerry Buchanan brings us Space Rocks, an irreverent mystery that blends mythology and space travel. Kerry picked Bob Dylan’s Like a Rolling Stone as a backdrop to her story.
Rosie Oliver is the cool mind behind The Ice Man, a frost-cold murder mystery set in a near-future Sweden. Her choice of soundtrack is KeiiNO’s Spirit in the Sky.
Juliana Spink Mills, well, that’s me! The song I picked for my story A Cold Night in H3-II, a chilling tale of a struggling space colony, is Demons by Imagine Dragons.
Damaris Browne is the author of The Colour of Silence, a poignant tale of sorrow and hope, where the people of Earth seek salvation among the stars. Her song of choice is Silence is Golden by the Tremeloes.
EJ Tett’s contribution is Holo-Sweet. They say that love will always find a way — though space romance isn’t always easy! EJ’s song suggestion for this fun tale is Let’s Get It On by Marvin Gaye.
Shellie Horst is the author of My Little Mecha, in which a growing security threat and a systems malfunction meet family miscommunication to form the perfect storm. Shellie’s musical pick is Dare to be Stupid by “Weird Al” Yankovic.
Susan Boulton brings us Ab Initio, a harrowing tale of survival — but at what cost? Susan’s soundtrack suggestion is Human by Rag’n’Bone Man.
Jo Zebedee finalizes our anthology line up with The Shadows Are Us And They Are The Shadows: when all hope seems lost, life surprises us. Jo’s song choice for her story is Pink Floyd’s Welcome to the Machine.
If you want to listen to the full soundtrack, click here to find it on iTunes. (Disclaimer: not all songs may be available in your region. Spotify list to come; please check back.)
Anyone who has watched Ghostbusters will remember that, although ‘crossing the streams’ was supposed to be a Terrible Thing, ultimately it vanquished the Big Bad and saved the day. Likewise, for writers, learning to cross-network between different writing communities can enrich our lives and take our work to a whole new level.
In 2012, I joined my first writing community, the SFFChronicles.com — an online science fiction and fantasy forum with an active writer’s section. At the time, I had just made the decision to get back into writing and was working on my first novel, a middle grade fantasy. While researching children’s fiction resources I found the SCBWI (Society of Children’s Book Writers and Illustrators), but back then I lived in Brazil, and we had no regional chapters I could look into.
A year later, following my husband’s job relocation, I moved to Connecticut. As soon as I arrived, I joined the SCBWI. Six months later, I went to my first SCBWI conference in New York. I was making connections, online and in person, and my writing world was growing. At the same time, I continued to be an active participant in the sci fi and fantasy community. Both were equally important in teaching me about how publishing works, and in honing my writing skills.
From the kid lit community I learned how to craft middle grade and YA; the SF/F world taught me about genre fiction. The first was invaluable in helping me understand traditional publishing; the second showed me how to navigate anthology submission calls and other short story markets. The SCBWI brought me my wonderful local critique partners; the SF/F community gave me my first beta readers, and eventually a second online critique group. The SCBWI encouraged me to volunteer at conferences and events, and to get involved at a local level, organizing meet and greets for my area. SF/F brought participation opportunities for convention panels, my first public reading, and an opening to write interviews for a genre website. Both groups have nurtured me and cheered for my successes along the way, and expanded both my horizons and my circle of friends. I couldn’t keep moving forward without both of these communities at my side.
When I go to SCBWI events I’m always intrigued by how few members seem to even consider reaching beyond the kid lit community for connection and knowledge. The SCBWI is a wonderful place to call home, but there are many other thriving organizations out there to be explored. The Romance Writers of America is a busy and inclusive example, with many small local chapters throughout the USA. The Mystery Writers of America is another great society with active chapters in different regions. And those are only two among many. Broadening our worlds and cross-networking between communities can be a wonderful way to gain further insight in our work and widen that support web that is so crucial in the difficult world of publishing.
Whatever you chosen ‘home’ community, consider stepping outside and looking for others to connect with. Have a look around, both online and in your local area, and see what you can find. Take a chance on adding a whole new side to your network by joining additional writing organizations — either official ones, like those mentioned above, or unofficial ones such as the forum I’ve been on since 2012. Getting involved with a new community may be scary at first, but by casting that net a little wider and crossing those streams, you may find your creativity shines bigger, and brighter, and bolder than ever.
