A guest post by Jo Zebedee, author of Abendau’s Heir, Sunset Over Abendau, Abendau’s Legacy, Inish Carraig, and the brand new dark fantasy release, Waters and the Wild.
When I started my first book – which eventually became Abendau’s Heir – I had nothing more in mind than writing something that had been floating around my head for a number of decades. What I intended was to confront the concept of the ‘chosen’ one and challenge it. Which meant the poor main character had to go through an ordeal. That ordeal turned out to be a lengthy torture regime, including a rape.
Now, in genre novels rape is the great taboo. It is often used for weak plot reasons. It brings about accusations of gratuitousness quicker than practically any other trope. And, to add to the fun, torture isn’t that far behind it… And all in a debut novel….
I’ve often asked myself if I would have the guts to write something just as hard hitting as Abendau again. If I’d have known then what I know now (that many people would find the book too dark, that it might define me as the dark little bunny in the writing group), would I do it again?
On the face of it, Waters and the Wild, my latest book, is a million miles from Abendau. There is no torture. There is no rape. The darkness within it is subtler and less confrontational to the reader. But there are still themes within it which will challenge a reader and which were not the easiest to write about.
Firstly, the book has a main character dealing with the day-to-day reality of coping with a mental illness. Whether she is mentally ill or whether fairies really do speak to her is largely irrelevant – because, whichever it is, it causes compulsions in her, bring anxiety and fear, causes her confusion and disassociation. That Amy has had these thoughts, or has heard these voices, since she was a child, is redolent of our modern era – where teenage mental health problems are growing and our services (where I am, at least) are stretched and support is often patchy.
But the thing that Waters and the Wild does (which has been picked up in even the earliest reviews) is question what that does to a wider family. The repercussions of mental health difficulties – not just Amy’s – reverberate through the book. No one is unscathed by it – because we are not islands and when someone we love struggles, we can’t just close ourselves off from it.
Up to this point, I’m on safe ground, I feel. I researched. I got feedback from people who were more knowledgeable than me and acted on it. I researched some more. I drew on whatever personal knowledge I have, or have been privileged enough for people to share. As with Abendau, I’m confident the themes that have arisen have been dealt with carefully, with thoughtfulness and honesty.
That’s before the book is released, however. Once it goes out as a published book, I no longer own that book.
With Abendau, I hoped I’d be recognised for writing a thoughtful trilogy about a character’s journey. Mostly, though, I’m known as the lady who writes great torture. Those 3000 or so words in a sea of 250,000 are what define the trilogy. With Inish Carraig, my Belfast-based alien invasion novel, I’ve had to come to terms with people reacting to a reflected Belfast in the book. It’s not why I wrote it, but that’s okay. It’s what resonates with so many readers.
What, then, for Waters and the Wild? I hope the dark mythology will stand out but, looking at early feedback, the character interactions in all their quirked and strained ways, are coming to the fore. The mental illness themes, too, are resonating. We’ll see where they all settle down and what the book’s identity becomes.
What I do know is that, for me, it’s only by writing challenging themes that a multi faceted book emerges. Which I suppose answers my question. Would I tackle hard themes again, knowing they might cause discomfort, and put some readers off?
Yes. Yes I would. Because I should be honest to the story, the characters and their theme. And I hope readers will find that I have been.
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You can buy Waters and the Wild here.
Add Waters and the Wild on Goodreads.
Follow Jo on Twitter @jozebwrites, and check out her wonderful blog posts on writing and publishing at her website, www.jozebedee.com
Juliana Spink Mills 