Book news! Well, anthology news, actually. Tomorrow my short story King Swan comes out in a brand new collection — Gorgon: Stories of Emergence (Pantheon Magazine).
From the official blurb: “Be changed. GORGON: STORIES OF EMERGENCE contains 42 transformative stories spanning all genres from both emerging and new voices alike, with all new stories by Gwendolyn Kiste, Richard Thomas, Annie Neugebauer, Eden Royce, Beth Cato, D.A. Xiaolin Spires and more, and featuring 10 illustrations by Carrion House.”
I’ve had a peek at some of the stories and they’re awesome! You can buy Gorgon on Amazon in ebook and paperback, starting tomorrow…
It’s been two years today since HEART BLADE was published! Happy bookversary to the Blade Hunt Chronicles!
It’s almost February, and that means it’s getting close to Boskone time! I absolutely love this friendly New England Con, and I’m glad to be returning. If you like science fiction and/or fantasy, and live anywhere near Boston, why not drop by to check it out?
This year brings a couple of firsts for me: my first time as a panel moderator at Boskone, and my first reading, as part of the Broad Universe group. Besides my own program items, I’m looking forward to catching up with friends and hopefully making a few new ones; watching a couple of panels (see full program here); and maybe attending a reading. Let’s see how much I can cram into the two days I’ll be there!
If you’re planning to attend, here’s my schedule:
Agency and Free Will in Speculative Fiction
Friday 15th Feb 2019, 18:00 – 18:50, Harbor III
Fantasy often makes use of prophecy. But when a protagonist is the prophesied one, how can they experience true conflict, risk — or agency? They can’t fail, right? Shouldn’t this deflate the reader’s interest? What happens when you have conflicting prophecies? And if we’re in a mechanistic universe, governed by the laws of physics, where is free will?
Juliana Spink Mills (M), Gillian Daniels, Rebecca Roanhorse, Greer Gilman, M. C. DeMarco
Broad Universe Group Reading
Friday 15th Feb 2019, 21:00 – 21:50, Griffin
Join members of Broad Universe — a nonprofit association dedicated to supporting, encouraging, and promoting female authors of science fiction, fantasy, and horror — as they read tidbits of works and works in progress. Readers will include Terri Bruce, Trisha Wooldridge, L. J. Cohen, Roberta Rogow, Juliana Spinks Mills, Joanna Weston, and others. Moderated by Elaine Isaak.
Now, That’s a Great Action Scene!
Saturday 16th Feb 2019, 11:00 – 11:50, Burroughs
Fight scenes are not all created equal. Action scenes can make or break a story: drawing readers in, or shattering the suspension of their disbelief. Let’s look at some of the best action scenes and sequences to see how it’s done right — and why some scenes are just wrong. How do you keep the energy up without confusing the readers with a flurry of movements that only martial arts enthusiasts can follow — or care to?
Errick Nunnally (M), S L Huang, Bracken MacLeod, Juliana Spink Mills, Vincent O’Neil
The Middle Book Syndrome
Saturday 16th Feb 2019, 16:00 – 16:50, Marina 4
The first book of your series was amazing: solid story; compelling characters; great reception by publisher, critics, and fans. Now, the hard part: living up to all the high expectations. Or maybe the first book had a less receptive reception, but you still need to produce that second volume? Plus there’s the rhythm problem — first book, thrilling beginnings; last book, satisfying conclusions; middle book, recaps and repetitions … How do you deal with the pressures of a multi-book contract and impatient fans?
Fran Wilde (M), Juliana Spink Mills, Kenneth Rogers Jr., Sarah Beth Durst, Sharon Lee
Finnish-born author C.T. Grey is an engineer and self-confessed information junkie with a serious addiction to science fiction and fantasy. Besides his own novels, Grey has also published a number of articles and blog posts on technology, science, politics, and a wide variety of other topics, both fact and fiction.
In First Interview, book 1 of the Necromorphosis series, Grey introduces us to a bleak and horrifying post-zombie-outbreak London, where a mutated virus has escaped government control and now runs rampant among the population. The novel comes with a twist, though: zombies are not the only supernatural creatures roaming London. And now the Damned, which include vampires, are threatened with exposure as the entire structure of society begins to fall apart.
Juliana: Hi C.T., and welcome. First Interview is a zombie novel with a unique approach — one of its main point of view characters is a vampire! How did you come up with the idea of mixing traditional fantasy elements like vampires and magic with a classic zombie outbreak tale?