Back in 2018, a few of us who post regularly on the SFFChronicles.com forum decided to get together and produce a science fiction anthology. After much debate, the concept for DISTAFF emerged: a collection of stories by women. That’s the only connecting thread — the stories themselves are all vastly different, and all the richer for that.
DISTAFF will be released in August 2019, during Worldcon in Dublin and Titancon/Eurocon in Belfast. I’m absolutely thrilled to be a part of this project, and now that we’ve had a lovely cover reveal hosted by SFFWorld.com, I can finally share our beautiful art by Shellie Horst, one of the participating authors. Besides Shellie and myself, the list includes Jo Zebedee, Kerry Buchanan, Jane O’Reilly, Rosie Oliver, Damaris Browne, E. J. Tett, and Susan Boulton.
Here’s the blurb:
A staff used in spinning. Of women and women’s work. An anthology of women’s stories woven through time and space.
In 2018 a crack team of women sci-fi writers, all members of the sffchronicles community forum, came together to write an anthology. Distaff is the result. Join us as we share stories of people, of science and exploration, and enjoy the words we weave.
Another year, another edition of Boskone, ‘New England’s longest running science fiction convention’. I’ll always have a soft spot for Boskone, which represents a lot of firsts for me: first SF/F con I ever went to (back in 2015, two years after moving to the USA) and first time on panels (2017) are two of them. This year I added another couple of firsts: my first time moderating a panel and my first time doing a reading.
Here are some of my Boskone 56 highlights!
Trying my hand at moderating. I…actually had a great time doing this. The other participants of the Agency and Free Will in Speculative Fiction panel — Gillian Daniels, Rebecca Roanhorse, Greer Gilman, and M.C. DeMarco — did a fantastic job with a pretty tricky theme, so a huge thanks to them all for playing along with my not-so-easy questions.
The Broad Universe group reading. Broad Universe has been organizing their Rapid Fire Readings for years now, and as a new member of the group I was delighted to give this a go. We each got an allotted six minutes to give the audience (and each other) a taste of our work, and I really enjoyed the mixture of styles and genres.
Talking fights in the Now, That’s a Great Action Scene panel. Unfortunately our moderator Errick Nunnally only made it for the end of the panel, but Bracken MacLeod stepped in and kept S.L. Huang, Vincent O’Neil and myself busy with plenty of fun discussion points. And I got to take my HEMA longsword to show offprove a point (ha! point…) about the need for proper research.
Debating trilogies and series in the Middle Book Syndrome panel. Fran Wilde did an awesome job moderating this (plus, we had matching nail polish!), and Kenneth Rogers Jr., Sarah Beth Durst, Sharon Lee and myself had a great time trading tips and tricks for keeping those trilogies flowing.
Readings! Besides the Broad Universe reading, I also caught the Unlikely Imaginarium group reading, with Elaine Isaac/E.C. Ambrose, Clarence Young/Zig Zag Claybourne, Kenneth Schneyer, C.S.E Cooney, Carlos Hernandez and Cerece Rennie Murphy. And later that same day, a reading by S.L. Huang, whose Zero Sum Game sounds awesome and has already been added to my to-read list.
I always try to fit in a few panels, and Laundering Your Fairy Tales with Jane Yolen, Theodora Goss, Victoria Sandbrook, Karen Heuler and Melanie Meadors was a great pick, delving into the often-dark history of popular fairy tales. Of Gods, Devils, And Tricksters was another good one, with an in-depth look at trickster figures in mythology. This one was moderated by Max Gladstone, with Rebecca Roanhoarse, Shannon Chakraborty, Jane Yolen and Dana Cameron. And I ended up going to The Great Agent Hunt, with S.L. Huang, Joshua Bilmes, Christopher Golden, Lauren Roy and Barry Goldblatt. Lots of good advice, and plenty of cautionary tales…
People. All the people. New friends, old friends… Conversations everywhere: at the bar, in the hallways, at the tail end of panel sessions. This is what really makes Boskone such a great event — getting to hang out with other readers, writers, and fans for two days straight. You are all awesome and I loved spending time with you! I hope to see you next year!
