NESCBWI – Juliana Spink Mills

May 14, 2022

Conference Round-Up: NESCBWI 22

The New England SCBWI Spring Conference ended two weeks ago, and I’m finally crawling out of a haze of post-conference exhaustion and Covid to write this post. Yes, Covid. I’m thinking of getting a t-shirt made: ‘I went to a virtual conference and STILL caught Covid!’

Our regional kidlit conference is very dear to my heart. I love the friendly vibes, and the real and present sense of community. I was thrilled when I was asked to help co-direct the event. For 2022, the theme we went with is Find Your Star: Let it Shine. When I chose the theme, I was thinking about how every writer and illustrator treads their own path. Our dreams take different shape, and so do our goals. We work at different speeds, and in different ways. One person’s star may not be another. The night sky is made up of a multitude of constellations, and all of them are wonderful. I wanted the conference weekend to be an opportunity for attendees to find THEIR star, and let it shine.

My temporary desk setup for the conference

But even online conferences need a lot of planning. Before any shining could be done, speakers had to be invited, workshops submissions assessed, and volunteers brought on board as moderators and for other behind-the-scenes jobs. Then there are contracts, and budgets, and numbers to crunch, before registration even opens. And a LOT of head-scratching and problem-solving. The team — myself, my new co-director Jim Hill, and Regional Advisor Kris Asselin, with a huge amount of tech help from Assistant Regional Advisor Christy Yaros — had our work cut out to make everything work on a virtual platform: two Keynotes, one Friday Night Welcome event with multiple speakers, a publishing panel, one guided meditation, twelve Ask-a-Mentor sessions, and thirty-four workshops, including eight intensives! And socials; lots of time for online socials, including the Friday night Open Mics.

As the countdown went from weeks to days, and then hours, our team was both excited and anxious: would the tech run smoothly? Would all of our faculty and moderators manage to log in? WOULD WE HAVE A CONFERENCE AT ALL? Spoiler alert: yes, to all of that. Christy had to do a lot of last-minute tech magic, but we got everyone who was meant to be online there, and (I hope!) most attendees, too.

I don’t have space to go over everything from the weekend (and I’m still catching up with workshop recordings!), so I’ll end this with a few highlights from the main events. To everyone who came, whether faculty, volunteer, or attendee: thank you for being there, thank you for being you. Find your star, BE your star, and let your light shine.

Watching Jane Yolen from Zoom’s backstage

Jane Yolen talked about the layers of time that books take — from writer, agent, and publisher — and pointed out that the only time we have control over as writers is our writing time; a lesson on patience from a Master for those seeking a career in books!
Heidi Stemple and Rajani LaRocca held a great Creative Conversation. Rajani urged us to follow the dopamine — “Find the thing that makes you light up and hold onto it”; while Heidi told us “Have grace with yourself. Do not expect the perfect novel to appear.”
Keynote speaker Tara Lazar returned to Heidi’s words, reminding us again, “Have a lot of grace with yourself.” She also told us to do what makes us smile, and to follow our internal age as a guide for writing kid lit. Cue lots of fun comments in the chat box as to what age we all secretly are! (Personally, I suspect I alternate between twelve and sixty-two…)
Our illustrator Keynote John Parra said, “Find truth in what you do.” He also gave some great practical advice: make sure you have a place to work and that it’s ready to go; procrastination is the worst thing for creatives.
And last (but certainly not least), our publishing panel brought some hard truths but also a lot of hope. Agent Liza Fleissig asked us to #nevergiveup. “There’s space for everyone. (…) Your star will shine when your stars finally align.

“A book, too, can be a star, explosive material, capable of stirring up fresh life endlessly, a living fire to lighten the darkness, leading out into the expanding universe.” Madeleine L’Engle.

Some of our fabulous New England SCBWI Regional Team

May 9, 2021

NESCBWI 2021 Part II: virtual goes live

It’s Friday afternoon, April 30^th, and the countdown begins. Last minute frantic text messages and emails fly: “I can’t access the Zoom account!”; “Where’s my password?”; “I never got a reply from the presenter!” We remind ourselves: take a deep breath, we’ve got this. The clock ticks closer, the minutes run out like sand in an hourglass. Seven pm EST arrives. We’re on. This is it. Showtime. A Virtual Voyage: Finding Joy in the Journey is live.

