Have Book, Will Read #25

It’s prime reading time, with snow piled up outside my window and the lure of warm blankets and an equally warm dog to cuddle. After the past year, where my book habits trended more to comfort than new material, it’s been nice getting back to digging away at my to-read list. Hopefully I’ll manage to keep up the momentum!

Recent Reads: Romance, magic, and all that jazz

The Game of Love and Death by Martha Brockenbrough has been sitting on my shelf for a really long time. I’m actually embarrassed by how long it took me to get around to reading it. I’m so glad I finally did! This is a gem of a book, at the same time heart-warming and heart-wrenching. I’m not usually one for crying when I read, but this one managed to make me both smile and shed a few tears.

Brockenbrough’s beautifully written tale is set in 1937, where the immortals Love and Death have gathered for one more round of their eternal game. Their chosen players? Flora, an African American teenager who sings in her family jazz club for a living but dreams of setting world records as an airplane pilot, and seventeen-year-old Henry, a white boy whose path in life has been set in stone by the foster family he lives with, regardless of his love for music. The story switches between four points of view — the unwitting players and the two immortals —plunging us right into the heart of post-Prohibition Seattle.

I can’t talk about Game without mentioning another recent read, The Invisible Life of Addie LaRue, by V.E. Schwab. Superficially, both books have a lot in common. They both feature immortal beings who play with the humans who fascinate them. They both have ties to the past, though while Game is anchored in the 1930s, Addie skips and jumps through recent centuries, pausing at key moments of history. They both feature love stories, and boys named Henry. But they are also very different books.

While the first one remains, for the most part, tight and focused, Schwab’s book is a sprawling, meandering beauty, dipping in and out of the past as an embroidery needle dives into a vast tapestry. It tells the tale of Addie LaRue, a young French countrywoman from the early 1700s who strikes a bargain with an unnamed power and becomes immortal, yet cursed to always be forgotten. Until she meets, in modern times, a young man who remembers her. Schwab’s prose is, as always, that perfect mixture of lush and sparse, and this was a delight to read.

Forged, the latest title in Benedict Jacka’s urban fantasy series, continues leading Alex Verus down the difficult path he’s been walking for a while now. Hunted by both light and dark mages, and with his girlfriend Anne losing herself to the dangerous entity she’s bonded to, Alex is running out of allies and options if he wants to save himself, his friends, and — most of all — Anne.

I’ve really enjoyed this series, which has only one more book yet to come. It’s been an interesting ride, starting out in Book 1 (Fated) with the near-powerless (in comparison to other mages) diviner Alex and watching him over time carve that power out for himself, while making some rather questionable choices in order to do so. Alex has become very much a grey character, which I honestly kind of love. We are all the heroes of our own stories, but Alex has come to a point in his saga where he’s being forced to take a good hard look and decide if he’s actually a hero, or if he’s becoming what he most feared: a dark mage like his former Master, Richard Drakh.

Now Reading: Teen hero shenanigans

I’ve been watching the Young Justice animated series and, after reading up on the characters, I grew curious about the original comic book run that inspired the TV reboot. I’d read that, despite using some of the same storylines, the TV show has very little else in common with the comics, and now that I’ve been dipping into the Young Justice world, I absolutely agree.

I devoured Young Justice Books 1-4 in a few breathless days and am now finishing up Book 5. While the TV show centers on the first Robin, Dick Grayson, the comics focus on Robin number 3, Tim Drake. The original core three — Robin, Impulse, and Superboy — soon find their team expanding with the addition of Wonder Girl, Arrowette, Secret and, later on, Empress (with Lil’ Lobo as an unofficial member). Their adventures lead us on one wild ride after another, and the books are full of absolute laugh-out-loud moments. I can honestly say I’ve never used the word ‘zany’ in a review before, but that description fits Young Justice perfectly. Delightful.

(And yes, unfortunately I had to read YJ on my phone, as my library’s reading app doesn’t work on my laptop or iPad. Thank goodness for smartphone zoom features!)

To Read: Darkness rising

I’ve been on a library rampage lately and that means I’ve got two more books waiting to be read before their due dates roll around. The first is Paul Cornell’s London Falling, the opening title of his Shadow Police series. I love a good supernatural investigation book, and have heard good things about Cornell’s work, so I’m looking forward to it!

The other one is Gideon the Ninth by Tamsyn Muir, which I picked up after a post on Tor.com sparked my interest in this award-winning science fantasy novel about necromancy and cut-throat politics. This is the first book in the Locked Tomb trilogy, and I’ve seen it mentioned so many times I figured it was about time I checked it out.

