2019 is almost over, but hey! I get a whole new year tomorrow, brand new and sparkling with promise. (At least, I think that shiny stuff is promise. It could just be glitter. Not gonna lie, there’s a lot of leftover Christmas glitter lying around. And pine needles. Especially pine needles!)
Before moving forward, here’s a quick look at 2019…
The first draft of a fantasy novel written, which I then decided to rewrite completely; I’m now a third of the way through the rewrite.
Two short stories published in anthologies; another sold but only coming out in 2020.
Two Cons as panelist and one doing a reading (Boskone in Boston, Worldcon in Dublin, and Eurocon in Belfast).
An international book launch! We released our collaborative women’s sci fi anthology DISTAFF during Eurocon in Belfast. There were cupcakes and robot chocolates…
Attended the New England SCBWI conference and the NESCBWI ENCORE event.
I passed on organization of our local SCBWI meet and greets but took on a new role as co-director of the 2020 and 2021 regional conferences!
Con badge and con nails
Favorite books this year include Holly Black’s fabulous Folk of the Air series, S.A. Chakraborty’s City of Brass and Kingdom of Copper, Maggie Stiefvater’s Scorpio Races, Peter McLean’s excellent Priest of Bones, and Matt Fraction’s run of Hawkeye graphic novels.
Some of the movies I loved were Captain Marvel and Charlie’s Angels. Shazam was a delightful surprise — lots of fun and one of the best found families I’ve seen in a while. The Rise of Skywalker was a good and satisfying conclusion to Star Wars. As for Endgame, no comment. I’m still in mourning!
TV shows! I finally caught up on the Netflix Marvel shows, and the last season of Daredevil was truly excellent. Derry Girls is fabulous and really good fun; thanks to my daughter for introducing it! We binged The Umbrella Academy as a family and thoroughly enjoyed it (great soundtrack). Other faves were Good Omens and Carnival Row, which I’m almost done with. And the CW end of year Arrowverse crossover has been a blast, with tons of fun cameos. Oh, if you like cooking shows, please go and watch Jon Favreau’s The Chef Show on Netflix! (I don’t even watch cooking shows and I love this one. I think my fave episodes so far have been Skywalker Ranch and the oyster farm…)
Personal bits and pieces
Our rescue pup Misty is now a year and a half, and tons of trouble but also absolutely adorable.
We went on a family trip to Washington DC in spring — my first time there. We arrived at peak cherry blossom time, beautiful!
Summer took me to Ireland for two weeks on my own to meet writing friends, attend a couple of conferences, and do a bit of sightseeing on the side.
We also had summer visits from my mum and my mother-in-law, always a good excuse to get out and do some local touristing.
I now have a child with a driver’s license… Scary stuff!!
We had a French exchange student come to stay for two weeks, a great experience for all of us.
I’ve joined a gym, am trying to eat more healthily, and am learning to do divination with crystals (a good meditation tool!) — investing in a bit of TLC for both body and soul.
Coming in 2020
In February, I’ll be at the NYC SCBWI Winter Conference and at Boskone, checking in with both my kid lit friends and the SF/F community. In May it’ll be time for the NESCBWI regional conference, which I’m helping to organize this year!
The Not All Monsters anthology from Strangehouse Books arrives sometime in autumn, containing my short story The Sugar Cane Sea.
Writing, writing, writing. Goals for 2020! I have a short story I’m rather pleased with that I’m polishing up to submit soon. I plan to finish the rewrite of my fantasy novel and get it submission-ready. I also plan to finish revising the SF YA I wrote in 2018, and get back to my stalled draft of Star Blade. Busy, busy!
Stephen Palmer is the author of fifteen novels, dabbling in a variety of genres from science fiction to slipstream, including steampunk, alternate history, and fantasy. He tells tales of the past-that-might-have-been, and the future-that-might-yet-be. His gripping and thought-provoking prose is both wildly creative and chillingly conceivable.
In the Factory Girl trilogy, Stephen Palmer brings us a meticulously constructed clockpunk alt-Edwardian world, full of bustling automata and a myriad of other tiny details. The story of Kora and Roka, different personalities of the same young woman, the ‘girl with two souls’, sweeps us along from England to Africa and back again in an intricate plot that centers on themes of identity and society.
The Girl With Two Souls, The Girl With One Friend, and The Girl With No Soul will be released today and throughout December 2019 in brand-new editions from Infinity Plus Press.
Hi Stephen, thanks for joining me on the blog. Congratulations on the release of the new editions of the Factory Girl trilogy! Could you tell me a little about the cover changes?
The trilogy got some good reviews, which I and Keith Brooke – my outstanding editor, and the man behind Infinity Plus Books – were pleased with. But afterwards I felt it could maybe do more. Last year I met Tom and Nimue Brown at the Asylum Steampunk weekend, and on the Saturday I got to see more of Tom’s artwork. Tom has a unique style of creating images, which I immediately fell for. Nimue hand colours the art for their graphic novels – they are a fantastically talented pair. With both of them being fans of the trilogy (Nimue reviewed it for her Druidlife blog), it occurred to me that the trilogy could benefit from being re-jacketed. I floated the idea to Keith, and he agreed. In due course the arrangement was made with Tom and Nimue. I saw them in Stroud a few months ago, and we had an enjoyable chat in a pub. Lovely couple.
After a while I sent Tom a few descriptions and other suggestions, and he came up with the images this year, all three of which we loved.Then it was a matter of firing up Photoshop to create the cover designs.