After introducing ourselves and the New England SCBWI regional team, the spring conference began on a high note with A Conversation with Two Legends: Jane Yolen and Nikki Grimes, moderated by Heidi E.Y. Stemple. (All of our main presentations and workshops were run as webinars, keeping chat open for attendee participation.) Nikki, Jane, and Heidi were amazing, and I loved all the comments in the chat, and getting to ‘see’ everyone’s reactions.

Among the many wonderful moments, a couple of favorites: Jane Yolen reminding us that “if you don’t write it, it’s not going to get written”, and that writing is about “hard work and joy”. And Nikki Grimes celebrating her love for poetry: “it’s my first language.”

The first night ended with our Open Screen event, hosted by Matt Forrest Esenwine, who usually hosts the open mic at our in-person conferences. Everyone got a chance to share their work, and the readings were delightful.

Saturday opened with a quick welcome from my co-director Casey Robinson and a moment with two of our Equity & Inclusion Committee members, Valerie Bolling and Lisa Stringfellow, who talked about the Committee’s work in New England and about open opportunities for participation. Then it was time to start our workshops which, thanks to our fantastic volunteers and impeccable management by Christy Yaros, ran pretty smoothly from start to finish. There were twenty-one workshops in total, held over four hours, too many to mention individually. Luckily, we decided to record all workshops, so attendees (and busy conference staff!) will be able to watch them later at leisure. I’m so glad we opted to do this, as I personally have many, MANY workshops I want to watch.

Throughout most of Saturday we kept our social Zoom open, and it was lovely to see so many attendees, faculty, and team drop in for a chat. Between 2:00-3:30 pm we held scheduled socials by theme, and these were well attended.

Saturday afternoon brought the Crystal Kite awards! The SCBWI, besides its annual Golden Kite awards, organizes a regional peer-voted version. Due to the timing, which never quite lines up with our spring conference, New England presents its Kite award a year later. Of course, our 2020 conference got cancelled, so we had two awards to honor. It was an intensely emotional moment, watching acceptance speeches from the 2019 winner, Brian Lies, for The Rough Patch, and the 2020 winner, Padma Venkatraman, for The Bridge Home.

Awards presented and accepted, it was time for our first Keynote Speaker, author and illustrator Mike Curato. Mike’s speech was a nice mix of funny and serious and had us alternating between laughter and tears. At one point, when talking about remembering to find joy in your work, Mike said: “I was so busy telling other people’s stories, I wasn’t making time for my own.” He was, of course, referring to the moment he began working on what was to become his best-selling Little Elliot series.

We reopened the social Zoom after the keynote, so attendees could chat a bit to Mike and to each other and then, after a joyful but screen-heavy day, we all left to rest our eyes and brains and get ready for the last day of the conference.

Sunday morning brought a new programming item to the New England conference: the ask-a-mentor sessions. Ten faculty members offered their time for a moderated Q&A session, answering questions on topics ranging from writing and illustrating to the business of book publishing and the agent process. I hope this was useful to everyone; I certainly found the sessions I attended to be insightful and interesting!

Following the ask-a-mentor sessions, our last Keynote Speaker was Padma Venkatraman. Padma is, like Mike Curato, a long-time SCBWI member. She’s also an active local member, and everyone who attends New England events — both virtual and pre-COVID — knows her cheerful smile and uplifting presence. Padma’s passionate keynote talk was the perfect ending to our virtual voyage, as she urged us to pour our hearts and selves into our creative work. “We are creators because we create. Don’t get too focused on publication; focus on creating.”

Thank you to everyone who made #NESCBWI21 possible: our faculty, our volunteers, and our New England Regional Team. Thank you also to all the members and non-members who attended the virtual events and left lovely messages for us in the Zoom chat boxes and online. We do this for you, because we are all part of one big kid lit community. Because we love writing, illustrating, creating. Because you make it worthwhile. See you online, and who knows, maybe even in person in 2022!

May 5, 2021May 9, 2021

NESCBWI 2021 Part I: pre-conference planning

Back in 2019, fresh from the excitement of the New England regional conference for the Society of Children’s Book Writers and Illustrators, I said YES to a very important commitment: to step in as co-director and help plan and run the spring conference for 2020 and 2021.