Here’s to hoping you all have some good books set aside to get you through winter (or summer, for those below the equator!). With the current sub-freezing temps in Connecticut, and more snow than anyone except ski resorts could possibly want, I personally need ALL THE BOOKS. Happy reading to all!

Recurring Themes in Writing

Your writing may vary wildly in style and scope. You may find yourself jumping genres or target audience, veering between contemporary and sci fi, or middle grade and adult. But if you take a moment to stop and have a good look at your writing projects—all of them, published or unpublished, polished or abandoned—you’ll most likely find a common thread. A theme (or two, or three), winding through all of those different projects and connecting them back to you, heart and soul.

About a month ago, I tweeted the following:

It was a jokey post, obviously, but there was a grain of truth in there, nevertheless. Who am I? Pretty much everything I’ve ever written contains something about identity and our place in the world. It could be literal, like in my YA novel Heart Blade, where my main protagonist has no memory of her previous life and is trying to find out where she fits into her new one. It could be a more subtle approach, such as in my short story The Sugar Cane Sea (Not All Monsters anthology, Strangehouse Books), where the main character is on the run from her abusive and demonic husband, and won’t be able to make a life of her own until she’s free.

Identity and belonging have always been recurring questions in my own life, ones that bubble up every few years but are always there, waiting under the surface. In my case, this was due to being a child of two cultures, born in one country and then, at the age of eight, moving to a different one, vastly different to the first. Of course, years later I complicated matters by moving to the USA and having a whole new set of identifiers thrown at me…

And so, even without meaning to, I find those questions echoed in my writing.

When I mention recurring themes, I’m not talking about that elusive thing called ‘author voice’. That’s something separate, which has to do with writing style more than anything. But themes in writing and author voice are, at the same time, entangled to a certain extent. Just as you can usually recognize your favorite author’s way with words (even when they cross the genre streams or write for a different market), you can probably pick out certain themes you’ve learned to associate with that author, and which emerge time and time again in their books. And often there’s a sweet spot where the author’s voice and their themes meet to create a unique brand that’s all their own.

No one has to have recurring themes in writing. But I don’t think most of us plan these things. They just happen, as our words on the page draw upon the subtleties of our innermost thoughts. Chances are, you have certain themes that crop up over and over in your own work, too. So take a moment to think back on some of your writing. Dig beneath plot and message to get at the bones of the work—the underlying themes that color the story. And if you find you have a few (or many) in common, weaving their way through your different projects? It won’t change your work, or writing style. But it just may help you come a little closer to understanding who you are—not as a writer, but as a person.

X marks the sweet spot between theme and voice

Families of Origin in Sci Fi and Fantasy

Who’s your favorite fictional family of origin?

The term found family or family of choice, according to Wikipedia, “refers to the group of people in an individual’s life that satisfies the typical role of family as a support system.” Sci fi and fantasy is full of characters who have been forced apart from their families of origin, either through circumstances (war, tragedy, evil government regulations…) or by option (differences in ideology, birth family are terrible people, etc.). 

Now, don’t get me wrong, I love a good found family. There are so many wonderful families of choice in speculative fiction! I’ve written a fair few of these myself, and removing the protagonists from their families of origin is a well-loved trope that works for a reason. It provides backstory and motivation, and it isolates the main character(s) so they are ready to begin the adventure.

But this isn’t the only way to tell a tale, and lately I’ve found myself (found! Ha!) thinking about all those other stories out there—the ones with biological or childhood families who support the main character, who fight side-by-side, and who provide a safe port for their adventuring children to return to. Let’s have a look at a few of my favorites…

Safe ports and anchors

Sure, The Lord of the Rings by J.R.R. Tolkien (1954) is full of broken bloodlines, grand gestures for ancestral honor, and tragic pasts, if you look at the humans, dwarves, and elves. But the grounding element of Tolkien’s work is the hobbits, and no one can argue that hobbit society is based on Family with a capital F. Which is why one of my favorite parts of LOTT is the end, when they all return home and set the Shire to rights. For Sam, Merry, and Pippin, their families are the port they leave behind, only to return to once the ‘distant seas’ have been explored.

Another character who finds an anchor in his family is policeman Peter Grant in the Rivers of London series by Ben Aaronovitch (2011–). Although they don’t participate directly in Peter’s adventures, he is always touching base with his parents, and they serve as an ever-present grounding element.

Loving, present, and accounted for

Many stories centered on child protagonists get rid of parents because Reasons (such as allowing adventuring past bedtime!). In middle grade sci fi romp Sal and Gabi Break the Universe, by Carlos Hernandez (2019), however, Sal’s family is there for him every day, and when his adventures get out of hand, he knows he can count on them to step in and lend assistance.