Identity is a key theme in the Factory Girl trilogy, as indeed with many of your other works, such as the excellent Beautiful Intelligence. What is it about this theme that fascinates you?
That’s a good question, a wise question. I’m going to have to think a bit about it. [Thinks for a few days…] Well, perhaps it’s because the main direction of my thinking life is the relationship between human beings and the real world, a relationship which, in my own life, has been conveyed by understanding. Understanding, for me, is the most fundamental aspect of individual and social life. It’s what motivates the majority of my life anyway. I think Kora’s need to understand the circumstances of her life is based in part on my own drive for meaning.
Human beings have two main ways to create meaning, including the meaning of other people, which is identity. We can create it ourselves from what we are told, or we can find it out from first principles. I would characterise the former as narcissistic and the latter as realistic. The former says: this is what I believe regardless of the real world. The latter says: I’ll test the real world, see what it tells me, then make a decision based on that. Most people form their identity from a blend of the two. They’ll be born and brought up in a particular culture, which they’ll adopt as the norm. But a lot of people will move on from that. I think this is why women in general are a better representation of humanity than men. Men take so much on faith. Women tend to communicate more, and better, which allows them to see themselves from other perspectives; and that’s a key to personal growth, I think, including for identity.
In Beautiful Intelligence this aspect of social life is more generally presented. Leonora is going for the individual, faith-based option via her AI, while Manfred decides to see what the BIs will tell him. His first scene, the cutting of the bonds between the nine BIs, is his answer to his thought process. Leonora by contrast has no idea what Zeug will do because she has imposed her own ideas onto it.
A lot of my work is about this split in human meaning and its relationship with identity. Even in my debut, Memory Seed, the priestesses of the Goddess realise at the end of the novel that their lives have been lived regardless of what the world was telling them. The story ‘First Temple’ in my recent collection Tales From The Spired Inn tells the same story in civic life. We cannot be saved. We have to save ourselves.
Your main protagonist is actually two characters in one: Kora and her ‘other soul’, Roka. What inspired her creation? Did you find you had to do a lot of research into subjects such as dissociative identity disorder to pull off this ambitious character?
About a year before I put the trilogy together I had an idea for a book title – The Girl With Two Souls. I don’t know why this title popped into my mind, unless it somehow represented ideas which interest me, and which are the philosophical theme of the trilogy: do human beings or other creatures and creations have a soul or spirit? Anyway, I wrote it down for future reference, as it seemed a particularly intriguing title for a novel. The year after, that title and the whole thematic template for the trilogy merged and came out in a single two hour splurge. I knew Kora was the girl with two souls, I knew she had one black African parent and one white British parent, and I knew she would alternate between Kora and some other character. Now, the strange thing is, this alternation of identity has been recorded in reality; there are some individuals with DID who alternate regularly, day by day. I was so astonished to read this that I remembered it much later, when it became the central aspect of Kora’s mental condition.
I did do a little research, but not much – just enough to make the grounding plausible. There are aspects of Kora which are my own invention, while other aspects are psychologically grounded. Also, I wanted to emphasise that the Edwardian society surrounding Kora would look at her from a Christian perspective, i.e. that she did have two souls within. There was very little understanding of mental conditions in those days – a theme of my WW1 novel Tommy Catkins. Freud, for instance, had in 1910 only been published for a couple of decades. So Kora is psychologically grounded, but also a person of my imagination.
I think this might be a good point to mention an aspect of the trilogy which some readers found perplexing, and that is the “second novel” which intertwines with the main one. This is Amy’s Garden by Reverend Carolus Dodgson. I can tell you that right from that opening splurge of ideas I knew Amy’s Garden had to be a central element of the trilogy. It is of course an alternate version of Alice In Wonderland – I’ve always loved that book, like millions of others. So I re-wrote it, using Dodgson’s love of logic in my own particular way, asking and answering questions about consciousness and the human condition. Amy’s Garden is a book Kora cannot live without. As she declares much later, it is her heart. I did everything I could to encapsulate in the smallest possible amount of prose, and as vividly as possible, ten central aspects of consciousness and the human condition: that is what Amy’s Garden is, over twelve brief chapters. Kora, lacking a steady identity, grasps at a deep level that the book speaks to her, which is why she carries it in her pocket and is never parted from it. And in Amy’s Garden itself I played with a kind of conceptual echo, since Amy herself carries a book in her pocket…
By the way, in Alice In Wonderland, Alice’s sister is not named, though some believe she is called Lorna. I called her Amy, and had Alice herself appear briefly part of the way through Amy’s Garden, alongside her parents. Now, in real life back in 2013, I knew two sisters called Amy and Alice, which is where Amy’s name came from. They were students at the college where I worked! I never told them, of course…
In your blog post ‘The Unemployment Problem’ you talk about your automata. Did you go through different models for employment in your world before settling on that one, or was it clear from the start which direction you wanted to go in?
The second line in my notebook from that two hour splurge says: touchstone, steampunk. I knew right away that I wanted to write a steampunk or steampunk-influenced work. So automata were the direction to go in. I think I was also influenced by a television documentary I watched presented by Professor Simon Schaffer called ‘Mechanical Marvels: Clockwork Dreams.’ This was broadcast in autumn 2013, and I remember being fascinated by it, as at the time I knew nothing about how complex automata were in historical times. I’ve watched it a couple of times since, it really is an amazing documentary.