CTG: Thank you Juliana. It is a good question. At the beginning the trilogy was just a short story that I posted in its entirety in the SFF Chronicles under a title of “A New Beginning…” It was story where Herbert Jackson faced Jane and end up as her dinner, as the story ends in the classical Jane’s line: “I’d like some red, please.”
When I started to listen to Jane as my muse I was imagining a very different kind of story as I was admiring Bear Grylls and I wanted to put him as a character, which comes to rescue Jane from some tower in London. It would have been really romantic and somewhat a classical adventure. However it never happened as Jane led to a very different kind of survival story.
I never wanted to write a classical zombie story or follow Kirkman in the niche market, as the whole turmoil with the zombie uprise is a background detail in the book. It is not the main thing. Jane’s survival story is and I wanted to make her extraordinary as those types get highlighted born in the times of conflict.
You can read from between the lines that the story Jane tells to Henrik isn’t a normal journey. But it is the sort of case that Henrik would be normally investigating, but the deeper he ventures into the story that Jane is weaving, he starts to realise that everything isn’t as it should be.
I wanted that to be the fantasy element, not just supernatural as that would be boring. I honestly wanted to write in all the places she has visited, things she has seen but wasn’t mentioned in the books, like for example: dryads, centaurs, elves and dragons. What I think is interesting is that to Henrik all of those things are magic. He doesn’t believe in any of them, because he was born skeptic. But over the course of the trilogy, his views change somewhat dramatically.
Juliana: I know you are a fan of a wide variety of science fiction and fantasy TV shows, which you review for the SFFChronicles.com. Did your eclectic approach to entertainment influence your choice to draw from both sides of the speculative coin, so to speak?
CTG: No. It never was my aim, but I do admit I might have been influenced by them. Thing is whatever you read, watch, see will get mixed in your mind and eventually spilled out on the paper.
I started my own reading experience with Ursula Le Guin’s Tales from Earthsea and moved on to cover a number of classical masters like Asimov, Tolkien, Heinlein, Philip K Dick and so on. I read a lot and I still do, but these days I have the internet, so I don’t read as many books as I used to, but over the years I’ve never been just one type of guy.
If there is a fantasy creature in my stories, the chances are there are a number of others lurking at the background, ready to pop in the stage. I could claim that it’s like the case of Tove Janson’s Moomins, once you know they are real, they never go away and in the Moomin valley there are a large number of things that not present in the ‘real world,’ but we still do believe in there.
Therefore I cannot omit fantasy from a story, if the main character is already a fantasy creature. What I can and what I have done in the trilogy, is that I’ve rooted them into the realm of realism as much as I can. It just happens to be that after the Great Panic all these creatures start to pop all over the map.
So, in the case of the Necromorphosis trilogy, nothing you’ll see is traditional. I mix … sometimes quite strongly science fiction into fantasy because both genres can offer so much more than restricting yourself to write yourself into the corner. The biggest SF thing I have is the Portal technology, but it is also funny, because the portals are in scientific terms pure fantasy.
Juliana: I have a confession — I’m terrified of zombies! But First Interview, despite the sometimes-graphic descriptions of gore, somehow eased me in and kept me from running away. A lot of this is probably down to your protagonist Jane, and her matter-of-fact manner of telling the story. Was this a conscious decision on your part — to give the reader some breathing space, so the horror wouldn’t be too overwhelming — or did this just occur naturally?
CTG:(Laughs) You are not the only one. Jeff Richards, who has edited the whole trilogy, confessed to me very early on that he absolutely hates the zombie tales. To him, you and a number of other people, who have read the book, have confessed the same thing. First Interview isn’t about the zombies, or what they do, when the apocalypse becomes real, because that tale is Jane’s tale and I doubt she would ever bore Henrik with a simple zombie story.
When you later on read the next book – From Exopolis to Necropolis – you will notice that the same effect that plagues AMC’s The Walking Dead plagues that story as it keeps moving away from shuffling horrors to a short of story that is close to Inception. And that move was as much intentional as it could be. The dead will remain as threat and as a reminder about what happened when the Day of Great Panic dawned in Jane’s Earth and it became apparent that there was no return to the world of yesterday.
So to get Jeff to edit he had to love the story so much that he made me put it into various competitions with the Big 5 for over two and half years. When it became apparent to me that they liked it and saw something in it, but couldn’t invest money into it, I made a decision to publish it on my own.
Juliana: What challenges did your two main characters, the vampire Jane and Intelligence Analyst Henrik, bring? Who was the hardest one to write? And the easiest?