Marvel’s Spider-Man: Into the Spider-Verse (2018) is another one where the young protagonist, Miles Morales, has a family who is present in his daily life and makes sure he knows he is loved and cared for. It’s the opposite of the usual superhero origin story, as made clear by Miles’ interactions with versions of himself from across the multiverse, and honestly? I love it. Why NOT have a hero who can go home at the end of the day to his parents’ embrace?

Families who fight evil together, remain together

One of my favorite evil-busting families appears in Seanan McGuire’s InCryptid series (2012–). The Price siblings come from a large extended clan of cryptozoologists who train together, learn from one another, and most definitely have each other’s backs when the bad stuff hits the fan. There are always great team-ups in McGuire’s books, and this is one family you definitely don’t want to cross!

In the Spy Kids movie franchise, created by Robert Rodriguez (2001–2011), after discovering they come from a long line of undercover agents, child protagonists Carmen and Juni jump right in to become spies themselves. Throughout the series, they often work with their parents in different ways. Family unity is a key theme in these movies, and honestly my favorite element in them. And if we’re talking family teamwork in kid’s movies, it doesn’t get much better than Pixar’s The Incredibles (2004). I still get shivers watching that scene in the jungle where they finally start to work together as a family!

YOU get an arc, YOU get an arc, and YOU get an arc as well

Let’s not forget stories that, while being centered on young protagonists, allow the grown-ups an arc of their own on the side. I’m an unabashed fan of MTV’s Teen Wolf (2011–2017), and one of the reasons I loved that show so much was that, as the seasons progressed, not only did the parents get to support their children and fight with them, but they also had their own arcs as well. We got to see adult characters like Noah Stilinski, Melissa McCall, and Chris Argent grow and evolve alongside their children.

In Maggie Stiefvater’s Raven Cycle series (2012–2016), the same is true of Blue Sargent’s family. A complex blend of blood and found family, the adults in Blue’s life who watched her grow up seem to twine in and out of the main story, enriching it with their own arcs even as they contribute to the main plotline.

You inspire me!

A shout-out here to the absolute gem that is Blue Sky’s Robots (2005). The main character, wannabe inventor Rodney Copperbottom, is the small-town boy who sets off to make his way in the big city. He leaves behind loving and supportive parents—especially his father who has brought him up to believe in his dreams. His parents are not an active part of the story, but are more than just a safe port or an anchor: they are Rodney’s main source of inspiration, the reason for his ‘quest’, and never far from his mind. 

Here’s to all those wonderful families in fiction who keep our beloved protagonists grounded and those plots marching forward! These were a few of my personal favorites; what are yours?

Have Book, Will Read #24

It’s been a long, long, LONG, LoNG year for everyone. A lot of my to-read list got set aside in favor of rereads or comfort reads, and you know what? I’m fine with that. We all cope however we can, whether that means devouring every new ARC you can get hold of on NetGalley, or abandoning novels entirely in favor of binge-watching The Dragon Prince on repeat. That said, I did manage to read some new books over the past few months, so here are a few.

Recent Reads: Crunching numbers, solving crimes.

I’d been wanting to read Kin by Snorri Kristjansson for ages. Unfortunately, it took a while for it to become available here in the US. A shame, because this Agatha Christie meets Vikings murder mystery deserves ALL THE READERS. It’s fun, clever, and dark all at the same time, and an absolute delight to read.

Set in the year 970, a tension-fraught family reunion at the farm owned by a former Viking warlord quickly sours as old quarrels resurface and eventually blood is spilled. The warlord’s adopted daughter, Helga, sets out to solve the murder before an innocent is punished for a crime she is sure he did not commit. Kin is the first of the Helga Finnsdottir Mysteries, and I look forward to reading book 2, Council.

Another series that had been on my list for a while is Mark Lawrence’s Impossible Times sci fi trilogy. I took advantage of a Kindle promo this year to grab all three, and honestly had a blast with them. Starting with One Word Kill, Lawrence, who is known for his dark fantasy books, dives into the 1980s with a tale of time travel, numbers, and Dungeons & Dragons.

The story starts in 1986, introducing us to 15 year old math genius Nick Hayes. A visit from a future version of Nick sets him on a path full of intrigue and time paradoxes that closely parallels the D&D game that Nick and his friends play on weekends. The story continues in Limited Wish and Dispel Illusion, following Nick through the eighties and nineties. It’s a clever and fast-paced trilogy, with lots of fun pop culture throwback moments and some really great characters. Well worth a read.

A while back I’d read the first three novels in the Rivers of London series by Ben Aaronovitch, and this year I decided to start again from the first book and work my way through. I’ve just finished the 10th book (including two novellas), False Value, and I can honestly say that this series has been a consistent bright spot for me this year. Alternately white-knuckled-page-turning and laugh-out-loud, Aaronovitch’s work is a guaranteed hit for urban fantasy enthusiasts.