I particularly liked the idea of automata being the slaves underpinning the British Empire, as so much of the wealth and power of that real era came from exploitation: of the working class, of people in colonial nations like India, and, in previous centuries, of actual slaves, like those taken from West African countries. Linking these automata slaves with Kora’s father and his Factory seemed the perfect connection to me, and made for some great plot twists!
The Clockwork Garden is amazing! How did the idea for this come about? And additionally, what is your personal favorite Factory Girl location?
How strange that you should mention the Clockwork Garden in that way! It so happens I can remember exactly how it came about – no coincidence, maybe. I was at the day job, out for a lunchtime stroll – this would be autumn 2013 – and was walking back to the college through a place in my home town of Shrewsbury called the Quarry, which is basically an old sandstone quarry now converted into a beautiful green park adjacent to the River Severn. By this time I was putting together all the details for the novel, prior to writing the first volume December 2013 – January 2014. As I looked out at the trees and bushes I had a sudden mental image of them all made in metal. From that single thought came the whole idea of the Clockwork Garden. I remember being pretty excited about this idea – I wrote it down in my notebook as soon as I got back, then, later, made it more sophisticated to include clues about the Factory and other details. I love it when inspiration strikes in this way. As I’ve written on my blog and at SFF Chronicles, I think authors should always listen to their subconscious. It’s where a lot of the important work happens.
I think my favourite location is probably Dr Spellman’s house in Sheffield. It was very important to me because it was the first safe location for Kora after she was sprung out of Bedlam Mental Hospital. My version of Bedlam was inspired by an actual mental hospital, you see, and Dr Spellman’s house is topographically almost identical to a house I know. Because in those first two chapters you don’t know for sure that Dr Spellman is a good man, I intuitively hit upon the idea of using a house I have fond memories of. The reader of course wouldn’t be aware of any of this, but it was important to me; it affected the tone of my writing. I wanted to write from a position of knowing deep down that Kora was safe, not in peril as she was inside Bedlam. This all sounds a bit odd, I know, but when I created the template for the trilogy it all came out of my subconscious in one go, which told me that the whole thing was ready formed in there and just waiting for the right moment to emerge. So it felt right that Dr Spellman’s house should link to my own memories in some way, giving it extra depth and an aura of safety. From that house, Kora is able to explore. It gives her a solid foundation. There’s a scene at the beginning where Dr Spellman is waiting for Roka, and he is sitting half asleep at the top of a staircase; that’s directly out of my own visual memories of this house.
You also have a new novel on the way, set in the Factory Girl world. Could you tell us a bit about The Conscientious Objector?
After writing the third volume of the trilogy I had a year off, as I’d done a lot of work, felt exhausted, and needed a rest. But, as I rested, I realised Erasmus Darwin had a tale yet to tell, so in December 2015 I began The Conscientious Objector, which takes place in 1914 – 1915 and tells of Erasmus’ reaction to the outbreak of what even then was called the Great War (i.e. World War 1). Erasmus of course loathes physical combat, as evinced by his reaction to being given a pistol by his Uncle Frank when Frank’s house is under siege in The Girl With One Friend. I realised that in WW1 he would by inclination be a pacifist, and perhaps even a conscientious objector, though that would be a very dangerous position for him to take. Conchies, as they were known, could be shot by firing squad. Many were. (My subsequent WW1 novel Tommy Catkins went deeper into this soldiers’ dilemma.)
I wanted Erasmus to have a female companion, so the other main character is Claudia Cooper, a strange woman of very mysterious origin. As I thought about these two characters and their relationship I decided to use the notion of early childhood memory, focusing on that point when we have our first recallable memories – usually around the age of three or four – but for Claudia blurring them into something indistinguishable from fantasy. As a consequence, much of the novel is Claudia and Erasmus delving deep into her origin via a most extraordinary special mission given to them by the British generals on the Western Front. The novel ends with a revelation which, of course, I couldn’t possibly divulge here, but which presents both Claudia and Erasmus with a life-threatening situation the like of which neither has ever encountered.
This novel, like the trilogy, also has a second book intertwined with it, which I wrote shortly after completing Amy’s Garden. It is Amy’s Adventures In Narkissos, a much darker work, as is suggested by the scene in The Girl With Two Souls where Kora, via the Amy doll, asks a question about it, to her immediate shame. This second Reverend Carolus Dodgson book details more of Amy’s world, asking questions of its reader about the role of selfishness (or more accurately narcissism) in their lives.
Do you have plans for more work in this setting?
No. It’s done and dusted. I’m terribly restless creatively, and I have two other alternate history fantasy/steampunk works finished or in preparation. But I do feel great warmth towards the Factory Girl trilogy, and I feel very lucky that Keith published it. He’s been a tremendous support to me. Many thanks for asking these great questions Juliana, I had fun answering them!
And thank you, Stephen, for sharing your insights on your work!
Find Stephen’s work on Amazon (see links above); other buying options including Barnes & Noble, Kobo, and Smashwords available on the Infinity Plus website.
