A Winding Thread is an occasional blog segment which looks at tales that connect by theme, setting, character, or vibes. (For the first installment, go to Green Magic.) This time, I’ve gathered a trio of stories that touch on journeys and books — after all, it’s July, and what could be better than traveling with a good book (or ten)?
My picks are: In Other Lands by Sara Rees Brennan, The Starless Sea by Erin Morgenstern, and the graphic novel Coming Back, by Jessi Zabarsky.
In Other Lands, by Sarah Rees Brennan, published in 2017, is a standalone young adult fantasy novel that plays with the magic school trope, sending the young, bookish (and delightfully obnoxious) Elliot into a fantasy realm where scholars are underappreciated, fighting abilities and war are considered the leading traits in human society, and where all the other creatures (elves, dwarves, harpies, mermaids, etc.) that share the land are deemed lesser than their human counterparts.
Elliot, being Elliot, is excited at the chance to immerse himself in books and learn all he can about everything that is not warcraft, and less delighted by the extreme physicality of much of the Borderlands camp. He has the (mis)fortune to fall into a tangled friendship with fellow students Serene-Heart-in-the-Chaos-of-Battle (an elven warrior) and Luke Sunborn (of the legendary Sunborn clan), the biggest complication being that Elliot — unloved and ignored at home and bullied at his old school — has no idea how to do friendship in the first place. It is largely a coming-of-age tale, as we follow Elliot in the four years of training camp and watch him grow in sociopolitical awareness, compassion, and even save the world a few times.
Books in this work serve very clear purposes. Both the camp library and books themselves are a haven, a place to retreat and to hide. They’re also Elliot’s weapon of choice, in both a defensive and offensive sense, used to decipher the world and to conquer a place in it. With knowledge gained in books, Elliot goes on several missions to other lands and helps bridge the cultural differences that threaten to push the quick-to-violence humans into battle instead of peace talks. Here, books are both the familiarity that Elliot clings to when he crosses into the Borderlands, and the means to set out on journeys and problem-solve the many issues that exist in this flawed magical realm.
Books and stories have a far more overarching role in Erin Morgenstern’s The Starless Sea, published in 2019. In this delicately woven tale by the author of The Night Circus, a book is the key to a magical place where story is everything. In the labyrinthine Harbor that sits above the underground Starless Sea, stories are past, and present, and future, and occasionally out of time entirely. They are puzzles, and riddles, and answers — sometimes to questions the protagonists had never thought to ask. And intertwined with the main story, there are shorter parallel tales that weave a background tapestry that comes sharply into focus as all the threads begin to align.
The Starless Sea is at heart a tale about finding yourself, even if you have to lose yourself to do so. When grad student Zachary Ezra Rawlins comes across a mysterious book in his college library, the last thing he expects is to find a scene inside depicting him as a young boy. His attempt to understand leads him below ground to the Harbor, a place that is more than just a library; it is a realm of lost cities and seas, of love stories and sacrifice. As Zachary travels the paths beneath with fierce Mirabel and handsome Dorian, he begins to unravel the tangled threads of his own story and that of his companions, and the new story that emerges feels both surprising and inevitable.
Here, we have tales that serve a wide variety of purposes: they are doorways, they are destination, and they are purpose — destiny itself, if you will. The stories (within stories, within stories) are the entire journey from start to end. Books are not the practical haven that they serve as in Brennan’s novel. Instead, they are the entire and all-consuming world. One thing the two books do have in common, however, is characters thrust into strange worlds who must rely on the information they find in books and stories to navigate those alien waters.
My last pick is a graphic novel, Coming Back by Jessi Zabarsky. This one’s the outlier, not just in its narrative format, but because it is less about books themselves — though one of the two main characters is a librarian — and more about the stories that form the backbone of a society. Published in 2022, Zabarsky’s work looks at what happens when people grow rigid in their ways, adhering too strictly to the stories that make up their culture without allowing room for change.
In a community where almost everyone is magic, shapeshifter Preet is the strongest of all. Her wife Valissa, however, has no magic, but as the town librarian, it falls to powerless Valissa to face an attack upon their repository of knowledge and laws. Valissa sets out on a spiritual voyage through the magical lands accessed within the library’s depths. In the meantime, Preet is forced to leave everything she knows behind when she adopts a child and breaks one of her community’s most sacred laws.
While they are both on their own journeys — one literal and one magical — Preet and Valissa learn very different lessons. Valissa, that change and fluidity are necessary, and Preet, that there are many ways to live a life, and her community’s way is only one possibility. When they are finally reunited, things do not go smoothly, but eventually they realize these different lessons can be combined to lead their people on a new path.
The journey here is knowledge; it’s about leaving old, outdated stories behind and creating others that make more sense. There is an intersection with The Starless Sea, in that both books deal with allowing stories to end when their time is over, and making space for new stories, for new directions in which to travel. In Valissa’s words, “We’re strongest when we can learn from each other, as our ancestors did. We’re strongest when we can bend and change to help one another.”
I’d like to make a brief note on the role of libraries; in all three works, libraries serve as gateways. This is metaphorical in In Other Lands, with the library as a house of knowledge that can cause transformation. In Coming Back, the library is a literal portal, leading to a shift in values and to making room for new knowledge. And in The Starless Sea, we have the college library, which provides the key in form of a book, and we have the Harbor, a library that is an entire storyworld in itself.
Ultimately, this trio of tales deals with how books affect us: on a personal level, in our interactions with others, and as a wider society. Stories can be a refuge, a validation, a weapon, a path, a purpose, a treatise… or simply bring joy.
“We are all stardust and stories.”
Erin Morgenstern, The Starless Sea
Juliana Spink Mills 