I only stayed two days this time, instead of the full weekend, to save a little on hotel money. I was sad to leave early, but it’s for a good cause: in August I’ll be at Worldcon in Dublin and then Titancon in Belfast! I’m really excited to be trying something new, but you can bet that in 2020 I’ll be back at Boskone, my ‘home con’ and forever favorite.
It’s almost February, and that means it’s getting close to Boskone time! I absolutely love this friendly New England Con, and I’m glad to be returning. If you like science fiction and/or fantasy, and live anywhere near Boston, why not drop by to check it out?
This year brings a couple of firsts for me: my first time as a panel moderator at Boskone, and my first reading, as part of the Broad Universe group. Besides my own program items, I’m looking forward to catching up with friends and hopefully making a few new ones; watching a couple of panels (see full program here); and maybe attending a reading. Let’s see how much I can cram into the two days I’ll be there!
If you’re planning to attend, here’s my schedule:
Agency and Free Will in Speculative Fiction
Friday 15th Feb 2019, 18:00 – 18:50, Harbor III
Fantasy often makes use of prophecy. But when a protagonist is the prophesied one, how can they experience true conflict, risk — or agency? They can’t fail, right? Shouldn’t this deflate the reader’s interest? What happens when you have conflicting prophecies? And if we’re in a mechanistic universe, governed by the laws of physics, where is free will?
Juliana Spink Mills (M), Gillian Daniels, Rebecca Roanhorse, Greer Gilman, M. C. DeMarco
Broad Universe Group Reading
Friday 15th Feb 2019, 21:00 – 21:50, Griffin
Join members of Broad Universe — a nonprofit association dedicated to supporting, encouraging, and promoting female authors of science fiction, fantasy, and horror — as they read tidbits of works and works in progress. Readers will include Terri Bruce, Trisha Wooldridge, L. J. Cohen, Roberta Rogow, Juliana Spinks Mills, Joanna Weston, and others. Moderated by Elaine Isaak.
Now, That’s a Great Action Scene!
Saturday 16th Feb 2019, 11:00 – 11:50, Burroughs
Fight scenes are not all created equal. Action scenes can make or break a story: drawing readers in, or shattering the suspension of their disbelief. Let’s look at some of the best action scenes and sequences to see how it’s done right — and why some scenes are just wrong. How do you keep the energy up without confusing the readers with a flurry of movements that only martial arts enthusiasts can follow — or care to?
Errick Nunnally (M), S L Huang, Bracken MacLeod, Juliana Spink Mills, Vincent O’Neil
The Middle Book Syndrome
Saturday 16th Feb 2019, 16:00 – 16:50, Marina 4
The first book of your series was amazing: solid story; compelling characters; great reception by publisher, critics, and fans. Now, the hard part: living up to all the high expectations. Or maybe the first book had a less receptive reception, but you still need to produce that second volume? Plus there’s the rhythm problem — first book, thrilling beginnings; last book, satisfying conclusions; middle book, recaps and repetitions … How do you deal with the pressures of a multi-book contract and impatient fans?
Fran Wilde (M), Juliana Spink Mills, Kenneth Rogers Jr., Sarah Beth Durst, Sharon Lee
Finnish-born author C.T. Grey is an engineer and self-confessed information junkie with a serious addiction to science fiction and fantasy. Besides his own novels, Grey has also published a number of articles and blog posts on technology, science, politics, and a wide variety of other topics, both fact and fiction.
In First Interview, book 1 of the Necromorphosis series, Grey introduces us to a bleak and horrifying post-zombie-outbreak London, where a mutated virus has escaped government control and now runs rampant among the population. The novel comes with a twist, though: zombies are not the only supernatural creatures roaming London. And now the Damned, which include vampires, are threatened with exposure as the entire structure of society begins to fall apart.
Juliana: Hi C.T., and welcome. First Interview is a zombie novel with a unique approach — one of its main point of view characters is a vampire! How did you come up with the idea of mixing traditional fantasy elements like vampires and magic with a classic zombie outbreak tale?
CTG: Thank you Juliana. It is a good question. At the beginning the trilogy was just a short story that I posted in its entirety in the SFF Chronicles under a title of “A New Beginning…” It was story where Herbert Jackson faced Jane and end up as her dinner, as the story ends in the classical Jane’s line: “I’d like some red, please.”