It’s freezing in Connecticut, and perfect book-and-blanket weather! Although I must confess that I’ve slowed down on the reading in November — I’m using NaNoWriMo to give my novel rewrite a boost, so have eased off on other people’s words to focus on my own. I have, however, managed to make a nice dent in my to-read list over the past few months, so here are a few favorites from that particular pile…
Recent Reads: A bit of this, a bit of that…
I’ve had Peter McLean’s Priest of Bones languishing on my Kindle for a while, and I’m so glad that I finally got around to it. This is a really good read in the grand old ‘Grimdark Fantasy’ tradition, with a fun cast of characters and some very nice worldbuilding. It follows soldier and field priest Tomas Piety as he heads home from war to reclaim the crime empire he left behind, and soon turns into a game of strategy and intrigue when national politics stick grubby paws into Piety’s business. I absolutely recommend it for fans of this style of fantasy.
My daughter’s been telling me for months that I should have a look at Leigh Bardugo’s TheLanguage of Thorns, and guess what? She was right. You don’t need to have read Bardugo’s Six of Crows duology or her Shadow and Bone trilogy for this, though a working knowledge of her Grishaverse is helpful. However, I’d recommend at least Six of Crows, which is a fabulous heist story in the style of Scott Lynch’s Locke Lamora books. Thorns itself is a collection of folktales, some original and others clear retellings of known stories, written in a variety of styles that match the different nations in Bardugo’s expanded world. Lyrical and also surprisingly funny at times, this is a thoroughly enjoyable read.
When I heard that Disney’s upcoming Hawkeye TV show was going to be loosely based on the Matt FractionHawkeye comics, I decided to take a look. I’m not much of a graphic novel person, but the little I saw online intrigued me, and I was lucky enough that my local library had the first volumes in one neat omnibus edition. Honestly, this is so good! I’ve always liked Barton’s character in the Avengers movies, but this took things to a new level. Great characterization, and I can’t wait to see how they handle Clint and Kate’s interactions on-screen. Also, I need to read the rest of the series now, especially the one in ASL, which I hear is fabulous.
Both my daughter and I are fans of Seanan McGuire’s InCryptid novels, and the latest in the series, That Ain’t Witchcraft, certainly lives up to the very high bar set by the previous books. We’re once again in Antimony Price’s point of view, as she investigates a little ghost trouble in New England and ends up taking on the Crossroads itself. Annie and Sam are adorable as usual, and the whole ensemble cast is perfect. My only complaint? Now I need a family reunion novella with the entire dysfunctional Price crew united and under one roof, significant others and all… If you like urban fantasy and haven’t yet tried InCryptid, please do! I love these books — they take every one of my boxes, tick them neatly, and hand them back gift-wrapped and beribboned.
Now Reading: “We use it to light things from far away,” I said. “You know,” Tom said, “things you have to light from far away probably shouldn’t be lit at all.” – The Blackthorn Key.
I picked up The Blackthorn Key by Kevin Sands a while back, and am now on the third book, The Assassin’s Curse. This middle grade historical adventure series is absolutely fantastic! The books center around an apothecary’s apprentice, Christopher Rowe, and his friends, and are set against the backdrop of 1660s England complete with threats of the plague and of political conspiracies galore. The series is fun, well-written, and full of code-breaking, apothecary secrets, and twisty plots. It’s written for kids, but honestly, there’s plenty in them that will appeal to adults, too. Good stuff.
To Read: Old friends, new beginnings.
The Hazel Wood by Melissa Albert was one of my favorite books of 2018! Now I have the ARC for the sequel in hand, and can’t wait to get started. The Night Country releases on January 7th 2020, and returns us to the magic and darkness of Albert’s Hinterland. If you haven’t read the first book yet, give this wonderful blend of fantasy and magical realism a try.
Call Down the Hawk by Maggie Stiefvater just landed in our mailbox in all its big hardcover glory, signed bookplate and all. Can you tell that we’re fans in this house? This is the long-awaited sequel to the Raven Cycle series, and focuses on Ronan Lynch, my absolute favorite of all Stiefvater’s Raven Boys. To get in gear for this brand new release, both my daughter and I reread the four original Raven Cycle books; now we’re all fired up and ready for more Ronan and Adam, and to meet all the new characters that Stiefvater has promised us for this series.
With Worldcon a wrap, at least for me, I was ready to take time off to wander around Dublin and get some sightseeing done. I had a theme for the day, and that theme was ‘words’. Pol and I started out together at the Dublin Writer’s Museum, and then went our separate ways. My path took me past Christ Church and St. Patrick’s cathedrals, with a pause to enjoy the architecture and St. Patrick’s Park, and then onto the gorgeous Marsh’s Library — the oldest public library in the country.
Dublin Writer’s Museum
Christ Church Cathedral
Marsh’s is well worth a visit is you’re in the area; the section open to the public is small, but the ambience is incredible! You can just imagine the scholars of the past sitting at the wooden desks pouring over the leather-bound tomes… (Go follow their lovely bookish feed on Instagram!) Next, I strolled past Dublin Castle and visited my last stop of the day: the Chester Beatty Library, a fabulous building that mixes the old and the modern beautifully. The Chester Beatty houses a collection of manuscripts, rare books, and other fascinating items from Asia, the Middle East, North Africa, and Europe. I wandered back home via Temple Bar and the Ha’Penny Bridge, to pack my bags ready for Belfast the next morning.
Quote spotted on street
Chester Beatty Library
On Tuesday August 20th, Pol and I set off for Northern Ireland, with a picturesque train ride up through the Irish countryside. In Belfast, I headed to Jo Zebedee’s house in Carrickfergus — a huge thanks to Jo and her wonderful family for hosting me for a week! Titancon began on Thursday, so on Wednesday we still had time for a little sightseeing, which began with a drive up the coast (and past the filming location for the Wall and Castle Black in Game of Thrones), stopping at the ruins of the ‘Bishop’s Palace’ in the parish where Jonathan Swift was minister. A thoroughly rainy afternoon was spent in company of fellow Chrons members Pol and Paul, visiting Carrickfergus Castle before a well-deserved pub dinner.
