A Winding Thread: Green Magic

Another month, another book post. This time, it’s a brand-new blog segment which will occasionally (when the mood strikes me) visit books that connect by a winding thread of theme, setting, character, or vibes. Today I’m looking at green magic with a trio of stories that draw on nature: Silver in the Wood by Emily Tesh, The Green Man’s Heir by Juliet E. McKenna, and The Silver Nutmeg by Palmer Brown.

Silver in the Wood by Emily Tesh was published in 2019 and is the first in the Greenhollow Duology. It won the World Fantasy Award for best novella, and it’s easy to see why. Part fairytale and part romance, this is a story of old magic, forgotten gods, and new love. 

Tobias Finch is a giant of a man more tree than human. He lives in the woods with his cat and guards the land from supernatural perils. But he can’t protect the locals from the darkest of all dangers, one anchored in the passing centuries. And then a new owner comes to Greenhollow Hall. Henry Silver is handsome, determined, and brimming with unwise curiosity. Before long, Tobias finds himself drawn into Silver’s orbit. But here, too, there is danger, as the younger man’s presence drags buried secrets into the open and forces Tobias to face his own past, lost to time.

Despite the dark undertones that emerge every now and again, Silver in the Wood is a sweet and tender tale. Time is often slow and syrupy, and the words beat to the tempo of tree sap and green growth. Tobias himself is a gentle soul — tall and broad, with long wild hair, but at the same time patient and kind. Borrowing from myths of the Green Man, he’s every inch the magical guardian archetype, living among the trees with only the local population of dryads for company until he allows Henry to slip in through the cracks. This is the perfect hammock read for a spring day, and long after done, the magic of its pages lingers on.

Published in 2018 and a finalist in the British Fantasy Awards, The Green Man’s Heir is the first in Juliet E. McKenna’s ongoing Green Man urban fantasy series. I say ‘urban fantasy’, but it would be more correct to say rural fantasy since the story is set for the most part in the Peak District in England. The choice of setting moves the usual supernatural concerns for this genre from the big city bustle into nature, where the designs and desires of mythical creatures are literally as deep-rooted as the ancient land itself.

Here, too, we have the guardian figure, in the shape of Daniel Mackmain, born to a human man and a dryad, a spirit of the trees. Daniel’s greenblood gives him his tall, strong stature and his ability to see the otherworldly, but here the similarities between him and Tobias end. Tobias is seen by many as intimidating simply because he is large and taciturn, but is soft and kindly. Daniel with his short-cropped hair and quick temper is a lot more thuggish, often having to hold back his anger at those around him (and just as often, failing). He also lacks an anchor — Tobias is bound to the wood he lives in, lost in time but centered in place, while Daniel is lost and clearly searching for meaning. He moves around the country restlessly from job to job, his only tenuous ballast a connection to trees and wood.

Enter the Green Man. In this version, he is a magical guardian spirit who requires an agent in our contemporary world who he can act through. Daniel is the perfect man for the job, already in synch with the mythical world and sharing the Green Man’s affinity for the wilderness. There’s a killer in the woods, and soon Daniel is up to his neck in a murder investigation with supernatural undertones, treading a thin line between doing the Green Man’s work and being arrested as a suspect himself.

Despite the parallels — the woodlands as both character and setting, the use of the Green Man myth, the physical similarities between Tobias and Dan, and the inclusion of nature spirits such as dryads as an integral part of the story — this is a very different beast. Part crime thriller, part supernatural mystery, part deep dive into local history and mythology, it’s a fast-paced, intense, and often dark read, one to save for the comforting embrace of a blanket, a mug of tea, and your favorite chair. (And maybe stay away from trees!)

The Silver Nutmeg by Palmer Brown is the outlier here. It’s a children’s book, for a start, and an old one at that. First published in 1956, my own copy was printed in the UK in 1957. It was bought second hand at a school book sale when I was maybe seven or eight, and it enchanted me for years. The binding is cracked, the book is water stained from when I decided it would be a good idea to keep it in a box in my ‘secret tree perch’ (yes, I was that sort of child), and lots of the delicate illustrations by the author were colored in by the previous owner. But I never could bear to part with it, and so it sits on the shelf next to my Narnia books (new, the originals literally fell apart) and my well-loved copy of E. Nesbit’s The Enchanted Castle.

This is the sequel to Brown’s first book, which I have never read. I always figured The Silver Nutmeg landed in my lap by an act of serendipitous book magic, this strange and quirky tale that had me so smitten as a child, and I never went searching for anything else by the author. It tells the story of Anna Lavinia, who makes her way over the field and into the woods and all the way through the dew pond to the upside-down land where Toby — another Tobias — lives. This Tobias isn’t a Green Man; in fact, among his own people he’s a rather ordinary little boy. But he does fulfill the role of guide and guardian of magic for Anna Lavinia, with magic being the strange rules, physics, and culture of the land through the pond.

There are other connections to the theme of green magic. Nature plays a big part in this story, as facilitator and conduit for the power that allows Anna Lavinia through to Toby’s world. From the start, the author’s descriptions of plants and scents weaves a unique backdrop that quickly sinks under our skin, offering an unlikely mixture of fauna and flora that marks this as a place apart, somehow here and not at the same time. And the different sources of water — the dew pond, the spring, the well — have their own parts to play. Once through the pond and into the other side, we reach Toby’s home, in a dim, cool valley lit by the indirect sun that filters through the still-water places that connect both worlds.

A book this old is not without its flaws, of course. There is a recurring use of harmful period-typical stereotypes regarding the Roma people. And the gender roles are dated, despite Anna Lavinia’s father declaring that a girl must grow up to have a point of view. But it is still charming, peppered with quirky drawings by the author as well as original songs and poems that manage to feel both strange and familiar all at once. This is definitely a book for warm summer afternoons in the park or garden, and on rereading it I understood what drove me as a child to keep it in a box up a tree, as if by treating it as a windfall treasure, nature might reward me with my very own portal to lands beyond.

Perhaps if I were to pick a single thread that unites these three very different stories, it would be oak trees. The oak, of course, is a powerful druidic symbol of pre-Christian magic in the British Isles, and it plays an important role in these books. An oak serves as Tobias Finch’s anchor to life and to the forest; oak trees and their wood symbolize safety for Daniel Mackmain, and a connection to the Green Man; and an ancient grove of oak trees both embraces and feeds the dew pond that is Anna Lavinia’s portal to adventure, with an acorn playing the part of herald between Anna Lavinia in one world, and Toby in the other. And since oaks are a keystone species found in many parts of the globe, what better symbol for a bit of literary green magic?

“At once slow deep green rolled over him. He took a breath, and another, smelling old rotting leaves and healthy growth and autumn light. He felt almost as though he could have planted his feet and become a tree himself, a strong oak reaching up to the sky, brother of the old oak who ruled the wood.” 