The series follows policeman Peter Grant as he learns to navigate his way through London’s supernatural world as part of the Folly, the Metropolitan Police’s department for dealing with the weird and unusual. Between river deities, vengeful ghosts, and the fae, Peter’s cases are never dull. False Value drops Peter into the world of tech startups and corporate security, and has enough twists to keep readers on their toes. If you’re already a fan of the series, this 2020 release keeps up the good work. If you’re new to it and looking for a great read, I definitely recommend the series (but do start at book 1!). 

Now Reading: Reconnecting with old friends…

As I’m sure all fans of epic fantasy are aware, the fourth book in Brandon Sanderson’s Stormlight Archive is here! I’ve only just started Rhythm of War, and I’ve carefully avoided spoilers, chapter previews, etc., so I can’t say much about it yet, but Sanderson is a talented writer who never lets his readers down, and I already know I’m going to enjoy it! (I did however look up a recap of the past three books as a refresher before diving in.) At 1219 pages long, I’ll have plenty to keep me busy over the next couple of weeks, and I look forward to reconnecting with favorite characters like Kaladin and Shallan.

To Read: The stuff of myths and legends.

I have two books on my Christmas present list, and I can’t wait to unwrap them! The first is The Invisible Life of Addie LaRue by V.E. Schwab, the tale of a woman who makes a bargain to live forever, but is cursed to be forgotten by everyone she meets. It came out earlier this year and has had some great reviews — the owner of the indie bookstore I use was thrilled when she saw it on my shopping list. I’ve loved other books by Schwab, such as the Shades of Magic trilogy and the Monsters of Verity duology, so I’m pretty sure I’m going to like this one, too.

I saw author S.L. Huang talking about Burning Roses on Twitter, and just knew I had to get it. Another 2020 release, the story is a fairytale retelling mashing up East and West by bringing together Red Riding Hood and mythical archer Hou Yi, as both characters are forced out of middle-aged retirement in a joint quest to save the world. We definitely need more older heroes, especially women, so this one went straight on the to-read list!

I hope you found some interesting stories to delve into this year, either in books or other media, and I wish you all fantastic fictional worlds to explore in 2021!

December blogging vibes…

LGBTQ Books by Black Authors

HAPPY PRIDE MONTH!

I am absolutely in awe of all the wonderful people out there right now, who are protesting, fundraising, debating, blogging, sharing on social media, and generally doing their part to help the world move forward as a better, more equal place to live. In support, and because this is, after all, Pride Month, I’ve gathered a few links to LGBTQ books by Black authors.

Note: I wanted to highlight some of the websites, people, and organizations already doing this work, instead of writing up my own list. This means I have not yet read many of these books — though my to-read list is suddenly a LOT longer than it was.

Please support an indie bookstore if you can. Also, many libraries are reopening, even if just for curbside pickup — consider requesting a title if they don’t already have it. And remember, there are many ways to help an author if you are not in a position to buy books, such as sharing book titles and lists with friends or on social media. Happy reading!

Black Children’s Books and Authors

12 YA Books by Black Authors

Although these are all fiction titles, this recent article includes a link to an interview by activist and author George M. Johnson about his non-fiction YA debut.

YA Pride

16 LGBTQIAP+ Books by Black Authors

An older post, written for Black History Month 2019, with a good mix of contemporary and speculative fiction.

LGBTQ Reads

Black History Month 2020

A comprehensive list of websites, fiction, graphic novels, poetry, and memoirs. Fiction is divided by age category, with middle grade, YA, and NA/adult suggestions, including a speculative fiction selection.

We Need Diverse Books

Resources for Race, Equity, Anti-Racism, and Inclusion

A resource list that includes book recommendations and Black-owned bookstores. And while you’re there, check out their blog posts and other website sections.

Also, don’t miss this Facebook event TONIGHT! JUNE 4TH 2020

The Brown Bookshelf 

Kidlit Rally for Black Lives

This one isn’t LGBTQ in theme, but if you have time, drop by @thebrownbookshelf on Facebook Live TONIGHT as Black authors and publishers come together in an online event.

Image from The Brown Bookshelf

Have Book, Will Read #23

It’s been way too long since my last reading roundup; at the time we were just heading into winter here in the Northeast. Now, thankfully, the cold weather has given way to a glorious New England spring. Our garden is a riot of wild violets and dandelions, and the sound of birds, chipmunks, and other backyard beasties forms the perfect soundtrack for a bit of reading. Here are some of the books that made it off my to-read list lately…

Recent Reads: Magic in the air!