CTG: Henrik was the hardest. The simple reason is, he’s an invisible narrator in First Interview but his role grows much bigger later on. Because he was so vague I had harder time engaging him than Jane. Usually she’s much easier and more interesting thing to write than Henrik. With her you always know that you’re not going to have a boring moment. Instead you’ll get a chance to explore things that otherwise wouldn’t be possible. You could claim that Jane is sort of Super Heroine and you wouldn’t be wrong as that is almost what she is. With her being an over six and half centuries old vampire, you get a chance to explore world from a point-of-view that is far older than what you could do with a traditional human perspective.
She has seen history and met people since last mini ice-age and it shows in her narrative. With Henrik the case is different, as he studies things in the current timeframe rather than wallowing in the past, like Jane does sometimes.
There are only a few Jane focused chapters that I struggled to write. Some of them especially so because I got so emotional with her struggles to cope with the world she didn’t wanted to bring around. Jane would have happily stayed in the shadows and continued living in a normal world that we experience everyday.
Juliana: First Interview is full of high-octane action scenes. Do you have a system for writing these scenes? Do you work them out beforehand, in your mind or on paper, or do you just jump straight in?
CTG: I don’t plan them as I let the muse and flow bring them out, but each one of those battles has been written multiple times. In some cases Jeff has made me to rewrite them again. So you get multiple layers that over time became the scenes you see in the books. In First Interview there is a scene, where Jane is being targeted by a sniper. I wrote it probably ten times even though it is relatively simple thing to write. It is also a reference point that Henrik uses multiple times, because in his mind, nobody could have survived it. Jane, on the other hand, isn’t a nobody and her ending in it wouldn’t have made a very good book. (laughs)
With the choreography of the fights I have over a decade long experience as a game-master and making high-octane adventures for the top-class players. Believe me, they schooled me well on what’s an interesting fight and how it should go down. Although with the gamers what you expect to get isn’t ever going to happen, because their sole aim is to destroy you as a game-master. (laughs again)
So, with the fights I never aim to destroy my characters but to put them through fast-and-dirty fights where sometimes unbelievable things happens just like it is in the case of the real life. Although I have a chance to show those scenes to military people and ask their opinion on them, I tend utilize my service experience and stuff that I’ve gathered continuing talking and analyzing current fights in the world, before I bring them on the paper.
Believe me it would be easier to write them if I didn’t knew anything about the art of warfare or how the battles turn out. In fact I’m glad that you can reflect those experience in the fiction and anchor them into the reality as much as I can. It also helps that every week, sometimes every day I write reviews on the stuff you see in the small screen or in the big one.
Juliana: Since your first language is Finnish, what were the key difficulties you had to face when working in English? And do you have any tips for other non-native-English writers?
Finnish and English are very different. Whilst Finnish might be easier language to write prose, it’s not the main language in our world. I write both fluently and out of those two, English is way much harder, because it has so many rules. Some things don’t make sense to even English Masters as they have to accept that things are the way they are. On the other hand I can easily bend the Finnish words and use them in completely different meaning altogether as the language flexes more around the speaker and the writer than what you can do with English language alone. So, it is a question of how much you can cope, and how well you can learn those rules to be able write in second language. As English is one of the main languages I try not to play with it as much I can do with my mother tongue.
Juliana: Talk to me about your cover! What are your favorite things about it? How closely did you work with the artist, Jackie Felix?
CTG: The cover… Oh man, I don’t know where to start. Well, firstly, I wanted to show Jane and keep Henrik altogether, as Jane is the Main Character in the First Interview. Jackie did a fantastic job in bringing her and Sergeant Red out as a couple, as you can see them standing in the Interview Room 2, looking mighty grumpy. Through the book they are an item as much as Jane and Jaq is, but Jackie didn’t wanted to draw nasty dead in the streets of war torn London, hence you see them in the Interview scene.
I chose Jackie, because she draws the best females characters in the industry and she isn’t afraid of showing them curvy or full of life. She also has an ability to draw from the darkness and apply that to the canvas. Jackie also managed to capture the feeling that their world is close to us but in some terms it’s more technologically advanced than our own. You see the eye of the Source (an AI) in the background watching everyone. So even in that you can get layers of the that only make complete sense once you have the knowledge.
Juliana: On February 10th you’ll be releasing Book 2 of your series, From Exopolis to Necropolis. Can you give us any spoiler-free hints of what awaits Jane, Henrik, Jaq and Co.? Also, First Interview very briefly introduces deeper fantasy elements, such as magic, the teaser of more supernatural creatures lurking undercover, and the mysterious Underworld. Will you expand upon these in the sequel?