Silver in the Wood, Emily Tesh

Have Book, Will Read #28

2022 started off with lots of Reading Energy and I’m actually surprised at how much I’ve gotten through in the past month and a half. Two months, if you count the very end of 2021… It’s been a frosty, frozen winter, and I was more than happy to shut out the cold with a blanket, a cup of tea or two, and a good story. Here are some of my top books from these past couple of months.

Recent Reads: marvelously magical…

I took Jo Zebedee’s The Wildest Hunt on a short post-Christmas break all the way up in frozen Lake George, and it was the perfect location for this haunting tale of otherworldly peril. I love Jo’s writing style, which to me is the perfect mixture of breathtaking action, practical storytelling, and beautiful setting.

The Wildest Hunt takes us to the heart of Donegal in northwest Ireland, where a commission for an on-location painting promises the perfect Christmas holiday for a psychic artist and her boyfriend. Then a dangerous winter storm closes in around the picturesque but remote cottage, and the couple are forced to flee. But worse than the storm are the creatures that hunt within it. A thrilling story for fans of dark contemporary fantasy!

I read Tamsyn Muir’s Gideon the Ninth last year, but I needed time to get my head around the ending. Part of me wasn’t sure I even wanted to read the next book in Muir’s genre-bending space necromancers series, but I’m really glad I finally did! Harrow the Ninth is a mind-break of a complex tale, twisting in and around and up and down; a book so thoroughly confounding (in the best sort of way) that my daughter made themselves a Reddit account just to be able to discuss theories! (Spoilers for Gideon next, but not too many…)

Harrow, the second in the Locked Tomb series, picks up just after the frantic events that mark the end of Gideon. Newly made lyctor Harrowhark Nonagesimus finds herself on board the Emperor’s warship, sworn to take her place beside him in his centuries-old war. The story time-skips back and forth across the universe, landing Harrow among new allies who may just turn out to be enemies, with a sword she cannot control, and the fear that just keeps on giving: has her mind finally shattered?

I’d seen book chatter about A Marvellous Light by Freya Marske, and had it on my to-read list long before it came out last November. When I finally got hold of it, I devoured it in one long sitting. (Seriously. My family just sort of got on with life and let me be. They know me too well!) If you’re a fan of delicious Edwardian drama with healthy dollops of romance and magic, then this is the book for you. And, luckily, the sequel comes out this November.

When an administrative error appoints Robin Blyth, the young and harried baronet of an impoverished country seat, as the civil liaison to a secret magical society, things begin to go wrong from the very start. Facing new enemies, a deep-rooted plot, and a deadly curse, Robin’s only hope lies in the hands of his magical counterpart, academic bureaucrat Edwin, who may have hidden depths under his prickly exterior.

T.J. Klune’s The House in the Cerulean Sea was one of my top books of 2021, so I was pretty excited to read his latest, Under the Whispering Door. The story follows Wallace Price from his own funeral and through the in-between time that’s supposed to soften the transition between life and the great beyond. He’s placed under care of ‘ferryman’ Hugo, who runs a teashop. In coming to terms with his death, Wallace has the chance to find himself again — the self he’s somehow lost along the years. And if romance is brewing among the tealeaves? Well, that just might land Wallace and Hugo in a spot of hot water…

I took a while to warm up to Wallace and the book as a whole, but it grew on me gradually, and by the end I never wanted it to end. Now, I realize the genius in it: Wallace doesn’t particularly like himself, either. He has constricted himself into a box he’s built, year by year, and he no longer resembles who he used to be. As Wallace slowly lets go of his crafted persona, and reconnects with himself, we discover Wallace, too, and slowly fall in love with the character. 

Additionally, the book deals beautifully with saying farewell and was an incredibly cathartic read. I cried so much at the end, but good crying. It turns out that, after two years of Covid and more than that since I’ve seen my family in Brazil, what I really needed right now was a gentle, thoughtful, kind book about death in all its forms and nuances. 

Now Reading: that healing magic…

I tore through Witchmark, the first book in C.L Polk’s Kingston Cycle, in just under a day. Luckily, the next two books in the trilogy are out and ready for reading. I’m currently at the start of the second, Stormsong, and have the third, Soulstar, all ready to go once I’m done with that one.

This series is an absolute treat! Set in a fantasy world based on an Edwardian England, shadowed by a war with a neighboring country, the first book introduces us to Miles Singer, a runaway noble and mage who has followed the calling of his healing magic to work as a doctor. Miles’ world is one of hidden magic that runs the country, concentrated in the hands of a select group of powerful families, and of shameful secrets that could see the downfall of everything society takes for granted. I’m really looking forward to seeing where the plot is heading, after the breathtaking whirlwind that was the first in the trilogy.

To Read

Upright Women Wanted by Sarah Gailey sounds like the sort of unmissable romp custom made for my enjoyment. The story of Esther, who stows herself away in a Librarian’s book wagon to escape an arranged marriage, is set in a near-future American Southwest which, according to the publisher “is full of bandits, fascists, and queer librarian spies on horseback trying to do the right thing.” Yes, please!

Everything goes on hold in our house when a new Incryptid novel is released, and March brings the latest installment of Seanan McGuire’s fabulous urban fantasy world. This will be the first time we get a novel from the point of view of Alice Price — aka Verity, Alex, and Annie’s underworld-exploring, de-aged, ferociously competent hellion of a grandmother. In Spelunking Through Hell, Alice makes a final desperate pan-dimensional attempt to find the husband she lost fifty years before in an incident with the entity known simply as the crossroads, and I, for one, cannot wait to get started.

I hope you all have some good books on your own to-read lists. Here’s to warmer days ahead, and to springtime reading outside in the sunshine!

Building the World of Conjuror Girl: a guest post

I’m thrilled to welcome SF/F author Stephen Palmer to the blog as he stops by on the tour for his brand new Conjuror Girl trilogy. And for a double treat: a guest post AND an interview!

The Conjuror Girl trilogy, which includes Monique Orphan, Monica Orvan, and Monica Hatherly, is published by Infinite Press. Monique, an orphan in an alternate Victorian England, has a strange talent normally only found in men. It is a talent that turns men bad and drives them to seek power, but must it do this to Monique too?

The Delicate Balance of Worldbuilding, by Stephen Palmer

The foundations of stories need to be strong and deep, for if not the structures built upon them collapse. Authors know this – they build worlds, discovering people who live in those worlds. If their worldbuilding is flimsy, the narrative falls apart and the people never have a chance to reveal themselves. No book.

I’m lucky. I’ve always had a vivid imagination, which when I was sending around what became my debut Memory Seed helped lodge the world of Kray in my soon-to-be editor’s mind. Like plant roots, the foundations of Memory Seed were strong.

