NESCBWI 2021 Part II: virtual goes live

Cherished moments from the weekend!

<A continuation of Part I: pre-conference planning>

It’s Friday afternoon, April 30th, and the countdown begins. Last minute frantic text messages and emails fly: “I can’t access the Zoom account!”; “Where’s my password?”; “I never got a reply from the presenter!” We remind ourselves: take a deep breath, we’ve got this. The clock ticks closer, the minutes run out like sand in an hourglass. Seven pm EST arrives. We’re on. This is it. Showtime. A Virtual Voyage: Finding Joy in the Journey is live.

After introducing ourselves and the New England SCBWI regional team, the spring conference began on a high note with A Conversation with Two Legends: Jane Yolen and Nikki Grimes, moderated by Heidi E.Y. Stemple. (All of our main presentations and workshops were run as webinars, keeping chat open for attendee participation.) Nikki, Jane, and Heidi were amazing, and I loved all the comments in the chat, and getting to ‘see’ everyone’s reactions.

Among the many wonderful moments, a couple of favorites: Jane Yolen reminding us that “if you don’t write it, it’s not going to get written”, and that writing is about “hard work and joy”. And Nikki Grimes celebrating her love for poetry: “it’s my first language.”

The first night ended with our Open Screen event, hosted by Matt Forrest Esenwine, who usually hosts the open mic at our in-person conferences. Everyone got a chance to share their work, and the readings were delightful.

Saturday opened with a quick welcome from my co-director Casey Robinson and a moment with two of our Equity & Inclusion Committee members, Valerie Bolling and Lisa Stringfellow, who talked about the Committee’s work in New England and about open opportunities for participation. Then it was time to start our workshops which, thanks to our fantastic volunteers and impeccable management by Christy Yaros, ran pretty smoothly from start to finish. There were twenty-one workshops in total, held over four hours, too many to mention individually. Luckily, we decided to record all workshops, so attendees (and busy conference staff!) will be able to watch them later at leisure. I’m so glad we opted to do this, as I personally have many, MANY workshops I want to watch.

Throughout most of Saturday we kept our social Zoom open, and it was lovely to see so many attendees, faculty, and team drop in for a chat. Between 2:00-3:30 pm we held scheduled socials by theme, and these were well attended.

Saturday afternoon brought the Crystal Kite awards! The SCBWI, besides its annual Golden Kite awards, organizes a regional peer-voted version. Due to the timing, which never quite lines up with our spring conference, New England presents its Kite award a year later. Of course, our 2020 conference got cancelled, so we had two awards to honor. It was an intensely emotional moment, watching acceptance speeches from the 2019 winner, Brian Lies, for The Rough Patch, and the 2020 winner, Padma Venkatraman, for The Bridge Home.

Awards presented and accepted, it was time for our first Keynote Speaker, author and illustrator Mike Curato. Mike’s speech was a nice mix of funny and serious and had us alternating between laughter and tears. At one point, when talking about remembering to find joy in your work, Mike said: “I was so busy telling other people’s stories, I wasn’t making time for my own.” He was, of course, referring to the moment he began working on what was to become his best-selling Little Elliot series.

We reopened the social Zoom after the keynote, so attendees could chat a bit to Mike and to each other and then, after a joyful but screen-heavy day, we all left to rest our eyes and brains and get ready for the last day of the conference.

Hanging out in the Social Zoom

Sunday morning brought a new programming item to the New England conference: the ask-a-mentor sessions. Ten faculty members offered their time for a moderated Q&A session, answering questions on topics ranging from writing and illustrating to the business of book publishing and the agent process. I hope this was useful to everyone; I certainly found the sessions I attended to be insightful and interesting!

Following the ask-a-mentor sessions, our last Keynote Speaker was Padma Venkatraman. Padma is, like Mike Curato, a long-time SCBWI member. She’s also an active local member, and everyone who attends New England events — both virtual and pre-COVID — knows her cheerful smile and uplifting presence. Padma’s passionate keynote talk was the perfect ending to our virtual voyage, as she urged us to pour our hearts and selves into our creative work. “We are creators because we create. Don’t get too focused on publication; focus on creating.”