CTG: Yes, I’ve expanded them a great deal, as the reader gets to dive into the story that was hugely inspired by Nolan’s Inception movie. You’ll get to learn how the Necromorphis advanced in the streets of London. What role the Portals, the Exopolis and the collective of special people that the Authorities placed in the Moon has been doing since the dust from the Great Panic has settled. You also learn much more about Henrik and what he’s going to do when, after six months, he meets Jane in the Exopolis and one of the first things she asks is for him to become Mayor.
At the background, you can expect that the war between the Damned and the Authorities is continuing. And for your delight there aren’t that many scenes involving the dead as there are in the First Interview. Instead of them you get to learn more about the mysterious Underworld, and what role it plays in the grand scheme of things.
Juliana: Thank you CT for stopping by and answering my questions. And I love the cover of the new book, with art by Adam Burn!
From Exopolis to Necropolis is available for preorder from Amazon, and First Interview will soon be available at a special promotional price during the sequel’s pre-launch week.
I don’t do dark. I don’t do scary, or heart-wrenching. My writing is fun and happy, and full of sunshine. Until it really, really isn’t.
The first thing I ever wrote was a light-hearted middle grade novel about a group of friends in small-town Brazil trying to stop a rampaging gang of ghosts. There was a bike chase, and meetings at the local ice cream parlor. Not a sliver of a shadow in sight, right? But now, looking back, I see there was an underlying theme of the price of magic, and of good magic gone very wrong.
Another middle grade novel had themes of PTSD and abandonment. My first foray into YA was about genetic experimentation on teenagers and forced seclusion from society. Are we beginning to sense a thread of darkness in all of this? But I still had this illusion that I was writing upbeat happy stories, probably because the dark bits were interspersed with enough action to mask them, at least to my own eyes.
(Although the torture scene in my first published book—which got a special mention from Fantasy-Faction—should have clued me in…)
I got into short stories. These tended to be a lot darker right off the bat. Probably because I felt these were somewhat separated from my usual stuff, and gave me more room to play. Published stories include an alien willing to kill to remain on Earth, a trio of cut-throat teen mercenaries on a desperate mission, and murder by flesh-eating fungus. Nice and cheerful!
But there’s a beauty to the shadows, to the gray tones and the storm clouds. We can only appreciate the light when the story has contrast. And for that, it often needs to go down dark paths.
At the moment, I’m working on something brand new. It’s my darkest novel yet, with some pretty tough subthemes. At first, I wondered who the heck the person commandeering my brain was, to be coming up with this stuff. Then I took a good hard look at my earlier writing, and realized the shadows have been there all along, from the very beginning.
In a way, this came as a relief. It’s good to know my work has actually had some consistency from the start. Until I began this latest project, I was worried that there was a huge disconnect between my short pieces and my longer stories. This new thing of mine not only seems to pull all the different sides of me together, but it also made me take a good hard look at my past work, too. And maybe embrace the dark.
Here we are, on the brink of a brand-new year. Yes, it’s an arbitrary calendar division and one day is the same as the next, etc, etc. But personally, I’ve always loved the concept of celebrating time passed and a new year ahead.
A quick look at 2018!
One novel written, another with a solid start
Two short stories published; a third sold but not yet out; and a fourth written, edited, and approved for an upcoming collaborative anthology
Writing events: one Con as panelist (participated in 3 panels), one retreat, a one-day workshop, and two library events (one as panelist)
A successful number of SCBWI meet and greets organized and held in our area (thanks to all my co-organizers!)
Fave books this year include The Hazel Wood by Melissa Albert, Man O’War by Dan Jones, Brandon Sanderson’s Oathbringer, the Magisterium series by Cassandra Clare and Holly Black, Nnedi Okorafor’s Akata Witch and Akata Warrior, The Empyreus Proof by Bryan Wigmore, and Leigh Bardugo’s Crooked Kingdom
Some of the movies I loved were Black Panther, Ant-Man and the Wasp, and Spiderman: Into the Spiderverse. Yeah, those superhero movies are still topping the bill for me…
TV shows! Marvel’s Runaways was an unexpected delight. The Expanse is still one of my favorite shows. Into the Badlands and Midnight, Texas continued to deliver good storylines. In terms of animation, 2018 saw the final seasons of Voltron Legendary Defender *sobs* and Star Wars Rebels *sobs harder*. But it also kicked off The Dragon Prince and the new She-Ra reboot, both extremely enjoyable, so plenty to look forward to in 2019
Personal bits and pieces
We have a new rescue pup! Misty is seven months old, and both a delight and a tiny terror. We love her!