There are certain rules in worldbuilding which I think help if you know them. In my new Conjuror Girl trilogy, the world is an alternate Victorian Britain – 1899/1900, in a gothic version of my home town of Shrewsbury. The world I built therefore had a curious property which I’ve rarely encountered before, that of pre-existing. My job in making the world of Conjuror Girl was to transmute something already in existence. I can tell you that this task was enormous fun. “Task” in fact is not the right word – relish is better.

One of these tricks of worldbuilding is detail. I learned this early on when, critiquing a poor early version of Memory Seed, my beta reader made comments on a tiny detail which for him brought the world alive: graffiti scrawled in green algae covering a street computer display. I saw again what he had seen; saw it through his eyes. That detail signified people doing what people always do. The city was alive.

Graffiti and algae were enough to signify to the reader what Kray was like. Everything else the reader would bring themselves. And this is an important lesson. Too much detail is as bad as too little. You have to get it just right. Too little, and there’s not enough to spark the reader’s imagination. Too much and they don’t have anything to do.

In Conjuror Girl I wanted to convey a dark, grim, forbidding town. I chose certain details of the real town, exaggerating them for gothic effect. I made sure St Alkmund’s Cemetery was as spooky as possible, including a semi-sentient tree and tomb-inhabiting anti-bees. Meanwhile, the bell fruits of the Bell Tree, which is described as if it is made of non-living material, can be eaten once rung – unless rusty, that is; then they’ve gone off. When I imagined a tavern in Fish Street, for some reason a dog sung from a high window.

Another trick is Gene Wolfe’s classic advice: appeal to the senses. What colours mark the conjurations of the Reifiers? Only purple and orange. What do you hear when you’re by the river? The twang of swans’ wings. What do Etis Gmu’s pillows smell of? Lavender.

Worldbuilding is like consciousness. Our minds notice details in the real world, but the rest of it we fill in ourselves. Readers do this. Too little and they’re starved, too much and they’re overwhelmed.

An Interview With Stephen

JSM: From the Edwardian steampunk world of your Factory Girl trilogy, to the cyberpunk future of Beautiful Intelligence, or the psychedelic surrealism of Hairy London, setting is a huge part of your work, almost a character in its own right. What are some of the real-world inspirations for your work, and in particular for your Conjuror Girl trilogy?

It’s been observed that for an author with a lot of SF in his catalogue I almost never go into space. But I like to stay on Earth because it’s this planet and its future which interest me. So, in the broadest view, the whole planet is my setting. Individual real-world settings though are particularly important for me. Sometimes they’re greatly transformed versions of real places, as in Memory Seed, the soot-black gothic Mavrosopolis (Istanbul) of The Rat & The Serpent, or the madcap re-imagining of London gone hirsute in Hairy London. Occasionally they’re entirely imaginary, for example the hallucinatory river island of Tommy Catkins. For Conjuror Girl I was inspired by my home town of Shrewsbury. I grew up nearby and went to school there. It’s usually regarded as Britain’s finest Tudor town, and for many years I’d wanted to set a novel there. Walking around the streets and alleys beneath some of the finest black-and-white buildings in Britain was more than enough inspiration, though, me being me, I made the novel’s version much more gothic. Some of the localities I left as they are, but I mutated some streets and added a few extras of my own.

JSM: Following on from the previous question, what comes first for you, plot or setting? What drives the creative process when you’re writing something new?

Generally, this works in two parallel ways. I’ll have an idea of the kind of novel I want to write – for instance, an AI novel – and usually there’ll be some character who is the inspiration. The best example of that is Kora, the titular Girl With Two Souls of the Factory Girl trilogy. Tommy Catkins himself would be another, though he appeared along with his watery setting. Sometimes though there are small but vivid mental images which are the key, for instance the two I had when walking around Windsor Great Park in the early 1990s, images which went on to inspire Memory Seed. Plot always comes second, following on from character. Even with a tech-driven novel like Beautiful Intelligence it was the two main characters, Leonora and Manfred, who drove the idea to split the plot into two sections. My creative process these days is to put down the best possible first draft of a novel. This is a risky strategy, against intuition and the usual writerly advice, but what I aim to achieve is to transfer the “magic” and “wonder” of what I myself am experiencing for the first time onto the printed page. If I can do this to my own satisfaction, I know my readers should also feel that vibe. I find that second and subsequent drafts almost always lose their special glamour. For less experienced writers this is not the way to go, but when you get to my age it becomes a possibility. Some of these intense first drafts don’t work however – those are the novels that don’t get published. I’ve accumulated a few now…

JSM: You’ve dabbled in a wide variety of science fiction and fantasy sub-genres. What are some of the challenges this versatility brings? How do you make the switch from one genre to another when starting a fresh project, and do you have any tips for writers who would like to work across different genres?

To be honest, genres and sub-genres are of minor significance to me. I’ll usually have an idea of which one a novel might appear in, but I never write to that genre. All my novels are their own things. The Factory Girl trilogy for instance is categorised as steampunk, but that example lies outside what steampunk is usually considered to be. I don’t sense any challenges, I just write what I need to write, and do it with absolute conviction and sincerity. It’s true that my fans don’t know what they’re going to get next, but they do at least know they’ll get something written with conviction, and which, in a lot of cases, will be unlike anything on the market. My tip therefore is that most difficult of pieces of advice – you have to be your own brand. For most new writers that’s an impossibility because of the state of the market and the nature of books, but for more established authors (Kim Stanley Robinson is a good example) it is possible to be successful in a variety of genres and styles. The other thing worth mentioning is that my publisher is a British indie, which means I have more opportunity to present fresh or unusual novels. No large publishing house in their right mind would accept a novel like Hairy London. My relationship with my tolerant, understanding and insightful editor is a large part of why I’ve been able to do the work I’ve done over the last seven years.

JSM: From climate change to women’s rights, you never shy away from asking tough questions in your work. Do these topics emerge organically when you write, or are they an integral part of the plotting and outlining process? And how did you decide which underlying political themes you wanted to include in your Conjuror Girl trilogy?

They’re always integral and they’re always there from the beginning. I remember my first editor saying something to me, that Memory Seed contained what he called “stuff” – by which he meant ethical or philosophical content. A writer to me is someone who has something inside them that must come out into the open via the medium of words. Writing is so often self-discovery. I have a lot to say. Many people disagree with me of course, and that’s good – part of global debate. But I love that aspect of being an author, which I’ve extended into the opinion pieces on my blog. For Conjuror Girl, the main theme is selfishness, which I’ve written extensively about (narcissism) on my blog. This theme underpins the action, which follows the tale of Monique, later Monica, an orphan in the year 1899 with a talent only men are supposed to possess. The novel is also about how men dominate and control cultural thought via patriarchy. But I expect Monica gives those backward-looking, domineering old men a good run for their money…

JSM: We’ve talked about themes, genres, settings… For anyone familiar with your work, it might seem you’ve already covered a huge amount of ground with your published books, but as any writer knows, there’s always room for more ideas. What’s on your wishlist for the future? Are there any settings or sub-genres you haven’t tackled yet and would like to try your hand at?