When I started to listen to Jane as my muse I was imagining a very different kind of story as I was admiring Bear Grylls and I wanted to put him as a character, which comes to rescue Jane from some tower in London. It would have been really romantic and somewhat a classical adventure. However it never happened as Jane led to a very different kind of survival story.
I never wanted to write a classical zombie story or follow Kirkman in the niche market, as the whole turmoil with the zombie uprise is a background detail in the book. It is not the main thing. Jane’s survival story is and I wanted to make her extraordinary as those types get highlighted born in the times of conflict.
You can read from between the lines that the story Jane tells to Henrik isn’t a normal journey. But it is the sort of case that Henrik would be normally investigating, but the deeper he ventures into the story that Jane is weaving, he starts to realise that everything isn’t as it should be.
I wanted that to be the fantasy element, not just supernatural as that would be boring. I honestly wanted to write in all the places she has visited, things she has seen but wasn’t mentioned in the books, like for example: dryads, centaurs, elves and dragons. What I think is interesting is that to Henrik all of those things are magic. He doesn’t believe in any of them, because he was born skeptic. But over the course of the trilogy, his views change somewhat dramatically.
Juliana: I know you are a fan of a wide variety of science fiction and fantasy TV shows, which you review for the SFFChronicles.com. Did your eclectic approach to entertainment influence your choice to draw from both sides of the speculative coin, so to speak?
CTG: No. It never was my aim, but I do admit I might have been influenced by them. Thing is whatever you read, watch, see will get mixed in your mind and eventually spilled out on the paper.
I started my own reading experience with Ursula Le Guin’s Tales from Earthsea and moved on to cover a number of classical masters like Asimov, Tolkien, Heinlein, Philip K Dick and so on. I read a lot and I still do, but these days I have the internet, so I don’t read as many books as I used to, but over the years I’ve never been just one type of guy.
If there is a fantasy creature in my stories, the chances are there are a number of others lurking at the background, ready to pop in the stage. I could claim that it’s like the case of Tove Janson’s Moomins, once you know they are real, they never go away and in the Moomin valley there are a large number of things that not present in the ‘real world,’ but we still do believe in there.
Therefore I cannot omit fantasy from a story, if the main character is already a fantasy creature. What I can and what I have done in the trilogy, is that I’ve rooted them into the realm of realism as much as I can. It just happens to be that after the Great Panic all these creatures start to pop all over the map.
So, in the case of the Necromorphosis trilogy, nothing you’ll see is traditional. I mix … sometimes quite strongly science fiction into fantasy because both genres can offer so much more than restricting yourself to write yourself into the corner. The biggest SF thing I have is the Portal technology, but it is also funny, because the portals are in scientific terms pure fantasy.
Juliana: I have a confession — I’m terrified of zombies! But First Interview, despite the sometimes-graphic descriptions of gore, somehow eased me in and kept me from running away. A lot of this is probably down to your protagonist Jane, and her matter-of-fact manner of telling the story. Was this a conscious decision on your part — to give the reader some breathing space, so the horror wouldn’t be too overwhelming — or did this just occur naturally?
CTG:(Laughs) You are not the only one. Jeff Richards, who has edited the whole trilogy, confessed to me very early on that he absolutely hates the zombie tales. To him, you and a number of other people, who have read the book, have confessed the same thing. First Interview isn’t about the zombies, or what they do, when the apocalypse becomes real, because that tale is Jane’s tale and I doubt she would ever bore Henrik with a simple zombie story.
When you later on read the next book – From Exopolis to Necropolis – you will notice that the same effect that plagues AMC’s The Walking Dead plagues that story as it keeps moving away from shuffling horrors to a short of story that is close to Inception. And that move was as much intentional as it could be. The dead will remain as threat and as a reminder about what happened when the Day of Great Panic dawned in Jane’s Earth and it became apparent that there was no return to the world of yesterday.
So to get Jeff to edit he had to love the story so much that he made me put it into various competitions with the Big 5 for over two and half years. When it became apparent to me that they liked it and saw something in it, but couldn’t invest money into it, I made a decision to publish it on my own.
Juliana: What challenges did your two main characters, the vampire Jane and Intelligence Analyst Henrik, bring? Who was the hardest one to write? And the easiest?