I’d had my eye on Leigh Bardugo’s Ninth House for a while, and managed to check it out from my town library just before lockdown kicked in. (Lucky me!) This was a departure for Bardugo, stepping away from both YA and her meticulously constructed Grishaverse. The world of Ninth House is, however, just as detailed and beautifully constructed as her fantasy universe, and this richly immersive tale is a dark feast for the senses.

Set in Yale University, in New Haven, just an hour away from my house, Ninth House dips into a hidden world of secret societies, creating an entire magical network of scholars and alumni who operate among the regular students, faculty, and the ordinary citizens of New Haven. The story winds back and forth in time, bringing us morally ambiguous magical ceremonies, sacrifice, and murder, casting shadows that hint at a much bigger tale yet to unfold. 

Imaginary Numbers is the latest installment in Seanan McGuire’s InCryptid series, and the first told by Sarah Zellaby. McGuire’s InCryptid takes a different approach to most urban fantasy series, changing point of view every couple of books. We’ve heard from all three of the Price siblings so far — Verity, Alex, and Antimony — and now it’s time for their cousin Sarah.

Sarah is a cuckoo; a telepathic humanoid creature that evolved from a wasp-like ancestor. Cuckoos may look like humans, but are in fact inhuman predators. In addition, Sarah shares the telling of the tale with her sort-of cousin Artie, who is part incubus, making for an interesting departure from the very human Price narration. This was a gripping story, and a nice addition to the series despite (noooo!) ending on a cliffhanger. And as a bonus (or a balm for the cliffhanger-wounded), readers also get a road trip novella that takes place between the previous book and this one.

Molly Ostertag’s Witch Boy graphic novel series is popular among the teens and preteens who frequent my local library, where I work. Earlier this year, I decided to see what the fuss was about. I tore through all three books in a day and have to agree with the multiple check-outs the series has received in our town. This is a really solid middle grade/lower YA collection.

The Witch Boy, and the sequels The Hidden Witch and The Midwinter Witch, tell the tale of Aster, whose family is part of a magical society where boys become shapeshifters and girls become witches. But Aster has no affinity with shapeshifting; he’d rather be a witch instead, even if it means challenging the status quo. Known for her webcomic Strong Female Protagonist, Ostertag has dealt beautifully with themes of identity and gender roles in The Witch Boy, which has a diverse cast of characters and a great plot.

Now Reading: To the stars and beyond.

I’ve just started the second book in Brandon Sanderson’s Skyward YA series. The first book, Skyward, was a fast-paced delight, with a nice balance between dark and light and a great twisty ending. Skyward tells the tale of Spensa, who lives on a besieged world that humans crash-landed upon three generations back, and dreams of becoming a pilot and redeeming her father’s ruined legacy. The sequel, Starsight, promises to be just as wonderful, as Spensa leads upward and onward her people to reclaim the stars.

To Read: Werewolves and superpowers.

I’ve had Dana Cameron’s Fangborn series on my to-read list for a while, and this feels like the perfect moment to dip into an urban fantasy book or three. The first in the series about werewolf archeologist Zoe Miller is Seven Kinds of Hell, and it’s all loaded up on my Kindle and ready to go.

Ikenga , Nnedi Okorafor’s first middle grade novel, comes out in August, but I have an ARC sitting on my bookshelf just begging for some attention. I thoroughly enjoyed her Akata series, and am looking forward to this one. Magically gifted superpowers against a backdrop of vengeance? Yes, please.

10 Do’s and Don’ts for Writers in Lockdown

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Next week marks two months of staying at home for my family. While governments everywhere are beginning the slow process of reopening in a safe and viable manner, it’s pretty clear that the coronavirus pandemic is far from being resolved, and social distancing is here for the foreseeable future.

In some ways, time has flown by. In others, it has dragged on interminably. All of us have been forced to dig within and find balance, charting the things that make our new realities bearable. For writers and other creatives, there’s that added pressure of social media reminding us to take advantage of lockdown to, you know, create. But, as many of us are finding, it’s Not Quite That Simple.

Here’s a Top 10 of my personal do’s and don’ts as a writer in lockdown. (Emphasis on personal!)

1. DON’T read any of those posts. You know the ones. SHAKESPEARE WROTE KING LEAR DURING THE PLAGUE. Yeah, those ones. Between the general uncertainty, the incessant news updates, and the overall (very real) sense of fear, many of us are finding it hard to spark our creativity right now. Be kind to yourself. It’s perfectly fine to store ideas in your head (or a handy notebook) for now and wait until the world settles a little around you.

2. DO get a change of perspective every now and then. I’m lucky enough to live in a quiet suburban neighborhood where I can safely walk the dog AND social distance. Those moments spent outside the house help me reorder my brain. If you can’t go out, try using an unusual space instead. Sit on the stairs. Lie on the bathroom floor. Stand inside a closet in the dark for five minutes.