Not really. There are concepts and formats I haven’t successfully managed yet. I have a love of inns and taverns, and many years ago set a fantasy novel entirely inside a roadside tavern. I think it worked fairly well, though the writing wasn’t great, and it never got anywhere. One editor remarked that fantasy novels tend to be set in huge, expansive worlds, not tiny ones. But it was the challenge of writing a novel set only inside one inn that appealed to me. So I will try that again. I also have still to write a novel composed only of dialogue and incidental action. Recently I’ve become much more interested in dialogue than I used to be. My book The Autist was set in such a way that the internal thoughts of only one character were made plain to the reader, with all the others’ only revealed by dialogue, of which there was a lot. Some readers didn’t like that, but some did. I’m also fascinated by dialect. So my plan is to write a novel set entirely inside an inn composed only of dialogue. I’m sure I could do it with the right characters and themes. Apart from that, I do feel the urge to return to very far future SF. My novel Urbis Morpheos (“A failed experiment.” – SF Foundation) was an attempt to present the reader with a wholly unfamiliar planet Earth. I aim to have another attempt.

The three books of The Conjuror Girl trilogy are out now and available for purchase through all major online booksellers.

For more information on the author and his work, as well as links to the other guest posts on Stephen’s blog tour, please visit his website: stephenpalmersf.wordpress.com

All image rights: Stephen Palmer

The Shadows Inside

Leaning into shadows turns the ordinary extraordinary.

Back in the olden days of pre-COVID 2020, I was on a con panel called Blood-Curdling Science Fiction, on the blurring of lines between sci fi and horror fiction. Our discussion focused on that gray zone that lies between genres. There are many genres that play well with others, but I think that perhaps horror is the one that best suits them all.

Horror and sci fi? Good. Horror and fantasy? Great. You can make it fancy and call it literary. You can pulp it up or lean into gore or slasher fiction; send it into space or ground it on Earth. You can stick some romance in there or comedy, and you’re still golden. Like a nicely paired bottle of wine, horror goes well with everything.

Wine pairings aside, why is it that so many non-horror writers like to lean into the shadows? Take me — I’m an accidental horror writer who doesn’t actually write horror. But I’ve sold four stories to dark fantasy or horror-leaning anthologies in recent times and have another coming out, probably in 2022, that is definitely on the side of nightmares.

Personally, I find playing with darkness in my stories to be cathartic. It’s a way of acknowledging child-me who checked her bedroom wardrobe was tightly shut at night and jumped into bed so nothing could catch her ankle on the way. I’ve outgrown the jumping bit (though I do always shut my wardrobe — old habits die hard!) and have learnt to rationalize those bumps in the middle of the night, but it can be quite gleeful to tap into that younger self who believed with all her heart that magic was real and that shadows had teeth.

It’s not quite as easy to believe in magic nowadays, though I try my best! But the darkness, well. That’s just another flavor of magic, and one too easily remembered. And perhaps this is why so many works of fiction flirt with horror, even if they officially belong to other genres. This darker side of magic, the shadows from our childhood nights that still live inside us, will always make a strange sort of sense. As readers, we know it’s not real. But when daylight ebbs and the sky goes dark, that reality blurs, just a little, just enough to tip the ordinary into the extraordinary. And then, the shadows creep out to play.

Happy Halloween! 

If you’re looking for darker stories, please consider helping out The Pixel Project in their work to end violence against women by buying their first charity anthology, Giving the Devil His Due. It’s full of excellent writers dishing up justice both hot and cold, and profits go to a good cause. More information here.

Also, Shadow Atlas: Dark Landscapes of the Americas is up for preorder! It includes my short story Moon Under Mangroves (a tale of aging, creepy swamp crabs, and a cursed compass) among a long list of work by fantastic authors. I’ve seen the PDF and it’s absolutely gorgeous and just full of illustrations and little graphic design treats! Check out the publisher’s page here.

Have Book, Will Read #27

We’re moving into my favorite season, and I am here for embracing those autumn clichés like long walks on blue sky days to see the changing leaf colors or cozying up with a blanket and a giant mug of tea. And you know what goes well with blankets and tea? Books. Well, warm puppy cuddles, too, but mostly I was going for books. I’ve read some great stuff over the past few months, and it was actually hard to pick which ones I wanted to share. But there’s only so much space in a blog post, so here are my latest book recommendations.

Recent Reads: The supernatural and all the super feels…

First on my list is Elatsoe by Darcie Little Badger. This YA book had been on my to-read list since before it was published; I’m embarrassed it took this long to get around to it! Little Badger’s debut novel has won a long list of awards and accolades, and it deserves them. A tale of family love, teenage friendship, and the pain of cultural and historical erasure, Elatsoe is sweet-natured and deals with some pretty difficult themes in a gentle and thoughtful manner. Plus, ghost dog!

Ellie can summon the ghosts of animals, a skill passed down through her Lipan Apache bloodline. Her family are caretakers of the stories shared from generation to generation, and when Ellie’s cousin is murdered, she draws upon this heritage to solve the case, uncovering a tangled web of greed and dark magic. Ellie —named for her six-great grandmother Elatsoe — is a wonderful protagonist, as is her best friend Jay, and I am always happy to see great boy/girl friendships that don’t need to be pushed over the line into romance.

Stepping away from speculative fiction for a bit, another YA book that had been on my to-read list for a while is Aristotle and Dante Solve the Secrets of the Universe, by Benjamin Alire Sáenz. Sáenz has won recognition both as a novelist and as a poet, and his poetic touch shines through in this book about a Mexican American teen navigating high school, family relationships, identity, and sexuality. Set in 1987, the story starts the summer that fifteen-year-old Aristotle Mendoza meets Dante Quintana at the local pool, sparking a friendship that changes the world for both boys.

This was one I savored rather than devoured, reading a few pages at a time and enjoying the beautiful prose and quiet storytelling. This isn’t a Big Action story; instead, it’s about the small ripples of emotion that feel so huge when we’re young. It’s dialogue and internal thought, it’s rainy days and introspection. It’s about the shared moments that color our lives. This book made me cry in the best sort of way! 

On the non-YA front, I finally read Good Omens by Neil Gaiman and Terry Pratchett, and it’s every bit as delightful as I expected. I loved the TV show and had already heard great things about the novel before the show was made, so I figured it was time to invest in a copy of my own. I’m just sorry it took me so long to get to it — I would have liked to have read it before the show came out, because even though it was a wonderful adaptation, it definitely colored my perception of the story.