CTG: Henrik was the hardest. The simple reason is, he’s an invisible narrator in First Interview but his role grows much bigger later on. Because he was so vague I had harder time engaging him than Jane. Usually she’s much easier and more interesting thing to write than Henrik. With her you always know that you’re not going to have a boring moment. Instead you’ll get a chance to explore things that otherwise wouldn’t be possible. You could claim that Jane is sort of Super Heroine and you wouldn’t be wrong as that is almost what she is. With her being an over six and half centuries old vampire, you get a chance to explore world from a point-of-view that is far older than what you could do with a traditional human perspective.
She has seen history and met people since last mini ice-age and it shows in her narrative. With Henrik the case is different, as he studies things in the current timeframe rather than wallowing in the past, like Jane does sometimes.
There are only a few Jane focused chapters that I struggled to write. Some of them especially so because I got so emotional with her struggles to cope with the world she didn’t wanted to bring around. Jane would have happily stayed in the shadows and continued living in a normal world that we experience everyday.
Juliana: First Interview is full of high-octane action scenes. Do you have a system for writing these scenes? Do you work them out beforehand, in your mind or on paper, or do you just jump straight in?
CTG: I don’t plan them as I let the muse and flow bring them out, but each one of those battles has been written multiple times. In some cases Jeff has made me to rewrite them again. So you get multiple layers that over time became the scenes you see in the books. In First Interview there is a scene, where Jane is being targeted by a sniper. I wrote it probably ten times even though it is relatively simple thing to write. It is also a reference point that Henrik uses multiple times, because in his mind, nobody could have survived it. Jane, on the other hand, isn’t a nobody and her ending in it wouldn’t have made a very good book. (laughs)
With the choreography of the fights I have over a decade long experience as a game-master and making high-octane adventures for the top-class players. Believe me, they schooled me well on what’s an interesting fight and how it should go down. Although with the gamers what you expect to get isn’t ever going to happen, because their sole aim is to destroy you as a game-master. (laughs again)
So, with the fights I never aim to destroy my characters but to put them through fast-and-dirty fights where sometimes unbelievable things happens just like it is in the case of the real life. Although I have a chance to show those scenes to military people and ask their opinion on them, I tend utilize my service experience and stuff that I’ve gathered continuing talking and analyzing current fights in the world, before I bring them on the paper.
Believe me it would be easier to write them if I didn’t knew anything about the art of warfare or how the battles turn out. In fact I’m glad that you can reflect those experience in the fiction and anchor them into the reality as much as I can. It also helps that every week, sometimes every day I write reviews on the stuff you see in the small screen or in the big one.
Juliana: Since your first language is Finnish, what were the key difficulties you had to face when working in English? And do you have any tips for other non-native-English writers?
Finnish and English are very different. Whilst Finnish might be easier language to write prose, it’s not the main language in our world. I write both fluently and out of those two, English is way much harder, because it has so many rules. Some things don’t make sense to even English Masters as they have to accept that things are the way they are. On the other hand I can easily bend the Finnish words and use them in completely different meaning altogether as the language flexes more around the speaker and the writer than what you can do with English language alone. So, it is a question of how much you can cope, and how well you can learn those rules to be able write in second language. As English is one of the main languages I try not to play with it as much I can do with my mother tongue.
Juliana: Talk to me about your cover! What are your favorite things about it? How closely did you work with the artist, Jackie Felix?
CTG: The cover… Oh man, I don’t know where to start. Well, firstly, I wanted to show Jane and keep Henrik altogether, as Jane is the Main Character in the First Interview. Jackie did a fantastic job in bringing her and Sergeant Red out as a couple, as you can see them standing in the Interview Room 2, looking mighty grumpy. Through the book they are an item as much as Jane and Jaq is, but Jackie didn’t wanted to draw nasty dead in the streets of war torn London, hence you see them in the Interview scene.
I chose Jackie, because she draws the best females characters in the industry and she isn’t afraid of showing them curvy or full of life. She also has an ability to draw from the darkness and apply that to the canvas. Jackie also managed to capture the feeling that their world is close to us but in some terms it’s more technologically advanced than our own. You see the eye of the Source (an AI) in the background watching everyone. So even in that you can get layers of the that only make complete sense once you have the knowledge.