Little did we know back then that the world was about to be hit by the COVID pandemic, with all its devastating ramifications.

It takes time to plan an in-person conference with as many moving parts as ours — from workshops to critique sessions to sit-down meals for almost 700 attendees. By the time 2020 arrived, we had most of it done. Registration opened amid growing concerns about global health, but we shrugged off the whispers — we’d be fine, right? This wasn’t going to impact New England.

And then, in March, everything began to shut down. We all watched in horror as the death toll worldwide began to rise. This was big; so much bigger than our concerns over a weekend event. By April, it was clear that COVID was everywhere, and that the pandemic wasn’t going to end anytime soon. Even if state mandates hadn’t done the job for us, there was no way we would have put our members at risk. There was nothing we could do except cancel the conference. A few people mentioned moving online, but it was far too late by then to shift a huge event to a virtual platform. We honored the agent/editor critiques that had been booked by holding an online critique day but postponed the rest of the planned activities.

After a hasty phone meeting, my co-director Casey and I agreed to stay on an extra year. To run the 2020 conference in 2021. Because back then, we still thought COVID would be solved by the end of the year, maybe even by summer.

We all know what happened to the rest of 2020. Infection rates dipped, then rose. New strains emerged; studies and data brought terrible insight on the aftereffects of coronavirus. Death numbers worldwide kept climbing. The race for a vaccine was on, and masking up became a permanent and no longer temporary measure. By October, it was clear that there was no way we could plan an in-person event for 2021, due to the amount of time it takes and the uncertainties ahead. We made the call and emailed our membership and our faculty: 2021 was going virtual.

So, how to plan an online conference? How to turn our Virtual Voyage: Finding Joy in the Journey into a spark of light at a dark and difficult time?

First of all, we polled the faculty of our canceled 2020 event to find out who was interested in doing a virtual version of their workshop. We had already decided we would do a streamlined event — there was no way we could attempt the almost 70 workshops we usually do at the in-person conference. There would be no critique sessions; the New England SCBWI already holds 4 virtual agent/editor critique days throughout the year, so there was no reason to add to this. And we would have to cut a lot of the side events that have become tradition, like illustrator challenges and the pitch practice party. We knew what we DID want: to provide a weekend of craft and inspiration, something that would help boost creativity during a time when a lot of writers and illustrators are finding it hard to produce work.

We were delighted to hear back from 21 of our faculty, who came up with alternate versions of their workshops for us. We decided to add ask-a-mentor sessions in place of the agent/editor critiques, and we tossed in an Open Screen to substitute our traditional Open Mic night. We kept the two planned keynote sessions with Padma Venkatraman and Mike Curato, but changed the Friday night opening event to a Conversations with Two Legends, with Jane Yolen and Nikki Grimes, to be moderated by Heidi Stemple. And we came up with the idea of keeping a dedicated Zoom meeting open throughout to double as reception desk for issues and a social space, with themed breakout rooms for drop-in mingling.

By the time mid-April 2021 rolled around, we were set. We had our platforms prepared, thanks to Assistant Regional Advisor and tech goddess Christy Yaros. We had our programming in order, thanks to my co-director Casey Robinson. We had our Zoom hosting and moderating volunteers lined up and waiting (that one was my job!). And we had our Regional Advisor Kristine Asselin to do all the number crunching and behind-the-scenes bureaucratic wizardry. We were ready to make Finding Joy in the Journey a virtual reality.

March 13, 2020

Con Round-Up Part I: SCBWI NYC

2020-03-01 16.17.39

On February 6^th, I headed down to New York City for the 21^st SCBWI Winter Conference — one of two national events organized by the Society of Children’s Book Writers and Illustrators. It had been a while since I’d been to the national conference — since 2014 to be precise — and I was looking forward to seeing the changes.

I arrived early, as the New England team (including myself and my regional conference co-director Casey Robinson) had a meeting on Friday morning. Business attended to, I escaped for a couple of hours to meet a friend from Brazil for a visit to the Met. Oh, important detail: my friend is a tour guide, so I had an amazing personalized glimpse at the museum’s permanent collection. If you’ve never been to the Met before, I thoroughly recommend this ‘taster’ version, where you get to sample a little from several different rooms and wings. After a post-museum lunch, it was time to head back to the hotel and relax with friends before getting ready for the Golden Kite Awards at night.