For those who haven’t seen the show OR read the book, well, first of all, you should probably fix that. If you’re a fan of cheeky fiction with a side order of the absurd, this story about an angel and a demon who team up to try and prevent the apocalypse from happening because they enjoy life among humanity too much is an absolute treat. Add in a witch who partners with a witch-hunter, a centuries-old book of prophecies, and the young Antichrist and his gang of human friends, and the scene is set for a romp of Biblical proportions. Two thumbs most definitely up.

I’ve read some really great graphic novels lately, and I wanted to give a shout out to Power Up, a deliciously fun work by Kate Leth and Matt Cummings. Diverse in every sort of way imaginable, Power Up brings together three recently-superpowered humans (and one fish) as humanity’s newest and most clueless protectors.

The universe was expecting four champions to emerge, fulfilling an ancient prophecy. Instead, there’s a pet shop employee, a busy mother, a construction worker… and a goldfish. Power Up is lighthearted and honestly adorable, and has some really good supporting characters, too. The edition I read had all six issues of this series in one book.

Now Reading: Fight the good fight!

I saw Fonda Lee talk about her book Zeroboxer at a Worldcon panel, and it’s been on my list ever since. I’m a few chapters into it and really enjoying the punchy (ha!), well-written action and great characters. If you need a great example of how to write about a fictional sport, this is it! The novel follows Carr Luka, a rising star in the weightless combat sport of zeroboxing, as he grows in fame but uncovers a terrible secret that could risk everything that he’s worked so hard to win.

I’m alternating fiction with Never Say You Can’t Survive by Charlie Jane Anders, a book which is part writing craft talk, part inspiration, and part memoir. The tagline on the cover is how to get through hard times by making up stories, and it’s just what I was needing to read right now. I’m just over halfway through, and would definitely recommend it to writers who prefer broader insights over more formal step-by-step advice.

To Read: Who’s the villain here?

Light From Uncommon Stars by Ryka Aoki was released this week, and I have a copy I preordered that I need to go and pick up from my local indie. I’m really looking forward to this one! It’s pitched by the publisher as “a defiantly joyful adventure set in California’s San Gabriel Valley, with cursed violins, Faustian bargains, and queer alien courtship over fresh-made donuts,” and honestly? It sounds fantastic.

Talking about new books, there’s an upcoming November 2021 release that I’m excited to read. All of Us Villains by Amanda Foody and Christine Lynn Herman is a sort of villainous Hunger Games, blurbed as “a blood-soaked modern fairytale” where seven families compete for control over a wellspring of magic.

A reminder to readers! I shouldn’t have to say this, but please don’t pirate books. The many, MANY moral considerations aside, it’s simple math: when sales numbers drop, publishers don’t renew contracts, so you end up without being able to read the next great thing by your favorite author. Libraries are a great free resource, or keep an eye out for e-book sales — there’s always a promo, eventually. And if you do have the money to invest in books, please consider ordering from your nearest indie store!

Wishing you all a lovely autumn (or spring, depending on where you are!), and lots of good stories to keep you going in the last stretch of 2021.

Puppy cuddles for everyone!

Food and Drink in Sci Fi and Fantasy

When I was young, I was fascinated by mentions of food in children’s books, especially in stories written long before I was born. I remember marveling at World War I-era fare in Arthur Ransome’s Swallows and Amazons series (1930-1947) and the endless picnics in Enid Blyton’s Famous Five books (1942-1963), which always seemed to include fresh tomatoes, hard boiled eggs, and massive slices of fruit cake.

As a grown-up, I still find mentions of food in books fascinating, especially when it comes to speculative fiction. Even commonplace meals gain a strange and otherworldly aspect when tossed into a vast fantasy saga or a thrilling space opera. For instance, take a look at this description of a centaur’s breakfast in C.S. Lewis’ The Silver Chair:

“A Centaur has a man-stomach and a horse-stomach. And of course both want breakfast. So first of all he has porridge and pavenders and kidneys and bacon and omlette and cold ham and toast and marmalade and coffee and beer. And after that he tends to the horse part of himself by grazing for an hour or so and finishing up with a hot mash, some oats, and a bag of sugar. That’s why it’s such a serious thing to ask a Centaur to stay for the weekend. A very serious thing indeed.”

The Silver Chair — C.S. Lewis

But food and drink often move past sustenance and become key plot devices. Countless drops of poison have been administered in handy flagons of ale or goblets of wine; feasts have gathered enemies for slaughter; assassins have burst out of cakes to gun down their targets. And when it comes to politics, mealtime conversation and table manners can cut as sharp and deadly as swords on the battlefield, winning or losing crucial ground for those involved.

In The Martian by Andy Weir, a good deal of the shipwrecked-on-Mars saga revolves around food: how to make it last, and how to farm enough potatoes to survive until rescue. One of my favorite examples of food and drink as a plot device, however, is Arthur Dent’s search for the perfect cup of tea in The Hitchhiker’s Guide to the Galaxy by Douglas Adams. Arthur’s desire for a decent brew escalates from amusing side joke to an epic quest that eventually takes over all of the ship computer’s processing power and lands the crew in a spot of hot water, pun intended. 

“No,” Arthur said, “look, it’s very, very simple… All I want… is a cup of tea. You are going to make one for me. Now keep quiet and listen.”

The Hitchhiker’s Guide to the Galaxy — Douglas Adams

Sometimes food can help move a plot forward, literally. After all, without the Elven lembas, the intrepid adventurers in J.R.R Tolkien’s The Lord of the Rings would have to stop to hunt and gather food, slowing down both the quest and the story pacing itself. And the addition of these handy marching rations leads to the running gag of the hobbits’ obsession with proper meals. (You can even make your own lembas: the internet is full of recipes, but this one by Tea With Tolkien looks particularly yummy.)

For a long time, speculative fiction, and especially fantasy, centered on Western cooking. Every inn served stew and beer, every traveler carried hunks of crusty farm bread in their saddlebags. Thankfully, fantasy in recent times has spread its wings beyond the Eurocentric model and now we can feast our imaginations on a whole range of delicious options. I have a critique partner whose wonderfully rich world draws heavily from different East Asian mythologies, and I love it when her badass reaper sips from delicate cups of jasmine tea, or her unruly kitsune gorges on steamed bao and mochi cakes. As for me, I’m working on a short story right now set in northeastern Brazil, where my characters breakfast on fresh bread rolls with Minas cheese and doce de leite, where fear is bitter as pitanga fruit, and joy tastes as rich and sweet as guava jam. 

Whether writers use meals to add color and shading to their worlds, to move their stories forward, or simply as a pause for their protagonists to catch their breath, it’s almost impossible not to include food and drink in fiction. After all, be the characters human or alien, I think we can all agree on one thing: everyone has to eat!