Juliana: On February 10th you’ll be releasing Book 2 of your series, From Exopolis to Necropolis. Can you give us any spoiler-free hints of what awaits Jane, Henrik, Jaq and Co.? Also, First Interview very briefly introduces deeper fantasy elements, such as magic, the teaser of more supernatural creatures lurking undercover, and the mysterious Underworld. Will you expand upon these in the sequel?
CTG: Yes, I’ve expanded them a great deal, as the reader gets to dive into the story that was hugely inspired by Nolan’s Inception movie. You’ll get to learn how the Necromorphis advanced in the streets of London. What role the Portals, the Exopolis and the collective of special people that the Authorities placed in the Moon has been doing since the dust from the Great Panic has settled. You also learn much more about Henrik and what he’s going to do when, after six months, he meets Jane in the Exopolis and one of the first things she asks is for him to become Mayor.
At the background, you can expect that the war between the Damned and the Authorities is continuing. And for your delight there aren’t that many scenes involving the dead as there are in the First Interview. Instead of them you get to learn more about the mysterious Underworld, and what role it plays in the grand scheme of things.
Juliana: Thank you CT for stopping by and answering my questions. And I love the cover of the new book, with art by Adam Burn!
From Exopolis to Necropolis is available for preorder from Amazon, and First Interview will soon be available at a special promotional price during the sequel’s pre-launch week.
I don’t do dark. I don’t do scary, or heart-wrenching. My writing is fun and happy, and full of sunshine. Until it really, really isn’t.
The first thing I ever wrote was a light-hearted middle grade novel about a group of friends in small-town Brazil trying to stop a rampaging gang of ghosts. There was a bike chase, and meetings at the local ice cream parlor. Not a sliver of a shadow in sight, right? But now, looking back, I see there was an underlying theme of the price of magic, and of good magic gone very wrong.
Another middle grade novel had themes of PTSD and abandonment. My first foray into YA was about genetic experimentation on teenagers and forced seclusion from society. Are we beginning to sense a thread of darkness in all of this? But I still had this illusion that I was writing upbeat happy stories, probably because the dark bits were interspersed with enough action to mask them, at least to my own eyes.
(Although the torture scene in my first published book—which got a special mention from Fantasy-Faction—should have clued me in…)
I got into short stories. These tended to be a lot darker right off the bat. Probably because I felt these were somewhat separated from my usual stuff, and gave me more room to play. Published stories include an alien willing to kill to remain on Earth, a trio of cut-throat teen mercenaries on a desperate mission, and murder by flesh-eating fungus. Nice and cheerful!
But there’s a beauty to the shadows, to the gray tones and the storm clouds. We can only appreciate the light when the story has contrast. And for that, it often needs to go down dark paths.
At the moment, I’m working on something brand new. It’s my darkest novel yet, with some pretty tough subthemes. At first, I wondered who the heck the person commandeering my brain was, to be coming up with this stuff. Then I took a good hard look at my earlier writing, and realized the shadows have been there all along, from the very beginning.
In a way, this came as a relief. It’s good to know my work has actually had some consistency from the start. Until I began this latest project, I was worried that there was a huge disconnect between my short pieces and my longer stories. This new thing of mine not only seems to pull all the different sides of me together, but it also made me take a good hard look at my past work, too. And maybe embrace the dark.
Here we are, on the brink of a brand-new year. Yes, it’s an arbitrary calendar division and one day is the same as the next, etc, etc. But personally, I’ve always loved the concept of celebrating time passed and a new year ahead.
A quick look at 2018!
One novel written, another with a solid start
Two short stories published; a third sold but not yet out; and a fourth written, edited, and approved for an upcoming collaborative anthology
Writing events: one Con as panelist (participated in 3 panels), one retreat, a one-day workshop, and two library events (one as panelist)
A successful number of SCBWI meet and greets organized and held in our area (thanks to all my co-organizers!)