We visited family in Brazil in July/August and got to spend time with old friends, too. We returned to Brazil briefly over Christmas week, for much more difficult reasons. It’s always hard to face the brutal finality of burying someone you love, however much you think you’re prepared
On the other hand, and because life tends to do this: brand new baby nephew! He lives on a different continent, so I didn’t get to go all grabby hands, but thankfully Facetime and WhatsApp are a thing
I passed the one-year milestone of working at my town library and am so grateful I get to do this. I love my job!
Coming in 2019
ALL THE CONS! Well, three. I’m a panelist again at Boskone in February, and I’ll be doing my first reading, as part of the Broad Universe program. In August I’m off to Ireland, first to Dublin for Worldcon, and then to Belfast for Eurocon. It’ll be a great chance to connect with some of my UK writer friends who I haven’t met in person yet
Book release: some of us ladies over at the SFFChronicles.com have been working on a science fiction anthology with an all-female line-up of authors. Out in 2019
Star Blade! Hopefully this new year will bring the last installment of my YA trilogy. I’m working hard to make that happen…
THANK YOU FOR ALL YOUR SUPPORT IN 2018. SEE YOU IN 2019!
Hard to believe the year is almost over! I could swear it was October just the other day… Anyway, it’s been a while since I’ve done one of these, and I thought I’d start with a quick reading round-up. 2018 has been a slow year for me, book-wise. There are SO MANY novels sitting on my bookshelf or in my e-reader waiting for some love, and I’ve barely made a dent in the pile. Hopefully 2019 will find me more inspired!
2018 was the first year I ever kept a book log, which proved to be an interesting experiment, and one I think I’ll continue next year. So, what did I actually read? I finished 35 novels in 2018. They were pretty evenly spread out in terms of age category: 11 were Middle Grade, 11 were YA, and 13 were adult fiction. As for genre, Fantasy (and sub-genres) was the big winner, with 25 titles against 3 science fiction novels, 1 horror tale, and 6 that fell into other categories (thrillers, a mystery, and a contemporary YA). 15 of those books were written by men, and the other 20 by women.
My resolution for 2019? Step up my reading game and catch up on that TBR pile!
Recent Reads: Earth shakers, world breakers.
I followed up my earlier read of Akata Witchwith the sequel, Akata Warrior. I absolutely love Nnedi Okorafor’s vivid worldbuilding and crisp storytelling syle, and the second book definitely lived up to the first. The novel continues Sunny’s saga as she keeps up her training in Leopard Society, takes her magical abilities further, and finds an even bigger battle to fight with her friends.
I recently picked up an ARC for an October release that had been gathering dust on my shelf since spring. Monstrous Devices by Damien Love is a nicely paced middle grade novel with a dark side and a hint of teeth. It has a vaguely clockpunk feel to it, and mixes toy robots, ancient golems, blood magic, and a breathless chase across half of Europe. Good stuff.
Moving away from kid lit, First Interview by CT Grey is what happens when you mix a zombie apocalypse, a vampire warrior, a high-tech portal to a secret off-planet colony, and whispers of a supernatural underworld. To be honest, when I read the blurb, I was skeptical. But Grey pulls it off with style, and this fast-paced genre mash-up was an entertaining read. Book 2 comes out in 2019, so stay tuned for an interview with the author on my blog.
Now Reading: Space capers galore!
I’m in the middle of The Scalpel, by James Worrad, and thoroughly enjoying it. There is plenty of action-packed intrigue to keep things moving, and a great cast of colorful characters.
To Read: The fantastic and the familiar.
I have a copy of Kelly Robson’s Gods, Monsters, and the Lucky Peachon my Kindle just begging for attention. I’ve liked everything I’ve read of Robson’s so far, and this one promises to be just as good.
Juliet E. McKenna is an author I’ve had on my to-read list for a while, and now I have two signed books of hers I got in the last Pixel Project fundraiser: The Green Man’s Heir, and Shadow Histories of the River Kingdom. Looking forward to these!
I haven’t read anything by children’s author Patricia MacLachlan, and I have at least two writer friends who claim she’s been a major influence in their lives. So I was delighted to be given a copy of My Father’s Words during a Holiday Book Swap held by my local SCBWI group. I think this will be one for my Christmas break…
Wishing you all a wonderful book-filled end of year!