“Boys,” Annabeth interrupted, “I’m sure you both would’ve been wonderful at killing each other. But right now, you need some rest.”

“Food first,” Percy said. “Please?” 

The Mark of Athena — Rick Riordan

Have Book, Will Read #26

It’s summer! Which conjures up images of beach reads, books by poolside, or lazy afternoons lost in words under a leafy tree with blue sky above. Right now, it’s — checks out of window — yup! Pouring down. AGAIN. But hey, cozying up to a sleeping dog on the sofa works just as well. So, what have I been reading since my last Have Book, Will Read? Here are some of my favorites…

Recent Reads: Found family, forced team ups…

I absolutely adored The House in the Cerulean Sea by TJ Klune. This book deserves every inch of the praise it received. Klune immerses us in the tale of forty-year-old Linus Baker, a case worker for the Department in Charge of Magical Youth, who is whisked from his grey, bureaucratic, city existence to the sweeping ocean vistas of the Marsyas Island Orphanage, where life is anything but dull. The inhabitants are extraordinary, even for Linus’ line of work, and the most amazing of them all is perhaps the island’s master and protector, Arthur Parnassus.

This is a book about falling in love: with found family, with each other, with oneself. It’s a book about discovering that there is more to life than simply settling for safety, and that some things are worth fighting for. Beautifully written and captivating, it was also lovely to have an older protagonist and to be reminded that aging should not mean giving up on the right to happiness and joy.

I can never resist a bit of urban fantasy, and I tore through Paul Cornell’s Shadow Police series which starts with London Falling. When an investigation that brings together officers Quill, Ross, Costain, and Sefton encounters the supernatural, the four find themselves the unwilling recipients of magic that confers the Sight — the ability to see that which is hidden beneath London’s surface. A new team emerges: the only ones who can police the shadow world around them.

This series is a gritty, brutal take on the genre, and Cornell’s style takes some getting used to, as he has a tendency to hop from one character’s point of view to another’s, sometimes within the same scene. But I found it a fast and riveting read, and it’s also a little different from most urban fantasy. Usually, main characters are either already ‘in the know’, such as with Benedict Jacka’s Alex Verus or Seanan McGuire’s Price family, or else they have someone who guides them through this new world of the supernatural they have discovered, as with Ben Aaronovitch’s Peter Grant. In Cornell’s series, the four main characters stumble accidentally upon magic, and proceed to fumble their way along almost entirely on their own — a different take on the usual set up that I enjoyed immensely.

I first came across Charlie Jane Anders at WorldCon in Dublin, where I heard her read from her award-winning novel The City in the Middle of the Night and loved her writing style. So when I found out she had a YA novel in the works, I put in a preorder for Victories Greater Than Death, the first in her trilogy. Victories brings us Tina Mains, who has grown up an average teenager. Except, she’s anything but average. The clone of a famed alien war hero, she’s known all her life that at some point the beacon hidden inside her will activate and she will be swept away from Earth to join the battle in space. But when that finally happens, Tina finds out that fulfilling her destiny may be more complicated than she ever imagined.

Anders has a down-to-earth and chatty style of writing, where dialogue and character are at the forefront of everything. Much as I love an action-led tale, it’s nice sometimes to switch gears and dive into something like this, and to get lost inside a character’s thoughts and emotions. Found family is everything in this book, as are themes of acceptance, diversity, and respect for one another. I thoroughly enjoyed it, and look forward to the upcoming sequel, Dreams Bigger Than Heartbreak.

Where to start with The Last Sun by KD Edwards? There’s just so much I loved about this book! Rune Saint John is the last of the fallen Sun Court, one of the great Atlantean Houses that now live on New Atlantis, formerly known as the island of Nantucket in the USA. Rune and his companion and bodyguard Brand are hired to search for the missing son of Lady Justice, ruler of the Crusader Throne. But while investigating, Brand and Rune uncover more than the missing man — they find a legendary creature that may be connected to the massacre of Rune’s family.

Why did I like The Last Sun so much? First and foremost, the characters. Rune and Brand are fantastic, and their relationship is just perfect. Other characters that join them — Rune’s ward, Max, and Addam, the man they’re hired to find — are just as wonderful, and the overall dynamic is great. The magic and world felt fresh and interesting, and I really liked the concept of the Arcana with its Courts based on Tarot cards. Edwards’ voice is just right for this, and the story moves along quickly and is surprisingly light, considering Rune’s completely horrible backstory. But Rune never feels like a victim; he takes charge of his life and refuses to let the past define him. Also, you have to respect an author that unabashedly takes one of fanfic’s great topes (there was only one bed!) and 100% makes it work, with a great big wink at the reader to let them know they’re in on the joke.

I usually try to keep my reading round-up to speculative fiction, but I need to make an exception for the excellent debut crime novel Knife Edge by Kerry Buchanan, and its sequel, Small Bones. I’m familiar with some of Buchanan’s fantasy work, which is very good indeed, so when I found out she was moving into the crime genre I knew I had to check it out.

Knife Edge introduces us to Northern Irish police detectives Asha Harvey and Aaron Birch in this chilling tale of a serial killer and the victim he allows to escape so he can play with her in a terrifying cat and mouse game. In Small Bones, we dive deeper into Asha as a character as she investigates a cold case that no one knew was a murder. Both books are a nail-biting read; I made the mistake of picking up the second in the evening and just had to finish it in one go! One thing I enjoyed is the pattern that Buchanan establishes, where the main point of view is shared by Asha and whichever character is connected to the case in that particular book (escaped victim Nic in the first, and Sue in the second, who accidentally digs up a child’s skeleton while gardening). If you’re a crime fiction fan, these are definitely worth reading.

Now Reading: Too late to say sorry?

It’s been a while since I’ve dipped into middle grade, and I’m thoroughly enjoying The Ship of Stolen Words by Fran Wilde. Sam Culver has one solution for tight situations: the word sorry, his go-to for anything and everything. But on the last day of fifth grade, his favorite word disappears. He soon connects the loss of his ability to apologize to a mysterious portal at the back of the local Little Free Library, and before long he’s caught up in an adventure to help save Tolver, the young goblin who stole his words.

This has been a great read so far (I’m in the middle of it right now), with a nice balance of fun, action, and deeper motifs. And although the theme of the book brings a message — don’t cheapen your words; only say sorry if you really mean it! — at no time does it feel preachy or moralistic.

To Read: Sequels and seconds.