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3. DON’T feel pressured to ‘use your time at home in an educational manner’. Sure, there are a ton of amazing webinars and author talks aimed at writers right now, many of them graciously offered free of charge. If your mind is in that place, go for it! My mind… is not. Every now and then I feel a stab of guilt when I see some cool online event advertised. But I ruthlessly squash it down. The only new skill anyone has picked up around here lately is the dog, who learnt how to roll over. And I’m fine with that!

4. DO take some time to have fun with your imaginary worlds. Just because you’re not necessarily writing doesn’t mean you can’t let your mind soar! Create a color palette. Build an aesthetic board on Pinterest. Curate a playlist for your favorite characters or bake them a cake. Be playful.

5. DON’T judge yourself by anyone else’s standards. Don’t judge yourself by anyone else’s standards. Don’t judge yourself by anyone else’s standards. If you need to fall apart sometimes and scream into a pillow, go do it. If you need to lock your family out and hide in the bedroom for a while, go do it. Find your own coping mechanisms. If those include writing — a work-in-progress or a diary or a prompt or two — that’s fine and great, but if not, don’t feel like you should be writing just because other people are channeling their fear and frustration that way. Seriously. Don’t judge yourself by anyone else’s standards.

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Me as a Tarot cat screaming into the void

6. DO find analogies for creativity that anchor you in this difficult moment. For me, it’s plants. I’ve been expanding and repotting my small indoor jungle — I’m not much of a gardener, but container plants, I can handle. Watching my beauties grow reminds me that words, like plants, have periods of plenty and periods of rest. Yes, sometimes we do have to force ourselves to push through a block or a slow patch, but at other times it’s all right to let our work grow, well, organically.

7. DON’T feel obligated to connect. Yes, a lot of writers are moving online to get together as a community. We’ve all had to learn to use Zoom or Google Meets, among other tools. But that doesn’t mean you have to like it. Join an online meet if you want, but if it’s not for you, don’t feel pressured by social media posts or the latest Microsoft ad to jump on the meet-up bandwagon. A simple email or Facebook message to friends to let them know that you’re okay works, too. Or go old-school and send a card or a surprise treat.

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A lovely surprise from a friend!

8. DO seize the moment to break your own writing rules. The work-in-progress not doing it for you right now? Try something completely different. Pen some haikus. Dabble in fan fiction. Re-imagine your latest draft as scenes from a Regency romance. Pick the most absurd writing prompt you can find on the internet and go for it, purely for your own enjoyment!

9. DON’T forget to feed your writing brain. Put aside all your carefully crafted to-read or to-watch lists. Choose what you need right now, in this moment. Maybe it’s the comfort of reconnecting with a favorite book. Or the challenge of tackling a genre you usually ignore. Perhaps it’s the pleasure of watching the opening scenes of a dozen Netflix shows until you find one that lights you up inside. And again, don’t let anyone guilt you from enjoying what you want to be reading or watching.

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10. DO take a break from life every now and then to create moments of mindfulness. We all need some inner peace right now! Light a candle and meditate. Collect stones on your walks and write yourself reminders. Pray a rosary. Do divination with crystals. Stand barefoot on the grass and breathe. Make dandelion wishes. Anything goes!

Con Round-Up Part II: BOSKONE

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Life has been weird ever since COVID-19 went global. The past few weeks have been simultaneously dragonfly-quick and slow as a New England winter. One day drags by while the next is gone in a blink, and time, for me at least, has become a fickle capricious thing, heavy as stone yet as hard to hold onto as a handful of fine, dry sand.

That being so, I suddenly realized it’s been a month and a half since over a thousand sci fi, fantasy, and horror fans gathered for Boskone 57, and I’m long overdue a con round-up!

Boskone 57 was once again held at the Westin Waterfront in Boston on President’s Day weekend. For once I had no program items I was scheduled for on Friday, so I was able to drive in and settle down, catching up with friends and getting in the mood for my Saturday panels.

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With con buddies and Boskone regulars Shecky and Clarence Young (the photo is Clarence’s)

On Friday I only watched a couple of program items. One was the interview with Holly Black, Boskone’s YA Guest of Honor. This brought a fun insight into Holly’s work and creative process, as well as a chance for a sneak peek at some of her upcoming projects.

I also caught the Fashion in Fantasy Worlds panel, with Janice Gelb, Melissa Caruso, Zig Zag Claybourne, Nightwing Whitehead, and Sarah Morrison. My main takeaway from the panel was that fashion in novels is about the flavor, not the details; it’s about how the character feels in the clothes they wear, and not necessarily the clothes themselves.