If you like your fantasy novels to be gorgeously lyrical and lavishly unique, look no further than the Fire Stealers Sequence by Bryan Wigmore. The first in the series, The Goddess Project, was released in 2017 to great reviews. Snowbooks has just released the sequel, The Empyreus Proof.
Bryan’s complex storytelling takes us on a journey through a fascinating world of magic masquerading as science, where civilizations are poised on the brink of war, and the characters race to find the truth behind the lies they have been living before it is too late. The Empyreus Proof begins shortly after the end of the first novel and introduces new depths to the Fire Stealers mythology, besides broadening the reach of the saga. Bryan joins me on the blog to talk about writing, inspiration, and pesky opinionated otters.
Juliana: Hi Bryan, and welcome! How does it feel to have two books out of the nest and into the wild?
Bryan: Thanks, Juliana. It certainly gives me a bit of a glow to go to visit my Goodreads or Amazon page and see more than one cover there, like a real writer! Coming up to publication, I was a bit nervous about ‘second-book syndrome’, but from early reactions I seem to have avoided that, which is a relief.
Juliana: Talk to me about your stunning cover art. Did you have any say in the process?
Bryan: Yes, I worked quite closely with Emma Barnes of Snowbooks on the cover. I was originally trying to come up with something that suggested a journey, and a city (both the 1900-style one of Bismark, and the other world of the Shining Ones), but that proved way too ambitious. Almost in desperation, I thought of a lion-head door knocker, which both features in the book and links symbolically to other elements (a lion is one of the two Empyreal animals, for example). And when Emma found the brilliant photo and worked the design around it, I was absolutely thrilled with it. I still am.
Juliana: Which of your characters gives you the most trouble? And why? And who is the easiest to write?
Bryan: Probably the two I have to think most about are Orc and Geist. Geist is older and more experienced and impressive than I am, so I have to consciously embiggen my psyche when I write him. And Orc is sometimes difficult because he can be a bit nebulous, especially in this second book when his identity crisis deepens. Easiest without a doubt is Tashi. I just seem to fall into his character, and his viewpoint voice changes without my having to think about it. Surprisingly for someone brought up to suppress emotion, he seems to speak everything with so much feeling.
Juliana: I think one of the biggest themes in your work is identity, with characters struggling to find out who they are (quite literally in some cases) and what is their place in the world. Why the fascination with this issue?
Bryan: It probably comes from two sources. One is that (it seems to me) I didn’t develop a strong sense of identity as a teenager, the classic time for doing so. It’s still not as fully formed as I imagine other people’s to be. I suppose ever since I’ve been wondering if that is a good or bad thing, and what it might feel like to have a well-developed sense of self, or even whether other people have as much of one as I think. Plus, for a long time I was fascinated by questions of large-scale identity: where we come from, what our existence means (if anything) and so on. That explains why many of my characters have both things going on, to some extent: the personal identity issues and the existentialist ones. I am amazed more of them don’t go insane.
Juliana: Although I loved the novel, I was sorry that in The Empyreus Proof we didn’t get the amazing diving scenes from The Goddess Project. Do you aim to get Orc back into the sea eventually?
Bryan: Cass certainly gets back in the sea in the third book, and discovers things there that she really would rather not know. I do aim to get Orc back in the water, too, but the water might be fresh rather than salt. I’m happy there was a break, though – I loved writing the diving scenes, but the dramatic possibilities of freediving aren’t infinite, and I felt I’d come close to overdoing it in the first book. (Though readers have told me otherwise!)
Juliana: Your character Otter, an animath and one of the ‘Fire Stealers’, is easily a fan favorite. (He even has his own Twitter account (@fire_stealer) and can usually be lured online with generous offers of salmon.) The Fire Stealers have clear shamanic ties, but where did the inspiration for Otter in particular come from? Or did he spring ready-formed from your world’s ‘psychosphere’?
Bryan: No, he sprang ready-formed from my own shamanic exercises, though ‘my’ Otter doesn’t speak. Actually his voice came about when I was instant-messaging a friend over ten years ago. I started chatting as Otter, and his irreverent voice came naturally. I carried it over into the books.
Juliana: Where do Orc, Cass, and Co. go from here? Are there any spoiler free details you can give us for the next book in the series?
Bryan: The next book, The Mandala Praxis, largely takes place in a land that hasn’t been visited in either of the first two books, and the crew get involved in the resolutions of a decades-long plan to change the world. All six Fire Stealers will make an appearance, as well as two other, much larger animaths that are more powerful, and more dangerous to their humans, than any before.