“Yeah… I’m so done with this!”

Cheeky rat

Watching the awards ceremony on Friday evening was definitely one of my personal highlights (and not just because of the strawberries and champagne reception!). Besides opening words from Kwame Alexander, who reminded us that “in the end, we answer for the children, to the children”, and James Patterson, who urged the gatekeepers in the room not to get in the way of kids reading for pleasure, we heard moving acceptance speeches from the award recipients, challenging us all to strive for more in our own work. Find a full list of the Golden Kite awards at: https://www.scbwi.org/announcing-the-golden-kite-and-sid-fleischman-winners/

debbie nyc — NESCBWI team members with the wonderful Debbie Ridpath Ohi (photo credit goes to Debbie)

Saturday began with a great keynote by author Kate Messner, centering on wonder and curiosity, and setting the tone nicely for the conference. This was followed by two workshop intensives that took place throughout the day. My first was on writing genre fiction, with Tor editor Melissa Frain. We talked through the challenges of worldbuilding and the subsequent perils of info-dumping, and then she walked us through an interesting first pages exercise.

2020-02-08 09.37.53 — Kate Messner’s ‘Curiosity License’

I was particularly inspired by my afternoon intensive with agent Chelsea Eberly, who talked us through identifying our author brand. She broke this down into a number of key aspects, among which were to root our work in authenticity (what makes you YOU?) and to identify and focus on our strengths (where do you shine?).

The day’s programming concluded with a heartwarming keynote address by Jerry Pinkney, who talked us through his journey as an artist, starting from his earliest place of inspiration: his father’s basement workshop. Later, the evening centered around the traditional networking dinner, with regional tables set up so attendees could meet and mingle with others from their area, if they so desired. I lingered a while afterwards, chatting to friends (old and new!), but soon called it a night.

kris team nyc — Part of our fantastic NESCBWI regional team! (photo credit Kristine Asselin)

Sunday brought my last intensive session, with Harper Collins editor Tiara Kittrell. Tiara talked us through the key elements of a variety of genres, and shared tips on how to successfully blur the lines between them to create fresh ways to tell stories. I had to leave straight after, and was sorry to miss what I’ve heard was a wonderful final keynote with author Derrick Barnes, but I still carried home a head and notebook full of new ideas and inspiration to fuel my writing work. All in all, it was a fantastic, exhausting, amazing weekend, and I’m glad I decided to return to the New York conference after such a long break!

January 31, 2020

NYC SCBWI and Boskone 57 Schedule

It’s February tomorrow, and February brings ALL THE CONS. Or, well, two at least.

I’ll be in NYC next weekend for the SCBWI Winter Conference, which runs from February 7-9. I’m not part of any official programming, but will be wearing my ‘NESCBWI Regional Conference Co-Director’ hat (not literally. I own no fancy conference hats, alas), so come and find me if you want to talk about all things books, writing, and kid lit, or just to hang out and have a cup of tea in the hotel lobby. Hit me up on Twitter! @jspinkmills

From February 14-16 I’ll be in Boston for my yearly pilgrimage to Boskone. I’ll be on three program items, which leaves me plenty of time to catch up with people and make new friends. Planning to go to Boskone for the first time? Already a regular but we haven’t met yet? Come and find me — let’s chat!

Besides hanging around the lobby bar or attending other people’s panels, here’s where you can find me at Boskone:

Blood-Curdling Science Fiction

15 Feb 2020, Saturday 11:00 – 11:50, Marina 2

Where does the thin (red) line between science fiction and horror lie? Why does science fiction horror fascinate us so much? What is it about horror in SF that is so absolutely terrifying? What examples do we have of science fiction that will make your blood run cold? And is it getting harder to make SF fiction that is truly scary?

Errick Nunnally (Moderator), Juliana Spink Mills, Julie C. Day, Nicholas Kaufmann, Darrell Schweitzer

Books That Get Kids Reading!

15 Feb 2020, Saturday 18:00 – 18:50, Harbor II

Hundreds of new children’s books are published every year. Yet recommended reading lists still include the same old children’s classics, with only a few new titles. Our panelists share some of their favorite new children’s books and authors from recent years that should be added to the lists.