Saturday morning dawned bright and sunny, and I was more than ready to go by the time programming started at 10am. I always like to sign up for a kaffeeklatsch if possible, and this year I was lucky enough to have the chance to sit down with the wonderful Charlaine Harris, who confessed that “I write because I get bored!”

Next up was Blood-Curdling Science Fiction, with Errick Nunnally moderating, and Julie C. Day, Nicholas Kauffmann, Darrell Schweitzer, and myself as panelists. We were supposed to be discussing the line between horror and sci fi, and since I write (and read) mostly fantasy, I wasn’t entirely sure what to expect. But the conversation ended up being great, and I had a really good time. Our takeaway? That horror is a matter of feeling, and mashes well with any genre. Oh, and that science is creepy!

photo by Dana Cameron
Blood-Curdling Sci Fi panel (photo credit Dana Cameron)

I had a quick lunch and then went to Holly Black’s reading at 1pm — another thing I always like to do at Boskone is fit in a reading or two, if possible, as I really enjoy hearing stories in the author’s voice.

Afterwards, it was time for a panel on Editing from Agent, to Editor, to Publisher, with Joshua Bilmes, Beth Meacham, John Kessel, and James D. Macdonald, moderated by Melanie Meadors. Some of my notes on this panel include:

  • Polish your work as much as you can before sending it to beta readers (John and James) BUT don’t over-edit, as earlier drafts can have a raw intensity that can get lost in the polishing process (Beth).
  • “When a manuscript is accepted by the publisher, that’s when we like to say the real work begins” (Beth).
  • Remember that your editor is not supposed to be your uncredited co-author! Be prepared to do the work (James).
  • Revision letters: recognize that your feelings are going to be hurt (Beth). Give yourself time to absorb editorial critiques before reacting to them.

Later in the afternoon, I headed down to the New England Horror Writers Meet Up, hosted by Jack Haringa. I was delighted to find that I wasn’t the only ‘accidental horror’ writer around, and that lots of us tend to tread the line between horror and other genres, occasionally tipping one way or the other. For more information on this group, look up http://nehw.blogspot.com.

I had two more items on my schedule for the day, and I was in both of them! The first was a panel I was moderating, Books That Get Kids Reading, with Michael Stearns (who writes as Carter Roy), Julia Rios, and Trisha Wooldridge. Not a lot of people showed up to watch, unfortunately (the 6pm dinner slot is a tough one!), but we still had a great time exchanging book and graphic novel recommendations for kids and teens. Our panel was unanimous in several things, including our love for diverse books and our admiration for Carlos Hernandez’ Sal and Gabi Break the Universe (as well as for his publisher, Rick Riordan Presents).

To finish up the evening in style, I once again took part in the Broad Universe Rapid Fire Reading, where members of BU each had a six-minute slot to showcase their work. I love this reading format, which is like a literary taster menu of voice, style, and genre. For my turn, I chose an excerpt from my short story The Sugar Cane Sea, which comes out later this year in the Not All Monsters anthology by Strangehouse Books.

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With Dana Cameron after the Law & Justice panel (thanks to Dana for the photo)

On Sunday I caught one last panel, Law & Justice in Speculative Fiction, with Leigh Perry, Kenneth Schneyer, Bracken MacLeod, and Diana Rowland. The panelists discussed how concepts of law and justice work — or not! — in fictional worlds, and what were some of the common traps that writers fall into, as well as pointing out a dearth of restorative justice in fictional worlds.

After this, it was time to pack up and return to real life. Boskone was, as always, full of wonderful conversations and inspiring panels and presentations — I was sad to take off my con badge, but it’s always exciting to get home and apply that creative boost to my own writing. And of course, to start the countdown to Boskone 58!

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View from my room

Check out my Con Round-Up Part I: SCBWI NYC

Con Round-Up Part I: SCBWI NYC

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On February 6th, I headed down to New York City for the 21st SCBWI Winter Conference — one of two national events organized by the Society of Children’s Book Writers and Illustrators. It had been a while since I’d been to the national conference — since 2014 to be precise — and I was looking forward to seeing the changes.

I arrived early, as the New England team (including myself and my regional conference co-director Casey Robinson) had a meeting on Friday morning. Business attended to, I escaped for a couple of hours to meet a friend from Brazil for a visit to the Met. Oh, important detail: my friend is a tour guide, so I had an amazing personalized glimpse at the museum’s permanent collection. If you’ve never been to the Met before, I thoroughly recommend this ‘taster’ version, where you get to sample a little from several different rooms and wings. After a post-museum lunch, it was time to head back to the hotel and relax with friends before getting ready for the Golden Kite Awards at night.