Juliana: Are you working on anything else right now?
Bryan: Yes, in tandem with The Mandala Praxis, I’m writing Earthwyrms (which is probably the series name), a young adult novel about a group of teenage environmental activists battling a cabal of black magic users trying to poison the land’s energy matrix.
Juliana: Wow! That sounds amazing! So, what are some of the things that inspire your novels? Movies, music, books, art, places… anything goes!
Bryan: It seems to be split between Japanese games and anime, for example Final Fantasy VII and Fullmetal Alchemist, and non-fiction books. Three of the latter that have influenced the Fire Stealers series have been Camille Paglia’s Sexual Personae, Karl Theweleit’s Male Fantasies, and Ken Wilber’s Up From Eden. But I don’t think my books are as highbrow as theirs!
Juliana: One for fun — if you could spend a week in any of the locations in your Fire Stealers novels, what would you choose? And who or what would you bring along for company?
Bryan: From the two books so far, I think it must be the island in The Goddess Project. Ancient sites to explore, underwater ruins to freedive in, forests of maritime pines to wander in — it sounds ideal! I’d take Otter, of course, a couple of friends, and a robot butler to keep the picnic tables loaded.
Juliana: That sounds like a good choice. Of course, any place with Otter in it is bound to be entertaining… Bryan, thanks for sharing your answers, and congratulations on the new book!
Add The Empyreus Proof to Goodreads and find buying options here.
It’s Pride Month, and I thought I’d do a round-up of some of my favorite LGBTQ characters in science fiction and fantasy. I have a few in my own work; in the Blade Hunt Chronicles, my half-demon Camille is pansexual. My thief-witch Ben, who appears in Night Blade (Book 2), is gay, and so is his crewmate Lix.
YA fiction is probably a good place to start if you’re looking for LGBTQ characters. One of my current darlings is sharpshooter and thief Jesper Fahey, from the Six of Crows duology by Leigh Bardugo. Jesper is bisexual (and a terrible flirt, too), and his romance with Wylan Van Eck is absolutely adorable.
Another YA character that I adore is Pen Khan from the Skyscraper Throne trilogy by Tom Pollock. In Book 2, The Glass Republic, Pen travels to London-Under-Glass and meets Espel; the two girls team up to save mirror London and steal each other’s hearts along the way.
I’m a huge fan of the Raven Cycle series by Maggie Stiefvater, and Ronan Lynch was my top character from the start. I loved his slow-burn romance with Adam Parrish (oh, the pining!!!), and I’m so happy that Stiefvater is working on a new Ronan-based trilogy.
Moving away from YA, a great fantasy read from an indie press is The Art of Forgetting duology by Joanne Hall. In the first book, Rider, we meet Rhodri and watch him fall in love with one of his fellow soldiers. In the sequel, Nomad, Rhodri meets and marries a woman from a distant nomadic nation. His bisexuality is nicely handled, and his marriage does not in any way erase the legitimacy of his first relationship in the narrative.
How about love in space? One of my fave characters in Jo Zebedee’s Inheritance Trilogy is the main protagonist’s brother-in-law, Lichio le Payne. Even in space, it isn’t easy being bisexual while having an important military role, and Zebedee does a good job of helping us understand what Lichio goes through.
There are a lot of other great LGBTQ characters around in speculative fiction; Rhy Maresh, a bisexual prince in V.E. Schwab’s Shades of Magic trilogy comes to mind, as well as Rick Riordan’s genderfluid character Alex Fierro from the Magnus Chase and the Gods of Asgard books. Why not share some of your own personal favorites in the comments?
*The awesome Blade Hunt Chronicles character art is by Corinna Marie. She takes commissions and is a lovely person!
May was a mad rush of manuscript revisions, other work, and life being, well, life. The laundry doesn’t do itself just because you’re busy rewriting Chapter 11, though what a neat trick that would be… But in the middle of all that busy, I still managed time to read. Here are a few of my favorites from the past few weeks.
Recent Reads: Tricks and Trips.
I FINALLY READ CROOKED KINGDOM! I’ve been promising myself for a while now that I’d read the sequel to Leigh Bardugo’s Six of Crows, and I actually got around to it this time. Worth the wait!
As Kaz and company strive to right the wrongs committed against them they get sucked down into a deepening spiral of subterfuge, trickery, and intrigue. Beautifully written, the story is well-paced and has enough twists and turns to keep readers on their toes the entire time. And the romances are lovely!