Juliana Spink Mills (Moderator), Michael Stearns (Upstart Crow Literary), Julia Rios, Adi Rule, Trisha J. Wooldridge

Broad Universe Group Reading

15 Feb 2020, Saturday 20:00 – 21:20, Griffin

Join members of Broad Universe — a nonprofit association dedicated to supporting, encouraging, and promoting female authors of science fiction, fantasy, and horror — as they read tidbits of works and works in progress. Readers will include LJ Cohen, Marianna Martin, Roberta Rogow, Juliana Spink Mills, and Trisha J. Wooldridge. Moderated by Elaine Isaak.

May 17, 2019

NESCBWI 19 Conference Roundup

Two weeks ago, close to seven hundred writers and illustrators — attendees, faculty, and staff — gathered in Springfield MA for the yearly regional Spring Conference of the New England SCBWI (Society of Children’s Book Writers and Illustrators).

I missed last year’s conference, exchanging it for the Eastern PA SCBWI region’s Poconos Retreat instead (see posts here and here). I had a wonderful time in Pennsylvania, but I must admit it was nice to be back in Springfield this year! I only attended two of the three days, but going to the NESCBWI conference always feels like coming home. There are so many friendly faces — both old friends and new ones — that time zips by, and I was sad to see Saturday come to a close and end another year’s get together with my New England kid lit family.

Friday night’s ‘Fireside Chat’ with Patricia MacLachlan and Heidi Stemple

A few of my personal highlights:

Patricia MacLachlan’s ‘Fireside Chat’ with Heidi Stemple was a delight. I’m actually new to reading Patricia’s work — I picked up my first of her books earlier this year, and thoroughly enjoyed it. Seeing Patricia speak helped understand a little of the writer behind the pages.
The branding workshop with my writing pal Jessica Southwick. Jess talked about treating our author and/or illustrator selves as brands when it comes to visual presence — website, business cards, social media etc. Her workshop included a practical feedback session where she looked at our material and gave us a handy list of pros and cons. I have so much website ‘homework’ to do now!
Lisa Yee’s revision intensive. Lisa is so much fun to be around, and her hands-on workshop was a really good glimpse of how revision techniques can be put into practice. She guided us through a series of short writing exercises that really helped understand how we can tighten and improve our work. Thanks Lisa!
Lynda Mullaly Hunt’s keynote talk was both inspiring and emotional, and had many of us in the audience wiping away a discreet tear or two. Lynda is amazing, and I’m looking forward to reading her brand new book, Shouting at the Rain.
The volunteer dinner! Volunteering at NESCBWI is a great tradition; volunteers help out with set up, registration, at workshops, in the book signing line, and in many other capacities. If you’re new to the conference, it’s a fun way to feel like you belong while you’re finding your feet. In exchange, the NESCBWI graciously invites all volunteers to a dinner on Saturday night — delicious tacos this time. It’s always a nice moment, held in a smaller and more intimate setting than the huge ballroom meals of Saturday and Sunday lunchtime.
People, people, people. Too many to list: some were friends from other events, some were local to me, some were online buddies I was finally meeting in person. And some were absolutely 100% new, and that’s just the way I like it: meeting amazing kid lit folks and expanding my circle of awesome. To all of you I connected with this year — thanks for making the conference one of my absolute favorite places to be!

Yesterday evening, a group of us who are local to the Hartford CT area met up to talk about all of our own highlights from Springfield and compare notes. I’m always happy to see that I’m not the only one who leaves the conference with a big smile and a fresh batch of inspiration. I hope the NESCBWI keeps up the good work for many more years to come. And for those who live in New England and write or illustrate for children and teens: see you next spring!

Post-conference catch-up at That Book Store in Wethersfield, CT

April 18, 2019

Crossing the Streams: reaching across writing communities

Anyone who has watched Ghostbusters will remember that, although ‘crossing the streams’ was supposed to be a Terrible Thing, ultimately it vanquished the Big Bad and saved the day. Likewise, for writers, learning to cross-network between different writing communities can enrich our lives and take our work to a whole new level.

In 2012, I joined my first writing community, the SFFChronicles.com — an online science fiction and fantasy forum with an active writer’s section. At the time, I had just made the decision to get back into writing and was working on my first novel, a middle grade fantasy. While researching children’s fiction resources I found the SCBWI (Society of Children’s Book Writers and Illustrators), but back then I lived in Brazil, and we had no regional chapters I could look into.