Watching the awards ceremony on Friday evening was definitely one of my personal highlights (and not just because of the strawberries and champagne reception!). Besides opening words from Kwame Alexander, who reminded us that “in the end, we answer for the children, to the children”, and James Patterson, who urged the gatekeepers in the room not to get in the way of kids reading for pleasure, we heard moving acceptance speeches from the award recipients, challenging us all to strive for more in our own work. Find a full list of the Golden Kite awards at: https://www.scbwi.org/announcing-the-golden-kite-and-sid-fleischman-winners/

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NESCBWI team members with the wonderful Debbie Ridpath Ohi (photo credit goes to Debbie)

Saturday began with a great keynote by author Kate Messner, centering on wonder and curiosity, and setting the tone nicely for the conference. This was followed by two workshop intensives that took place throughout the day. My first was on writing genre fiction, with Tor editor Melissa Frain. We talked through the challenges of worldbuilding and the subsequent perils of info-dumping, and then she walked us through an interesting first pages exercise.

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Kate Messner’s ‘Curiosity License’

I was particularly inspired by my afternoon intensive with agent Chelsea Eberly, who talked us through identifying our author brand. She broke this down into a number of key aspects, among which were to root our work in authenticity (what makes you YOU?) and to identify and focus on our strengths (where do you shine?).

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Workshop notes…

The day’s programming concluded with a heartwarming keynote address by Jerry Pinkney, who talked us through his journey as an artist, starting from his earliest place of inspiration: his father’s basement workshop. Later, the evening centered around the traditional networking dinner, with regional tables set up so attendees could meet and mingle with others from their area, if they so desired. I lingered a while afterwards, chatting to friends (old and new!), but soon called it a night.

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Part of our fantastic NESCBWI regional team! (photo credit Kristine Asselin)

Sunday brought my last intensive session, with Harper Collins editor Tiara Kittrell. Tiara talked us through the key elements of a variety of genres, and shared tips on how to successfully blur the lines between them to create fresh ways to tell stories. I had to leave straight after, and was sorry to miss what I’ve heard was a wonderful final keynote with author Derrick Barnes, but I still carried home a head and notebook full of new ideas and inspiration to fuel my writing work. All in all, it was a fantastic, exhausting, amazing weekend, and I’m glad I decided to return to the New York conference after such a long break!

NYC SCBWI and Boskone 57 Schedule

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Con bags at the ready…

It’s February tomorrow, and February brings ALL THE CONS. Or, well, two at least.

I’ll be in NYC next weekend for the SCBWI Winter Conference, which runs from February 7-9. I’m not part of any official programming, but will be wearing my ‘NESCBWI Regional Conference Co-Director’ hat (not literally. I own no fancy conference hats, alas), so come and find me if you want to talk about all things books, writing, and kid lit, or just to hang out and have a cup of tea in the hotel lobby. Hit me up on Twitter! @jspinkmills

From February 14-16 I’ll be in Boston for my yearly pilgrimage to Boskone. I’ll be on three program items, which leaves me plenty of time to catch up with people and make new friends. Planning to go to Boskone for the first time? Already a regular but we haven’t met yet? Come and find me — let’s chat!

Besides hanging around the lobby bar or attending other people’s panels, here’s where you can find me at Boskone:

Blood-Curdling Science Fiction

15 Feb 2020, Saturday 11:00 – 11:50, Marina 2

Where does the thin (red) line between science fiction and horror lie? Why does science fiction horror fascinate us so much? What is it about horror in SF that is so absolutely terrifying? What examples do we have of science fiction that will make your blood run cold? And is it getting harder to make SF fiction that is truly scary?

Errick Nunnally (Moderator), Juliana Spink Mills, Julie C. Day, Nicholas Kaufmann, Darrell Schweitzer

Books That Get Kids Reading!

15 Feb 2020, Saturday 18:00 – 18:50, Harbor II

Hundreds of new children’s books are published every year. Yet recommended reading lists still include the same old children’s classics, with only a few new titles. Our panelists share some of their favorite new children’s books and authors from recent years that should be added to the lists.

Juliana Spink Mills (Moderator), Michael Stearns (Upstart Crow Literary), Julia Rios, Adi Rule, Trisha J. Wooldridge

Broad Universe Group Reading

15 Feb 2020, Saturday 20:00 – 21:20, Griffin

Join members of Broad Universe — a nonprofit association dedicated to supporting, encouraging, and promoting female authors of science fiction, fantasy, and horror — as they read tidbits of works and works in progress. Readers will include LJ Cohen, Marianna Martin, Roberta Rogow, Juliana Spink Mills, and Trisha J. Wooldridge. Moderated by Elaine Isaak.