Fave books this year include The Hazel Wood by Melissa Albert, Man O’War by Dan Jones, Brandon Sanderson’s Oathbringer, the Magisterium series by Cassandra Clare and Holly Black, Nnedi Okorafor’s Akata Witch and Akata Warrior, The Empyreus Proof by Bryan Wigmore, and Leigh Bardugo’s Crooked Kingdom
Some of the movies I loved were Black Panther, Ant-Man and the Wasp, and Spiderman: Into the Spiderverse. Yeah, those superhero movies are still topping the bill for me…
TV shows! Marvel’s Runaways was an unexpected delight. The Expanse is still one of my favorite shows. Into the Badlands and Midnight, Texas continued to deliver good storylines. In terms of animation, 2018 saw the final seasons of Voltron Legendary Defender *sobs* and Star Wars Rebels *sobs harder*. But it also kicked off The Dragon Prince and the new She-Ra reboot, both extremely enjoyable, so plenty to look forward to in 2019
Personal bits and pieces
We have a new rescue pup! Misty is seven months old, and both a delight and a tiny terror. We love her!
We visited family in Brazil in July/August and got to spend time with old friends, too. We returned to Brazil briefly over Christmas week, for much more difficult reasons. It’s always hard to face the brutal finality of burying someone you love, however much you think you’re prepared
On the other hand, and because life tends to do this: brand new baby nephew! He lives on a different continent, so I didn’t get to go all grabby hands, but thankfully Facetime and WhatsApp are a thing
I passed the one-year milestone of working at my town library and am so grateful I get to do this. I love my job!
Coming in 2019
ALL THE CONS! Well, three. I’m a panelist again at Boskone in February, and I’ll be doing my first reading, as part of the Broad Universe program. In August I’m off to Ireland, first to Dublin for Worldcon, and then to Belfast for Eurocon. It’ll be a great chance to connect with some of my UK writer friends who I haven’t met in person yet
Book release: some of us ladies over at the SFFChronicles.com have been working on a science fiction anthology with an all-female line-up of authors. Out in 2019
Star Blade! Hopefully this new year will bring the last installment of my YA trilogy. I’m working hard to make that happen…
THANK YOU FOR ALL YOUR SUPPORT IN 2018. SEE YOU IN 2019!
Hard to believe the year is almost over! I could swear it was October just the other day… Anyway, it’s been a while since I’ve done one of these, and I thought I’d start with a quick reading round-up. 2018 has been a slow year for me, book-wise. There are SO MANY novels sitting on my bookshelf or in my e-reader waiting for some love, and I’ve barely made a dent in the pile. Hopefully 2019 will find me more inspired!
2018 was the first year I ever kept a book log, which proved to be an interesting experiment, and one I think I’ll continue next year. So, what did I actually read? I finished 35 novels in 2018. They were pretty evenly spread out in terms of age category: 11 were Middle Grade, 11 were YA, and 13 were adult fiction. As for genre, Fantasy (and sub-genres) was the big winner, with 25 titles against 3 science fiction novels, 1 horror tale, and 6 that fell into other categories (thrillers, a mystery, and a contemporary YA). 15 of those books were written by men, and the other 20 by women.
My resolution for 2019? Step up my reading game and catch up on that TBR pile!
Recent Reads: Earth shakers, world breakers.
I followed up my earlier read of Akata Witchwith the sequel, Akata Warrior. I absolutely love Nnedi Okorafor’s vivid worldbuilding and crisp storytelling syle, and the second book definitely lived up to the first. The novel continues Sunny’s saga as she keeps up her training in Leopard Society, takes her magical abilities further, and finds an even bigger battle to fight with her friends.
I recently picked up an ARC for an October release that had been gathering dust on my shelf since spring. Monstrous Devices by Damien Love is a nicely paced middle grade novel with a dark side and a hint of teeth. It has a vaguely clockpunk feel to it, and mixes toy robots, ancient golems, blood magic, and a breathless chase across half of Europe. Good stuff.
Moving away from kid lit, First Interview by CT Grey is what happens when you mix a zombie apocalypse, a vampire warrior, a high-tech portal to a secret off-planet colony, and whispers of a supernatural underworld. To be honest, when I read the blurb, I was skeptical. But Grey pulls it off with style, and this fast-paced genre mash-up was an entertaining read. Book 2 comes out in 2019, so stay tuned for an interview with the author on my blog.
Now Reading: Space capers galore!
I’m in the middle of The Scalpel, by James Worrad, and thoroughly enjoying it. There is plenty of action-packed intrigue to keep things moving, and a great cast of colorful characters.
To Read: The fantastic and the familiar.
I have a copy of Kelly Robson’s Gods, Monsters, and the Lucky Peachon my Kindle just begging for attention. I’ve liked everything I’ve read of Robson’s so far, and this one promises to be just as good.