A year later, following my husband’s job relocation, I moved to Connecticut. As soon as I arrived, I joined the SCBWI. Six months later, I went to my first SCBWI conference in New York. I was making connections, online and in person, and my writing world was growing. At the same time, I continued to be an active participant in the sci fi and fantasy community. Both were equally important in teaching me about how publishing works, and in honing my writing skills.

From the kid lit community I learned how to craft middle grade and YA; the SF/F world taught me about genre fiction. The first was invaluable in helping me understand traditional publishing; the second showed me how to navigate anthology submission calls and other short story markets. The SCBWI brought me my wonderful local critique partners; the SF/F community gave me my first beta readers, and eventually a second online critique group. The SCBWI encouraged me to volunteer at conferences and events, and to get involved at a local level, organizing meet and greets for my area. SF/F brought participation opportunities for convention panels, my first public reading, and an opening to write interviews for a genre website. Both groups have nurtured me and cheered for my successes along the way, and expanded both my horizons and my circle of friends. I couldn’t keep moving forward without both of these communities at my side.

When I go to SCBWI events I’m always intrigued by how few members seem to even consider reaching beyond the kid lit community for connection and knowledge. The SCBWI is a wonderful place to call home, but there are many other thriving organizations out there to be explored. The Romance Writers of America is a busy and inclusive example, with many small local chapters throughout the USA. The Mystery Writers of America is another great society with active chapters in different regions. And those are only two among many. Broadening our worlds and cross-networking between communities can be a wonderful way to gain further insight in our work and widen that support web that is so crucial in the difficult world of publishing.

Whatever you chosen ‘home’ community, consider stepping outside and looking for others to connect with. Have a look around, both online and in your local area, and see what you can find. Take a chance on adding a whole new side to your network by joining additional writing organizations — either official ones, like those mentioned above, or unofficial ones such as the forum I’ve been on since 2012. Getting involved with a new community may be scary at first, but by casting that net a little wider and crossing those streams, you may find your creativity shines bigger, and brighter, and bolder than ever.

There’s a whole wide world outside that window…

April 27, 2017April 27, 2017

NESCBWI 17: Expand & Diversify Your Portfolio

This past weekend, April 21-23, some 700 kid lit authors, illustrators, and industry professionals got together in Springfield, Massachusetts, for the yearly Spring Conference of the New England region of the SCBWI (Society of Children’s Book Writers & Illustrators), which this year was named Expand & Diversify Your Portfolio.

This was my second time at this event, and it has definitely established itself as one of my favorite places to be. Not just because of the interesting panels, workshops, and keynote presentations, but because it tends to be a friendly, laid-back sort of thing, where everyone chats to everyone else, and new friends are made all the time. There is always lots of catching up to do with writer buddies I usually only see on social media, and time flies by all too quickly!

So, what were my highlights for 2017? To start with, this was my first time at a SCBWI event as a published author. I loved seeing Heart Blade up on the big screen with all the other attendee’s work, and it was great spotting it in the con bookstore.

This year, I attended several workshops on social media and marketing. Jess Keating encouraged us to brainstorm our platform with adjectives and images to get a feel for ourselves, and for the tone we want to set on social media. She urged us to think about who we are, rather than who we think we should be, and to remember: ‘you are the expert at being you’. Anika Denise suggested that an author platform is a stage where you connect with your audience, and reminded us that author platforms aren’t built in a day, nor should building them eclipse putting time and effort into the actual writing. For those who were unsure what to blog or tweet about, she suggested mining your book’s content for underlying themes you can dig into. Allison Moore showed us examples off her own Twitter feed, and reminded us (as did everyone lecturing about social media) that promoting your own book has to be something done in small and sporadic doses. To top it all off, Jen Malone gave us great tips on public speaking, and told us that “speakers who are real, honest and can share their passion have the greatest impact on their audience.”

One of my favorite workshops this year was Dana Meachen Rau on injecting characters with emotion, something I find my plot-focused brain often struggles with. She reminded us that plot elements are great, but without emotion, who cares? The plot provides the external story arc, but emotion provides the internal story arc, and becomes the engine that moves your character forward. When a reader reads a book, they go on the same emotional journey as the character, and it is this shared experience that makes a story unforgettable.