Next up is Mister Impossible, the sequel in Maggie Stiefvater’s Dreamer Trilogy. I liked the first book, Call Down the Hawk, a lot; it’s a good ‘growing up’ of the Raven Cycle series that felt like a natural and necessary progression for Ronan, Adam, and co. Book 2 landed in our mailbox a while back, but I had other novels on my reading pile to get through first. However, my daughter, who shares my passion for Stiefvater’s work, is not-so-patiently waiting for me to get to this so we can discuss, so it’s time to catch up on Ronan Lynch’s journey into the depths of his magic.

Another Book 2, although this one is not a sequel, is the sophomore release by Casey McQuiston, One Last Stop. McQuiston established her name as a rising rom-com star with the delicious Red, White & Royal Blue back in 2019, and now she brings her talents to this time-travel romance set in the New York subway. I’m looking forward to it!

Note: You can find all editions of Have Book, Will Read on my review page, here.

A Good Start

A good opening will tempt the reader to step into your world

Story beginnings are tough! We all want to write that amazing opening sentence; that perfect attention-grabbing first paragraph. After all, the first few words may be our only chance to convince readers to push that door wide and step into our worlds. The truth is, however, that there is no right way to open a novel. There’s no magical recipe, no slick formula. There’s the right way for YOU and for YOUR STORY.

There are many things you can use your story opening to do. For instance, you can:

  • Introduce the main character (or the antagonist!)
  • Establish the genre and/or target audience
  • Set the tone, or vibe (dark, light, funny, fast-paced…)
  • Introduce the setting
  • Give the reader a taste of backstory
  • Present a ‘flash-forward’ or ‘teaser-trailer’ of what is to come.

You won’t be able to fit all of that into your opening, of course, so you should begin by deciding what is most important to you in that ever-present quest to hook the reader. A fun middle grade novel might open with the main character making a jokey comment, so that right from the start readers know what the tone of the book will be. A fantasy writer might choose to prioritize setting; a space opera might jump straight into a battle scene.

Here are some examples:

Tom Pollock, The City’s Son (Skyscraper Throne trilogy)

I’m hunting. The sun sits low over Battersea, its rays streaking the brickwork like warpaint as I pad through the railway tunnels. My prey can’t be far ahead now: there’s a bitter, burnt stench in the air, and every few yards I find another charred bundle that used to be a rat.

This opening paragraph manages to do an impressive number of things at once. It sets the tone (action/adventure, probably a little dark); it gives us a brief teaser of the character, even though we haven’t been properly introduced yet; it tells us the setting (urban and ‘real world’, or at least a version of the real world); and it hints at genre (urban fantasy, in this case). It’s also a great hook — don’t you want to find out who this is and what they’re hunting inside a railway tunnel?

V.E. Schwab, A Darker Shade of Magic (Shades of Magic trilogy)

Kell wore a very peculiar coat. 

It had neither one side, which would be conventional, nor two, which would be unexpected, but several, which was, of course, impossible.

I love this opening! It’s also very different from the previous example. Instead of a taste of the story, we’re given a quirky image to consider. Who is Kell? (Character introduction.) Why does he have this strange coat? (Hook.) It also hints at genre; with a magical coat in scene, it’s clear that this book falls under the fantasy umbrella.

Naomi Hughes, Afterimage

Ten minutes before the explosion, I’m trying to work up the courage to go through a parking lot gate.

At first glance, this opening is just bare bones. If you look a little closer, though, you’ll see how hard that single sentence works. It has a great hook, for starters. We get a two-for-one dramatic event: one large, external, and still incoming (the explosion), and one small, intimate, and immediate (the narrator’s internal debate), creating an interesting juxtaposition of tensions. It tells us we’re in the real world, possibly an urban setting. It also hints at possible mental health issues, like anxiety or panic disorder, which is an additional hook that immediately makes us want to know more about the protagonist. 

Patricia MacLachlan, My Father’s Words

My father, Declan O’Brien, beloved shrink to many people, sings as he makes omelets for our breakfast.

Here’s an example from a middle grade author. It’s a quiet and unassuming opening, but I think it works very well to establish several things: that the protagonist is most likely a child; that we are in the real world; that life is good, and gentle, and everything is as it should be; that the father is central to the story. This opening sets crucial groundwork for the reader, since soon after this opening, the main character’s father dies in a car crash. The rest of the book is about learning to live with a void. I added this example, because it’s vastly different from the previous opening, yet for this style of book, it’s perfect.

Now go back to your own writing, and try these exercises:

1. Look through some of your favorite books and see what choices the authors made at the start. How do those choices compare with the ones you made in your work?

2. Play around with your own opening, rewriting it in a variety of ways so that each time the focus is on different elements — maybe setting instead of character, or backstory instead of immediate action. Let yourself try out the different possibilities. 

3. Pass your opening paragraph around to a few friends or family who know nothing about the story and ask them what they got from it. (We did this as a writer’s group activity a while back; we each read our openings without any explanation and then the group tried to guess as much as possible about the story. It was a lot of fun, and useful, too!)

Above all, remember: there is no right way to open a novel. Every story needs a beginning, but what’s right for someone else’s story may not be right for yours.

Boskone 58 Round-up

Agent secrets panel

My first Boskone — in fact, my first ever SF/F Con — was in 2015. I’ve been back every year, faithfully checking into the Waterfront Westin in Boston each February for another weekend of panels, readings, and excellent conversation with new and old friends.

The 2020 Boskone took place just before the world locked down due to COVID-19. The 2021 edition wasn’t quite as lucky, but the New England Science Fiction Association, who organize the convention, rallied round and faced the challenge beautifully to produce a well-planned three-day virtual event.

With pared down and yet still extensive programming, there were plenty of interesting things taking place over the weekend, with the added bonus of recorded panels so attendees could catch up later. There was also a dedicated social Zoom open all day to give us a little of that feeling of chatting to people in hallways, in the con suite, and in the lobby lounge area. Was it the same as in-person? Of course not, but it was a good solution for a hard situation, and the virtual con had the advantage of broadening event access for those who might not otherwise be able to attend.