The ‘Bishop’s Palace’
View from the castle gate
Thursday August 22nd was the first day of Titancon/Eurocon. I was instantly smitten! This is a much smaller con than the madness that was Dublin, and I thoroughly enjoyed the casual atmosphere, with good conversations waiting around every corner, and a small but interesting selection of panels. After the opening ceremony with Guest of Honor George R.R. Martin himself, it was time for my own panel: I was moderating Found in Translation (Juliana Spink Mills, Francesco Verso, Radoslaw Kot, Jean Bürlesk) and have been assured I did a decent job of it! Jo and I left early, without staying for the famous Titancon Literature Night, but all in all it was a great first day.
Friday, I skipped the morning programming and headed over to the Titanic Belfast museum, which was particularly interesting for the glimpse of Belfast in the early 1900s, as well as the scope of the shipping industry in the day. I made it back just in time to catch a great panel on Medbots, Tricorders, and More (Kerry Buchanan, Catherine Sharp, David Nordley, Christine Doyle), where Christine drew a parallel between space exploration and the colonial era on Earth, talking not only about a fear of being contaminated with alien diseases, but also that care will be needed not to contaminate other species/peoples with Earth diseases.
Titanic museum across the water
Titanic Belfast museum
Following this, I caught a presentation on underwater archeology by Radoslaw Kot: Capital Ships Lost. My next program item was A Closer Look at Anthologies (Ellen Datlow, Kerry Buchanan, Paul Corcoran, Sarah Murray, Claude Lalumière). I found the differences in approach taken by an editor dealing with larges presses (Ellen) and small presses that depend on the KU pages-read system (Paul) particularly interesting, in terms of specific strategies used.
The last event on Friday was our DISTAFF book launch. DISTAFF is an all-women’s sci fi anthology put together by a group of us from the SFFChronicles.com forum, including Kerry Buchanan, Jo Zebedee, and myself, all present at Titancon. The anthology was officially released on August 15th (see our website and my blog post for more information), and finally we had a chance to celebrate all our hard work! We had a great turnout for the launch party, which included readings, an interview by author and editor Paul Corcoran, and lovely cupcakes and sci fi themed chocolates. A huge thanks to everyone who came and made our evening such a special one!
Kerry, Paul, Jo, Juliana
Yummy launch treats
Chrons members at the launch
Saturday was the last official day of Titancon, apart from the traditional Sunday coach tour (see upcoming blog post) and feast (which I skipped). My first program item of the day was Peader Ó Guilín’s Toast Mutant Interview , followed by a panel on the Modern Use of Irish Mythology (Jo Zebedee, Ruth Frances Long, Ian McDonald), where Ruth told us that, regarding different parts of Ireland and mythology, “We come at things from different angles, but we all end up at the same point.”
Next up was a panel called YA For Everyone (Ruth Frances Long, Karen, Rain Devlin, Peader Ó Guilín), where Peader reminded us that YA isn’t just about plot-driven stories, but also stories that people think young people should read, that will educate them—issue-driven stories (drug use, disability, etc.). The panelists also brought up another matter, that of shelving issues: if YA is treated as a genre, do we need subgenres? The closing ceremony came soon after, with Toast Mutants Peader and Pat Cadigan, and Guest of Honor George R.R. Martin. Afterwards, six of us Chrons folk topped this off with our very own farewell dinner — a lovely and fitting end to the event.
More to come! The Titancon coach tour and my day out in Howth…
From the moment Worldcon 2019 was confirmed for Dublin, I knew I wanted to go. Eurocon was taking place a week later, in Belfast, and this was the most golden of golden opportunities to get to meet some of my UK and Irish SF/F writing friends in person. I talked it over with my husband, and we decided I should take the plunge and buy the memberships to both cons.
Fast forward two years and there I was, landing in Dublin on a grey and drizzly Wednesday morning at oh-my-god-it’s-early o’clock for my first ever Worldcon. I had arranged to meet my friend Pol, who was sharing a rental house with me and a couple of others from the forum we all post on — the SFF.Chronicles.com. Pol was fresh off the ferry from England, also arriving at horrible o’clock in the morning, so we kicked off our adventure by spending the hours until we could check in by traipsing all around Dublin. Two museums and a multitude of other stops later, including Trinity College and the statue of Oscar Wilde, it was finally time to drag our exhausted and zombie-like selves to a taxi and head over to our home for the week.
Death globe selfie at Trinity College
The rest of the day was spent settling in, getting to know my housemates in person, and popping over lightning quick to the event venue to get our registration done. Thursday morning was Day 1 of Worldcon, and the four of us — Pol Dee, Jo Zebedee, Shellie Horst, and myself — took a taxi in the morning, excited to get started. The first panel I caught that day was Invasion and the Irish Imagination (Jo Zebedee, Peader Ó Guilín, Ruth Frances Long, Ian McDonald, Jack Fennel), a lively and thought-provoking discussion. Perhaps my favorite moment was when Jo told us, “as writers, keep asking those questions, and asking them hard.”