I’ve been wanting to read Holly Black’s work for a while now, and I started out easy with the Magisterium series she’s co-writing with Cassandra Clare. Although I found the books in my library’s teen room, they’re really middle grade, and I think I read the first four in under a week.
The Iron Trial, The Copper Gauntlet, The Bronze Key, and The Silver Mask bring a neat little twist to the ‘teen discovers they have magic and goes to magic school’ formula. I’m not going to say much because #spoilers, but I certainly wasn’t expecting the direction the tale took from the end of Book 1, and this was a refreshing departure from the theme. This is a great series, and I’m looking forward to the conclusion in The Golden Tower, out September 2018.
There’s nothing better than a new InCryptid book, so when I realized that the most recent title in Seanan McGuire’s series, Tricks for Free, was out, I rushed to buy it. We get more of Antimony’s point of view in this one, and plenty more Sam, which made me a very happy person as Sam is adorable.
I absolutely love this series. It’s fun, fast-paced, and light-hearted while tackling some pretty big issues, and McGuire’s world is full of amazing cryptids and characters that keep you invested from page one. If you like urban fantasy and haven’t yet discovered these books, give the first one a try. You won’t regret it, I promise you!
Kelly Robson’s The Human Stain recently won the Nebula award for best novelette, and as I’ve been meaning to read this for a while, this was the perfect moment. The story takes us to a remote castle in Germany, following a British expat who is hired to care for her friend’s nephew.
This gothic horror tale is perfect for a shivery afternoon read (or a nighttime one, if you dare!). Robson’s elegant prose contrasts nicely with the growing darkness of the story, which has an ending that will definitely leave you off-kilter for a good while.
Now Reading: A ghostly conspiracy…
I just started an ARC for Afterimage by Naomi Hughes, out in September 2018. I’m not very far in, but I love the concept and am excited to read on. The story begins with an explosion that leaves the only survivor racing to find out who is behind it all. And the only person she can turn to is a transparent boy who she’s not sure is a ghost or a hallucination.
To Read: Stormy waters, suspense, and insurgence.
Thanks to the Penguin Children’s Fall preview I attended last month, I have a lovely big pile of middle grade and YA ARCs to read. I’m thinking of starting with Seafire, by Natalie C. Parker, the story of an all-female pirate crew. The book has been described as Wonder Woman meets Mad Max: Fury Road, so yes, please!
Another one from the ARC pile that I’m looking forward to getting into The Sacrifice Box, a horror novel by Martin Stewart set in the 1980s, and that sounds like a cross between Stephen King and Stranger Things.
On my to-read list is Myke Cole’s The Armored Saint, which came out in February but I haven’t had a chance to read yet. This is Cole’s first fantasy series, a little bit of a departure from his Shadow Ops world. I love Myke’s writing style, so this is definitely one I can’t miss out on.
I have a LOT of other things on my to-read list, but luckily summer is just ahead. The downside to school vacation is that I’m not sure how much writing I’ll get done. The upside, of course, is books, books, books. What’s on your summer reading list?
The other day I was chatting to my daughter about my Blade Hunt Chronicles series, and the conversation went something like this:
Me: I have this headcanon about one of my characters.
Daughter: You DO realize you’re the author?
Daughter: And anything you decide about a character is actually canon?
It made me laugh at the time. But that little snippet of conversation stayed with me. It suggests that writers are in charge of their characters and keep them on a tight leash at all moments. Which… isn’t really the case at all. How often do we read online posts where authors jokingly complain that their characters won’t do what they’re told? That they downright refuse the plans their creators had for them, sometimes with a big Hell No? WHY ARE ALL THESE CHARACTERS RUNNING AMOK?!!
I can’t speak for other writers, but I’m a plotter. I like my outlines, and knowing where my story is heading. Of course, I leave room for detours and surprises, but my plots tend to mostly behave. When it comes to characters, however, I like to wing it. I start out with a rough idea of what they look like and how they act, but their personalities develop as I write my first draft. That leaves a lot of space for ‘misbehavior’.
Planned romances sometimes go in the opposite direction, while others turn up where I least expect them. ‘Strong’ characters break down in tears that make sense when I write them but were nowhere in my original outline, bullies turn vulnerable, and quiet throwaway characters stand up and demand page space, taking charge. It’s a wonderful crazy voyage of discovery, where I’m surprised over and over again, and often it isn’t until I reach those final pages that I truly know who my characters are.
Going back to that conversation with my daughter, I think I’ll stick to calling my character theories ‘headcanons’. Because once I get to writing them down, who knows what my characters will have to say about them? And that’s just part of the fun.