Some of my personal highlights from the weekend:

  • The Friday night reading by Paul Tremblay and Joe Hill was fabulous, and it was great getting to hear them chat about horror and writing.
  • The Agents: Revealing the secrets panel with Mur Lafferty, Michael Stearns, Joshua Bilmes, and Sara Megibow had good advice, such as: when vetting potential agents, remember there are bad agents, but there are also good agents who might be bad for you.
  • Supernatural Sleuthing with Dana Cameron, Leigh Perry, Nancy Holder, Bracken MacLeod, and David McDonald was a blast and had some of my favorite Boskone regulars on it. Advice included: a mystery needs to be solved. A mysterious novel just needs to create atmosphere. It’s all about audience expectations and author promise
  • The Guest of Honor interview, where Joe Abercrombie told Joe Hill that, “I like characters that are neither heroes not villains, but something in between”.
  • I loved the panel on The Representation of LGBTQ+ in Popular Culture, with Gillian Daniels, John Chu, Julia Rios, Jennifer Williams, and Sara Megibow — they could have done with double the time! One point made over and over was that ‘good representation’ shouldn’t mean just positive — characters should be allowed to be messy, nuanced, etc. In other words, realistic vs ‘good’.
  • GoH Joe Abercrombie joined Rebecca Roanhorse, Marie Brennan, Aleron Kong, and Bob Kuhn to talk about The Gritty Underbelly of Fantasy. A lot of the discussion centered on ‘grimdark’ being a reaction to the good/bad simplicity of classic fantasy.
  • A discussion on Post-Pandemic SFF Conventions, with Brenda Noiseux, Gerald L. Coleman, Steven Silver, Priscilla Olson, and Marcin Klack brought up a lot of interesting points, such as the current situation being the jumping-off point for future hybrid events which include virtual aspects so as to be accessible and inclusive for those who would not normally be able to attend due to financial, physical, and geographical constraints, among others.

Some thoughts:

  • Virtual con burn-out is just as much a thing as in-person event exhaustion. It’s tiring staring at a screen, and it’s tough to schedule watching time around things going on at home. Recordings helped with this, but screen fatigue definitely puts limitations on watching.
  • Despite this, I got a lot out of the panels I watched, and with the recorded events there was the bonus of being able to pause to take notes.
  • The chat feature during panels was for the most part lively and fun, and no unpleasant incidents occurred during the events I watched.
  • One nice aspect of having webinars routed through Grenadine was that it allowed us to see who was ‘in the room’ before the webinars started. It was nice being able to spot people I knew!
  • I wish I’d planned times to meet up with friends in the social rooms! I did drop in and look around, but it was the equivalent of randomly walking through the con suite to see if anyone I knew was there…
  • This was a huge undertaking and seemed overall to run very smoothly. Well done NESFA for another successful Boskone!

Left: Supernatural Sleuthing panel; Right: Joe Abercrombie and Joe Hill at GoH interview

Have Book, Will Read #25

It’s prime reading time, with snow piled up outside my window and the lure of warm blankets and an equally warm dog to cuddle. After the past year, where my book habits trended more to comfort than new material, it’s been nice getting back to digging away at my to-read list. Hopefully I’ll manage to keep up the momentum!

Recent Reads: Romance, magic, and all that jazz

The Game of Love and Death by Martha Brockenbrough has been sitting on my shelf for a really long time. I’m actually embarrassed by how long it took me to get around to reading it. I’m so glad I finally did! This is a gem of a book, at the same time heart-warming and heart-wrenching. I’m not usually one for crying when I read, but this one managed to make me both smile and shed a few tears.

Brockenbrough’s beautifully written tale is set in 1937, where the immortals Love and Death have gathered for one more round of their eternal game. Their chosen players? Flora, an African American teenager who sings in her family jazz club for a living but dreams of setting world records as an airplane pilot, and seventeen-year-old Henry, a white boy whose path in life has been set in stone by the foster family he lives with, regardless of his love for music. The story switches between four points of view — the unwitting players and the two immortals —plunging us right into the heart of post-Prohibition Seattle.

I can’t talk about Game without mentioning another recent read, The Invisible Life of Addie LaRue, by V.E. Schwab. Superficially, both books have a lot in common. They both feature immortal beings who play with the humans who fascinate them. They both have ties to the past, though while Game is anchored in the 1930s, Addie skips and jumps through recent centuries, pausing at key moments of history. They both feature love stories, and boys named Henry. But they are also very different books.

While the first one remains, for the most part, tight and focused, Schwab’s book is a sprawling, meandering beauty, dipping in and out of the past as an embroidery needle dives into a vast tapestry. It tells the tale of Addie LaRue, a young French countrywoman from the early 1700s who strikes a bargain with an unnamed power and becomes immortal, yet cursed to always be forgotten. Until she meets, in modern times, a young man who remembers her. Schwab’s prose is, as always, that perfect mixture of lush and sparse, and this was a delight to read.

Forged, the latest title in Benedict Jacka’s urban fantasy series, continues leading Alex Verus down the difficult path he’s been walking for a while now. Hunted by both light and dark mages, and with his girlfriend Anne losing herself to the dangerous entity she’s bonded to, Alex is running out of allies and options if he wants to save himself, his friends, and — most of all — Anne.

I’ve really enjoyed this series, which has only one more book yet to come. It’s been an interesting ride, starting out in Book 1 (Fated) with the near-powerless (in comparison to other mages) diviner Alex and watching him over time carve that power out for himself, while making some rather questionable choices in order to do so. Alex has become very much a grey character, which I honestly kind of love. We are all the heroes of our own stories, but Alex has come to a point in his saga where he’s being forced to take a good hard look and decide if he’s actually a hero, or if he’s becoming what he most feared: a dark mage like his former Master, Richard Drakh.

Now Reading: Teen hero shenanigans

I’ve been watching the Young Justice animated series and, after reading up on the characters, I grew curious about the original comic book run that inspired the TV reboot. I’d read that, despite using some of the same storylines, the TV show has very little else in common with the comics, and now that I’ve been dipping into the Young Justice world, I absolutely agree.

I devoured Young Justice Books 1-4 in a few breathless days and am now finishing up Book 5. While the TV show centers on the first Robin, Dick Grayson, the comics focus on Robin number 3, Tim Drake. The original core three — Robin, Impulse, and Superboy — soon find their team expanding with the addition of Wonder Girl, Arrowette, Secret and, later on, Empress (with Lil’ Lobo as an unofficial member). Their adventures lead us on one wild ride after another, and the books are full of absolute laugh-out-loud moments. I can honestly say I’ve never used the word ‘zany’ in a review before, but that description fits Young Justice perfectly. Delightful.

(And yes, unfortunately I had to read YJ on my phone, as my library’s reading app doesn’t work on my laptop or iPad. Thank goodness for smartphone zoom features!)

To Read: Darkness rising

I’ve been on a library rampage lately and that means I’ve got two more books waiting to be read before their due dates roll around. The first is Paul Cornell’s London Falling, the opening title of his Shadow Police series. I love a good supernatural investigation book, and have heard good things about Cornell’s work, so I’m looking forward to it!

The other one is Gideon the Ninth by Tamsyn Muir, which I picked up after a post on Tor.com sparked my interest in this award-winning science fantasy novel about necromancy and cut-throat politics. This is the first book in the Locked Tomb trilogy, and I’ve seen it mentioned so many times I figured it was about time I checked it out.

Here’s to hoping you all have some good books set aside to get you through winter (or summer, for those below the equator!). With the current sub-freezing temps in Connecticut, and more snow than anyone except ski resorts could possibly want, I personally need ALL THE BOOKS. Happy reading to all!