Later, in Sports in Science Fiction and Fantasy (Neil Williamson, Chris M. Barkley, Rick Wiber, Fonda Lee), Fonda talked about sports as a microcosm of society, and suggested that “sports are a way to reflect and reinforce some of the social conflicts and divisions.” I was particularly interested in this panel, as I’m getting ready for another revision pass of the SF sports thriller that I wrote last year. Lots of great tips!
View of the Liffey…
…from the conference center
I managed to fit in two more panels that day, Found in Translation (Rebecca Gomez Farrell, Jean Bürlesk, Umiyuri Katsuyama, Andy Dudak), and ‘Celtic’ Fantasy and Mythology (Kerry Buchanan, Kathryn Sullivan, Kristina Perez, Deirdre Thornton, David Cartwright). I also connected with some of the other SFFChronicles members who were attending Worldcon, and a few other ‘e-friends’ who I had been looking forward to meeting in person. As evening fell, we shared another taxi home to our ‘con within a con’, to chat about our day over dinner and a well-deserved glass of wine.
Friday was a day for readings, with one by Charlie Jane Anders — a delightful surprise, as I wasn’t familiar with her work — and Victoria Schwab — who is every bit as amazing in person as she is online. At the end of the day it was my turn ‘on stage’, as part of the Broad Universe Rapid Fire Reading. It was lovely to be part of Worldcon’s programming, and we had a nice turnout for our event.
The Broad Universe group
Con badge and con nails
BU and anthology swag
By Friday, Worldcon was busy, busy, busy; lots of people and lots of lines everywhere for all panels and events. We were forced to strategize, paring things down to basics, attending only the things we really wanted. For me, on Saturday, this included a great panel on Gender and Sexuality in YA (Victoria Schwab, Sam Bradbury, Diana M. Pho, Rei Rosenquist, Rachel Hartman), where we were urged by Rei to “stand on the ground you stand on” and know which story is actually ours to tell. Victoria added that writers need to understand the core of their own identity first.
Other Saturday events included a reading by Adrian Tchaikovsky, and a kaffeeklatsch with Peter V. Brett, where much Demon Cycle wisdom was shared. But possibly my favorite moment of the day was going out to dinner with a mixed group of SFFChronicles members and writers from Otherworlds NI, a Northern Irish science fiction group, the brainchild of Jo Zebedee. The Otherworlders are all collectively lovely, and us Chronners were more than happy to become honorary Otherworlds adoptees. This, to me, is the highlight of these events: the friendships forged or strengthened, the conversations held, the smiles and laughter gathered.
I kicked off Sunday by attending a kaffeeklatsch with fellow Broad Universe member Randee Dawn. This was followed by a panel on Getting Published and Staying Published (E.C Ambrose, Patrick Nielsen Hayden, George Sandison, Michelle Sagara, Rachel Winterbottom), where Elaine reminded us that most writers’ careers are a rollercoaster of ups and downs instead of a linear ascension. At What is Irish Science Fiction Now? (Jo Zebedee, Val Nolan, Atlin Merrick, Sarah Maria Griffin), Sarah declared that “no one is going to talk about us if we don’t talk about ourselves. (…) It is urgent that we represent ourselves.” When the subject turned to the divide between perception of ‘literary’ vs genre fiction, Sarah delighted the audience by saying, “I do believe they’re called book shelves for a reason, and not book plinths.”
Sunday evening was the Hugo’s ceremony, which Pol and I livestreamed from the house as we were both absolutely out of energy. I had already decided to give the last day of the con — Monday — a miss in the name of Dublin tourism, but I felt that Sunday was the perfect ending to an extremely hectic but very rewarding event.
More to come! Touristing in Dublin and Belfast, Eurocon/Titancon, the Titancon coach tour, and my day out in Howth…
Anyone who has watched Ghostbusters will remember that, although ‘crossing the streams’ was supposed to be a Terrible Thing, ultimately it vanquished the Big Bad and saved the day. Likewise, for writers, learning to cross-network between different writing communities can enrich our lives and take our work to a whole new level.
In 2012, I joined my first writing community, the SFFChronicles.com — an online science fiction and fantasy forum with an active writer’s section. At the time, I had just made the decision to get back into writing and was working on my first novel, a middle grade fantasy. While researching children’s fiction resources I found the SCBWI (Society of Children’s Book Writers and Illustrators), but back then I lived in Brazil, and we had no regional chapters I could look into.
A year later, following my husband’s job relocation, I moved to Connecticut. As soon as I arrived, I joined the SCBWI. Six months later, I went to my first SCBWI conference in New York. I was making connections, online and in person, and my writing world was growing. At the same time, I continued to be an active participant in the sci fi and fantasy community. Both were equally important in teaching me about how publishing works, and in honing my writing skills.
From the kid lit community I learned how to craft middle grade and YA; the SF/F world taught me about genre fiction. The first was invaluable in helping me understand traditional publishing; the second showed me how to navigate anthology submission calls and other short story markets. The SCBWI brought me my wonderful local critique partners; the SF/F community gave me my first beta readers, and eventually a second online critique group. The SCBWI encouraged me to volunteer at conferences and events, and to get involved at a local level, organizing meet and greets for my area. SF/F brought participation opportunities for convention panels, my first public reading, and an opening to write interviews for a genre website. Both groups have nurtured me and cheered for my successes along the way, and expanded both my horizons and my circle of friends. I couldn’t keep moving forward without both of these communities at my side.