For a fun learning experience, Friday night brought Pitchapalooza, the now-traditional event hosted by The Book Doctors, Arielle Eckstut and David Henry Sterry. Names were drawn, and contenders got to pitch their story for a minute, on the clock. Then a panel of agents and editors critiqued each attempt, explaining in a positive manner what worked, and what didn’t.

2017-04-21 19.28.52 — The crowd at Pitchapalooza

There were three amazing keynote talks, by authors Barry Lyga and Jane Yolen, and author/illustrator Melissa Sweet, who had the prettiest PowerPoint presentation I’ve ever seen. Jane urged us to “listen to the work, not the fears”, a sentiment I think all writers can relate to on the dark days. On the writing the rainbow panel, Kevin Lewis reminded the audience that we should always endeavor to create environments in our work that ‘are as diverse as the world we live in.’

2017-04-23 08.48.36 — Jane Yolen inspires us over breakfast

I headed home on Sunday happy and exhausted, bearing pages and pages of notes, a pile of business cards and bookmarks from people I want to keep in touch with, and a ton of fresh inspiration to give my work a much-needed boost. Thank you to all the hard-working volunteers at the NESCBWI for putting together a great event, and see you next year!

2017-04-23 17.45.14 — Relaxing on Sunday evening with peppermint tea and Melissa Sweet’s biography of E.B. White

April 18, 2017July 14, 2017

Spring 2017 Updates

Connecticut finally has its Spring on. Tiny baby leaves have tiptoed over the treetops like a green mist, and forsythia is blazing in glorious yellow splendor. The sun is shining. I have daffodils in the garden, and Easter chocolate is on sale everywhere you look.

So, what’s new in my world?

I’ve finished Book 2 in the Blade Hunt Chronicles, Night Blade. Now the manuscript is off being looked at by eyes other than my own. Until I get all the revision notes back, I can’t do anything else on that front. I’ve already outlined a lot of what will happen in Book 3, Star Blade, and I’m really excited about it, but I’m holding off getting a start on writing that one until I know if I have any substantial changes to make in Night Blade that might affect my Book 3 plot.

What’s in Book 2? No spoilers, but I can tell you there’s a heist, and Rose may have bitten off more than she can handle. Del gets to wear a ballgown. And you all get to meet my lovely new character, Ben Kelley. He’s a witch and, well, you’ll just have to wait and see.

I’m trying to get my head back into a stalled sci fantasy YA while I wait for Night Blade revision notes, but it can be hard switching worlds and projects, and to be honest it’s been slow going. I’m looking forward to this weekend, where I and some 700 or so New England kid lit authors and illustrators will gather at the NESCBWI Spring Conference for workshops, panels, and lots of great conversation about books and writing. I always go home revved up and inspired after these events, so this should be just the kick I need to get back into my rhythm again. Follow the #NESCBWI17 hashtag on twitter this weekend for lots of kid lit pearls of wisdom tweeted by event participants.

2017-04-18 12.08.22 — New bookmarks, ready for NESCBWI 17

The Pixel Project’s Read for Pixels fundraiser is almost over. The donation page will be open until April 29th, though the main event has ended. I contributed three Heart Blade paperbacks with character art postcards to this, which were bundled together with 1st Edition hardcovers from bestselling YA Fantasy authors Kimberly Derting (The Taking) and Alyson Noel (Unrivalled). I was very happy to hear from the organization that all three bundles were snapped up.

You can find my mini interview on the Pixel Project blog.

What else… Heart Blade had a sale! (Yay!) The sale is over… (Boo!). But you can still find the Kindle version at a very reasonable U$ 3.99 on Amazon. *waves cheerleader pompoms* For those interested in a paperback, I’m planning a giveaway on Goodreads in May, so keep an eye out here and on GR itself.

And last (but not least), today I received a lovely letter from blogger Marguerite Gibson with two beautiful handmade book plates that I’ve promised to sign and send back. It’s always wonderful to hear from readers, whether on social media, or in reviews, or by snail mail, like Marguerite from Australia. Gives me warm and fuzzy writer feels!

Happy Spring to all. May your words be plentiful, your flowers beautiful, your mornings sunny and bright…and may your leftover Easter chocolate last many, MANY days.

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