Thank you to everyone who made #NESCBWI21 possible: our faculty, our volunteers, and our New England Regional Team. Thank you also to all the members and non-members who attended the virtual events and left lovely messages for us in the Zoom chat boxes and online. We do this for you, because we are all part of one big kid lit community. Because we love writing, illustrating, creating. Because you make it worthwhile. See you online, and who knows, maybe even in person in 2022!

Virtual conference kit

NESCBWI 2021 Part I: pre-conference planning

Working on last minute details!

Back in 2019, fresh from the excitement of the New England regional conference for the Society of Children’s Book Writers and Illustrators, I said YES to a very important commitment: to step in as co-director and help plan and run the spring conference for 2020 and 2021.

Little did we know back then that the world was about to be hit by the COVID pandemic, with all its devastating ramifications.

It takes time to plan an in-person conference with as many moving parts as ours — from workshops to critique sessions to sit-down meals for almost 700 attendees. By the time 2020 arrived, we had most of it done. Registration opened amid growing concerns about global health, but we shrugged off the whispers — we’d be fine, right? This wasn’t going to impact New England.

And then, in March, everything began to shut down. We all watched in horror as the death toll worldwide began to rise. This was big; so much bigger than our concerns over a weekend event. By April, it was clear that COVID was everywhere, and that the pandemic wasn’t going to end anytime soon. Even if state mandates hadn’t done the job for us, there was no way we would have put our members at risk. There was nothing we could do except cancel the conference. A few people mentioned moving online, but it was far too late by then to shift a huge event to a virtual platform. We honored the agent/editor critiques that had been booked by holding an online critique day but postponed the rest of the planned activities.

After a hasty phone meeting, my co-director Casey and I agreed to stay on an extra year. To run the 2020 conference in 2021. Because back then, we still thought COVID would be solved by the end of the year, maybe even by summer.

We all know what happened to the rest of 2020. Infection rates dipped, then rose. New strains emerged; studies and data brought terrible insight on the aftereffects of coronavirus. Death numbers worldwide kept climbing. The race for a vaccine was on, and masking up became a permanent and no longer temporary measure. By October, it was clear that there was no way we could plan an in-person event for 2021, due to the amount of time it takes and the uncertainties ahead. We made the call and emailed our membership and our faculty: 2021 was going virtual.

So, how to plan an online conference? How to turn our Virtual Voyage: Finding Joy in the Journey into a spark of light at a dark and difficult time?

First of all, we polled the faculty of our canceled 2020 event to find out who was interested in doing a virtual version of their workshop. We had already decided we would do a streamlined event — there was no way we could attempt the almost 70 workshops we usually do at the in-person conference. There would be no critique sessions; the New England SCBWI already holds 4 virtual agent/editor critique days throughout the year, so there was no reason to add to this. And we would have to cut a lot of the side events that have become tradition, like illustrator challenges and the pitch practice party. We knew what we DID want: to provide a weekend of craft and inspiration, something that would help boost creativity during a time when a lot of writers and illustrators are finding it hard to produce work.

We were delighted to hear back from 21 of our faculty, who came up with alternate versions of their workshops for us. We decided to add ask-a-mentor sessions in place of the agent/editor critiques, and we tossed in an Open Screen to substitute our traditional Open Mic night. We kept the two planned keynote sessions with Padma Venkatraman and Mike Curato, but changed the Friday night opening event to a Conversations with Two Legends, with Jane Yolen and Nikki Grimes, to be moderated by Heidi Stemple. And we came up with the idea of keeping a dedicated Zoom meeting open throughout to double as reception desk for issues and a social space, with themed breakout rooms for drop-in mingling.

By the time mid-April 2021 rolled around, we were set. We had our platforms prepared, thanks to Assistant Regional Advisor and tech goddess Christy Yaros. We had our programming in order, thanks to my co-director Casey Robinson. We had our Zoom hosting and moderating volunteers lined up and waiting (that one was my job!). And we had our Regional Advisor Kristine Asselin to do all the number crunching and behind-the-scenes bureaucratic wizardry. We were ready to make Finding Joy in the Journey a virtual reality.

<See also Part II: virtual goes live>