When I go to SCBWI events I’m always intrigued by how few members seem to even consider reaching beyond the kid lit community for connection and knowledge. The SCBWI is a wonderful place to call home, but there are many other thriving organizations out there to be explored. The Romance Writers of America is a busy and inclusive example, with many small local chapters throughout the USA. The Mystery Writers of America is another great society with active chapters in different regions. And those are only two among many. Broadening our worlds and cross-networking between communities can be a wonderful way to gain further insight in our work and widen that support web that is so crucial in the difficult world of publishing.
Whatever you chosen ‘home’ community, consider stepping outside and looking for others to connect with. Have a look around, both online and in your local area, and see what you can find. Take a chance on adding a whole new side to your network by joining additional writing organizations — either official ones, like those mentioned above, or unofficial ones such as the forum I’ve been on since 2012. Getting involved with a new community may be scary at first, but by casting that net a little wider and crossing those streams, you may find your creativity shines bigger, and brighter, and bolder than ever.
It’s 2019! Well, it’s actually been 2019 for a while now, but I haven’t done a book round-up since 2018 so does that mean I get to celebrate New Year’s all over again? No? Ah, well, it was worth a try. *discreetly shoves champagne glass and party streamers under the table*
I actually followed my New Year’s resolution and made a good dent in my to-read list. Okay, who are we kidding, that thing is huge! But I have upped my reading game this year, and it feels good to be back! Here are a few of my favorites from the last couple of months.
Recent Reads: A world tour of mythology.
I’d heard good things about City of Brass, so when I spotted it in my local library, I immediately picked it up. S.A. Chakraborty’s lush fantasy tale starts in the streets of 18th century Cairo and travels to Daevabad, the legendary city of brass, home to the djinn. Beautifully written, and with plenty of twists and turns to keep readers on their feet, I swept through this in a day and a half, absolutely enchanted.
Another 2018 release that plays with different world mythologies is Trail of Lightning by Rebecca Roanhorse. Set after a future climate apocalypse has ravaged the USA and the Navajo people have created the magically protected land of Dinétah, the story follows monster hunter Maggie Hoskie on the trail of dark witchcraft and ancient legends reborn. Roanhorse’s prose is swift and fierce, and Maggie is a wonderful character — at the same time flawed and fragile, yet strong as stone.
This next one is a relative oldie compared to the other books in this post, but I’d been wanting to read The Scorpio Races by Maggie Stiefvater for a while. I love Stiefvater’s writing style in the Raven Cycle series, and this one has a similar atmospheric allure. However, instead of dusty Virginia roads and rolling hills, we have bracing winds and sea-salt spray, tough island grass and even tougher island people. It plays loosely with the Celtic myth of the water horse, using it to tell a tale of resilience and determination. Very nice.
The Cruel Prince by Holly Black may well end up being one of my favorite books of the year. This dark fairytale has underlying themes of abuse and isn’t afraid to get its hands dirty. The story of a mortal girl, brought up in the land of Faerie among the members of the Royal Court and caught up in the violence and political intrigue that accompanies the fight for the throne, it’s a breathtaking read and I absolutely raced through the pages.
Now Reading: The end of the Shattered Realms.
I’ve only just started Deathcaster by Cinda Williams Chima, last book in the Shattered Realms quartet, but I’m already mourning the end of this series. I was thrilled when, back in 2016, Chima gave readers the chance to dive back into her Seven Realms world with a new quartet of novels, set a generation after The Crimson Crown concluded. It’s been wonderful meeting a whole new cast of characters while enjoying the setting she so beautifully delivered in the previous series.
To Read: It’s all about those sequels…
I have two sequels on my reading list, and I’d like to get to them soon while the previous books are fresh in my mind. Both are the second-in-series of books mentioned above: The Wicked King by Holly Black, and Kingdom of Copper by S.A. Chakraborty. I’m looking forward to jumping back into Black and Chakraborty’s worlds!
How has your reading been so far this year? Any good sci fi or fantasy suggestions? Let me know in the comments!
Another year, another edition of Boskone, ‘New England’s longest running science fiction convention’. I’ll always have a soft spot for Boskone, which represents a lot of firsts for me: first SF/F con I ever went to (back in 2015, two years after moving to the USA) and first time on panels (2017) are two of them. This year I added another couple of firsts: my first time moderating a panel and my first time doing a reading.
Here are some of my Boskone 56 highlights!
Trying my hand at moderating. I…actually had a great time doing this. The other participants of the Agency and Free Will in Speculative Fiction panel — Gillian Daniels, Rebecca Roanhorse, Greer Gilman, and M.C. DeMarco — did a fantastic job with a pretty tricky theme, so a huge thanks to them all for playing along with my not-so-easy questions.
The Broad Universe group reading. Broad Universe has been organizing their Rapid Fire Readings for years now, and as a new member of the group I was delighted to give this a go. We each got an allotted six minutes to give the audience (and each other) a taste of our work, and I really enjoyed the mixture of styles and genres.
Talking fights in the Now, That’s a Great Action Scene panel. Unfortunately our moderator Errick Nunnally only made it for the end of the panel, but Bracken MacLeod stepped in and kept S.L. Huang, Vincent O’Neil and myself busy with plenty of fun discussion points. And I got to take my HEMA longsword to show offprove a point (ha! point…) about the need for proper research.
Debating trilogies and series in the Middle Book Syndrome panel. Fran Wilde did an awesome job moderating this (plus, we had matching nail polish!), and Kenneth Rogers Jr., Sarah Beth Durst, Sharon Lee and myself had a great time trading tips and tricks for keeping those trilogies flowing.