Juliet E. McKenna is an author I’ve had on my to-read list for a while, and now I have two signed books of hers I got in the last Pixel Project fundraiser: The Green Man’s Heir, and Shadow Histories of the River Kingdom. Looking forward to these!
I haven’t read anything by children’s author Patricia MacLachlan, and I have at least two writer friends who claim she’s been a major influence in their lives. So I was delighted to be given a copy of My Father’s Words during a Holiday Book Swap held by my local SCBWI group. I think this will be one for my Christmas break…
Wishing you all a wonderful book-filled end of year!
A writer friend tagged me on Facebook the other day for something that’s been doing the rounds called ’10 books in 10 days’. I thought I’d write it up as a blog post instead… Cue LOTS of angsting to choose just ten out of the many books that I’ve fallen in love with over the years! Anyway, here are my picks, in no order whatsoever. Not all of them are science fiction or fantasy, even though I have a long-lasting love of speculative fiction. But all of them were read over and over and have been a big part of my life.
What ten books have left their mark on you? I’d love to hear about them in the comments.
The Lion, the Witch and the Wardrobe by C.S. Lewis. Aka, the one that started it all. I blame my love of fantasy (and portal novels) on Lucy and her siblings. This actually isn’t my favorite book in the series; that’s a two-way tie between The Horse and His Boy and The Silver Chair. But it was the first one I ever picked up, and the first one that Lewis wrote. Why do I love it? A classic portal fantasy tale, with just enough ‘real world’ to anchor it.
Pride and Prejudice by Jane Austen. I love pretty much all of Austen’s books, but the misadventures of Lizzy Bennet will always have a special place in my heart. I discovered Pride and Prejudice in my teens and have reread it countless times over the years. Why do I love it? Lizzy is one of my favorite female characters ever!
I, Robot by Isaac Asimov. This was another pearl from my parents’ small but thorough library. This collection of short fiction contains the story where Asimov’s Three Laws of Robotics first appeared and serves as a great introduction to his work. Why do I love it?Stories that make you think, in bite-sized short format.
The Lightning Thief by Rick Riordan. Riordan was three books into his Percy Jackson & the Olympians series when I stumbled upon The Lightning Thief in the wake of the less-than-stellar movie adaptation. Since then, I’ve been a huge fan, and have read everything that followed. Why do I love it? Riordan’s fun storytelling style and excellent use of first person point of view.
The Hitchhiker’s Guide to the Galaxy by Douglas Adams. My dad handed me a copy when I was a teenager — I read the first page three times and then laughed like a loon and promptly devoured the rest of the book. Why do I love it? The Guide taught me that fiction doesn’t have to take itself seriously all the time.
The Thirteen Problems by Agatha Christie. My mother had a huge collection of Christie’s work, and I reread them all several times each. Miss Marple was my favorite out of her sleuths, and this collection of short stories about the amateur detective marks her earliest appearance. Why do I love it? Christie shines in her short stories, and these are excellent.
The Demon King by Cinda Williams Chima. I discovered Chima’s work three or four years ago and her Seven Realms series promptly became a favorite. It has everything an epic fantasy fan could wish for: magic, adventure, heroics, and a really great plot. Why do I love it? The perfect teen characters and a swoon-worthy romance!
The Danger by Dick Francis. One of my biggest regrets is leaving my Dick Francis collection behind when we moved to the USA. I absolutely love his horse racing thrillers — the pacing is perfect, and the plots exciting and just intricate enough to entertain without too much effort. This particular book is one of my faves. Why do I love it? Francis wrote relatively ordinary characters that went above and beyond to solve mysteries and crimes. I think what I love best is this relatability.
Storm Front by Jim Butcher. Although this is absolutely NOT my favorite of Butcher’s Dresden Files novels, it is the first, and served as my introduction to a little something called Urban Fantasy, a subgenre I hadn’t come across before. Why do I love it? I love the snarky pop-culture-riddled dialogue.
The Way of Kings by Brandon Sanderson. The Stormlight Archive is my new Lord of the Rings. The books have all the elements I loved in Tolkien’s classic, with the addition of great female characters, something LOTR sorely lacks. Why do I love it? Impeccable worldbuilding and truly wonderful character arcs.