Readings! Besides the Broad Universe reading, I also caught the Unlikely Imaginarium group reading, with Elaine Isaac/E.C. Ambrose, Clarence Young/Zig Zag Claybourne, Kenneth Schneyer, C.S.E Cooney, Carlos Hernandez and Cerece Rennie Murphy. And later that same day, a reading by S.L. Huang, whose Zero Sum Game sounds awesome and has already been added to my to-read list.
I always try to fit in a few panels, and Laundering Your Fairy Tales with Jane Yolen, Theodora Goss, Victoria Sandbrook, Karen Heuler and Melanie Meadors was a great pick, delving into the often-dark history of popular fairy tales. Of Gods, Devils, And Tricksters was another good one, with an in-depth look at trickster figures in mythology. This one was moderated by Max Gladstone, with Rebecca Roanhoarse, Shannon Chakraborty, Jane Yolen and Dana Cameron. And I ended up going to The Great Agent Hunt, with S.L. Huang, Joshua Bilmes, Christopher Golden, Lauren Roy and Barry Goldblatt. Lots of good advice, and plenty of cautionary tales…
People. All the people. New friends, old friends… Conversations everywhere: at the bar, in the hallways, at the tail end of panel sessions. This is what really makes Boskone such a great event — getting to hang out with other readers, writers, and fans for two days straight. You are all awesome and I loved spending time with you! I hope to see you next year!
I only stayed two days this time, instead of the full weekend, to save a little on hotel money. I was sad to leave early, but it’s for a good cause: in August I’ll be at Worldcon in Dublin and then Titancon in Belfast! I’m really excited to be trying something new, but you can bet that in 2020 I’ll be back at Boskone, my ‘home con’ and forever favorite.
Book news! Well, anthology news, actually. Tomorrow my short story King Swan comes out in a brand new collection — Gorgon: Stories of Emergence (Pantheon Magazine).
From the official blurb: “Be changed. GORGON: STORIES OF EMERGENCE contains 42 transformative stories spanning all genres from both emerging and new voices alike, with all new stories by Gwendolyn Kiste, Richard Thomas, Annie Neugebauer, Eden Royce, Beth Cato, D.A. Xiaolin Spires and more, and featuring 10 illustrations by Carrion House.”
I’ve had a peek at some of the stories and they’re awesome! You can buy Gorgon on Amazon in ebook and paperback, starting tomorrow…
It’s been two years today since HEART BLADE was published! Happy bookversary to the Blade Hunt Chronicles!
It’s almost February, and that means it’s getting close to Boskone time! I absolutely love this friendly New England Con, and I’m glad to be returning. If you like science fiction and/or fantasy, and live anywhere near Boston, why not drop by to check it out?
This year brings a couple of firsts for me: my first time as a panel moderator at Boskone, and my first reading, as part of the Broad Universe group. Besides my own program items, I’m looking forward to catching up with friends and hopefully making a few new ones; watching a couple of panels (see full program here); and maybe attending a reading. Let’s see how much I can cram into the two days I’ll be there!
If you’re planning to attend, here’s my schedule:
Agency and Free Will in Speculative Fiction
Friday 15th Feb 2019, 18:00 – 18:50, Harbor III
Fantasy often makes use of prophecy. But when a protagonist is the prophesied one, how can they experience true conflict, risk — or agency? They can’t fail, right? Shouldn’t this deflate the reader’s interest? What happens when you have conflicting prophecies? And if we’re in a mechanistic universe, governed by the laws of physics, where is free will?
Juliana Spink Mills (M), Gillian Daniels, Rebecca Roanhorse, Greer Gilman, M. C. DeMarco
Broad Universe Group Reading
Friday 15th Feb 2019, 21:00 – 21:50, Griffin
Join members of Broad Universe — a nonprofit association dedicated to supporting, encouraging, and promoting female authors of science fiction, fantasy, and horror — as they read tidbits of works and works in progress. Readers will include Terri Bruce, Trisha Wooldridge, L. J. Cohen, Roberta Rogow, Juliana Spinks Mills, Joanna Weston, and others. Moderated by Elaine Isaak.
Now, That’s a Great Action Scene!
Saturday 16th Feb 2019, 11:00 – 11:50, Burroughs
Fight scenes are not all created equal. Action scenes can make or break a story: drawing readers in, or shattering the suspension of their disbelief. Let’s look at some of the best action scenes and sequences to see how it’s done right — and why some scenes are just wrong. How do you keep the energy up without confusing the readers with a flurry of movements that only martial arts enthusiasts can follow — or care to?
Errick Nunnally (M), S L Huang, Bracken MacLeod, Juliana Spink Mills, Vincent O’Neil
The Middle Book Syndrome
Saturday 16th Feb 2019, 16:00 – 16:50, Marina 4
The first book of your series was amazing: solid story; compelling characters; great reception by publisher, critics, and fans. Now, the hard part: living up to all the high expectations. Or maybe the first book had a less receptive reception, but you still need to produce that second volume? Plus there’s the rhythm problem — first book, thrilling beginnings; last book, satisfying conclusions; middle book, recaps and repetitions … How do you deal with the pressures of a multi-book contract and impatient fans?
Fran Wilde (M), Juliana Spink Mills, Kenneth Rogers Jr., Sarah Beth Durst, Sharon Lee