Happy New Year!

I usually do an end-of-the year wrap up post, but last December I was very much Not In The Mood. So instead, you get a HELLOOO 2023 post. (It’s January 31. It still counts. Right?)

For the first time since my teens, I made no resolutions for 2023. I have goals, yes, both personal and for my writing, but those are ongoing and not connected to the new year. It’s been oddly freeing! I’m one of those people who really likes the symbology of fresh starts: New Year’s Eve, my birthday, heck, I’ll even take the new moon. But this time, I just… couldn’t. With the resolutions. And so, I stepped into 2023 as clear and clean as a blank page.

That said, I have lots of exciting things ahead that I’m looking forward to this year. In February, I’ll be back in person at my beloved ‘local’ convention: Boskone, from February 17-19 in Boston, MA. Run by the New England Science Fiction Association, this is a great event. Just big enough to attract plenty of fantastic writers and publishing folk, but small enough so that you can actually find people to connect with and not get overwhelmed.

I’ll be moderating three program items: the group Rapid Fire Reading for Broad Universe; a meet up for young writers; and a panel on older characters in SF/F. If you’re attending Boskone, come and say hi!

I also have stories in two upcoming anthologies. Fit For The Gods will be out in August (there’s an official cover reveal coming soon, so I’ll wait to share it, but you can already add it to your Goodreads if you want.) This anthology has SO MANY great authors, and it’s thrilling to have had my story selected. My own story is a take on Odysseus and Circe, from the point of view of Scylla. I can’t wait to share it with the world!!! 

From the blurb: “Featuring stories by a bestselling, cross-genre assortment of some of the most exciting writers working today, an anthology of gender-bent, queered, race-bent, and inclusive retellings from the enchanting and eternally popular world of Greek myth.”

This will also (hopefully) be the year of Femmes Fae-Tales, an anthology of fae-related stories by women and non-binary authors from the SFFChronicles.com forums. (Click here for more information.) Many of us were part of the group that put together DISTAFF, published in 2019, an anthology of sci fi tales, and we’re excited to share this foray into the world of fantasy. My own story is one of a dark descent into the addiction to wild magic… Cover reveal coming soon!

As for works in progress, I’m halfway through the second in a sci-fantasy novella trilogy about a trio of ghost hunters in southern Brazil a few decades into the future. I hope to finish all three books and revise in time to start searching for a home for my novellas by summer. I’m having such a blast writing this; my characters are so much fun and so is the magic I’ve created for them! It’s also dark at times; there are zombie-ghosts, which is something I NEVER thought I’d write, seeing as I’m super scared of any zombie media! (When I realized my ghosts were going to be zombies, my reaction was ‘Oh no. OH NO!’ But the story needed them, and so be it…)

Usually in my end-of-year wrap up, I give a shout out to my favorite books of the year. This time, I popped up a recap on Instagram instead. Choosing just ten books is an impossible task, so I limited my choices to authors who were new to me in 2022. Check out my selection here!

As for 2023, I’m off to a good start with reading, and have so many more books ahead! Some of the 2023 speculative fiction releases I’m excited for: Hell Bent by Leigh Bardugo (Alex Stern #2); The Witch King by Martha Wells; the new Murderbot novel, System Collapse, also by Martha Wells; Threadneedle by Cari Thomas; The Wicked Bargain by Gabe Cole Novoc; The Eidolon, the new Tarot Sequence spinoff series by KD Edwards; A Power Unbound, the conclusion to Freya Marske’s Last Binding trilogy; Dark Moon, Shallow Sea, the first in a new epic fantasy series by David R. Slayton; and the Being Ace anthology. I’m sure I’ll be adding many, MANY books to my TBR list, and that’s just upcoming releases, not counting the older books already on that list.

Wishing all of you a fantastic 2023, with or without resolutions, and here’s to plenty of great reads and great words (for the writers among us) ahead!

A Winding Thread: Coffee Shops and Tea Houses

A Winding Thread is an occasional blog segment which looks at tales that connect by theme, setting, character, or vibes. (For previous installments, check out Green Magic and Books and Journeys.) With the winter cold settling in for the season, I’ve gathered a trio of stories that touch on coffee and tea shops, because the only thing better this time of year than a book and a mug of tea is tea and a book about tea! 

My picks are: Under the Whispering Door by TJ Klune; A Psalm for the Wild-Built, by Becky Chambers; and Legends & Lattes, by Travis Baldree.

Under the Whispering Door by TJ Klune follows the newly-dead (and not happy about it) lawyer Wallace Price, as he settles in at Charon’s Crossing, a teashop that serves as a waystation for the recently deceased as they prepare to move onto the Afterlife. Wallace is an embittered man who has somehow throughout life lost any spark of joy he might once have had. But in his days spent with the teashop’s owner, Ferryman Hugo Freeman, Wallace rediscovers the taste of joy, and gains a taste for tea — and for Hugo himself.

This delicate and moving novel is not only a love story, but an ode to the cycle of life. Without ever being trite, it discusses death in all its many shapes and colors, and was a sweetly satisfying and emotional read. So, in a book about death, where does life — and tea — come into it? 

Klune’s teashop serves as a fictional respite, a temporary breathing space. Hugo, the owner, has already been through his own journey, which leaves him free to simply be there for the souls passing through his domain. The book, then, focuses on the teashop’s ghostly patron: Wallace. In his path to growth and acceptance, tea is ever-present, from that first personalized cup upon his arrival, to the shared enjoyment of the tea plants in the garden, to the gentle cadence of watching customers come and go like the tide. The role of tea in this is simply to be there, a steady, warm presence that buys Wallace the time he needs to come to terms with his own life story.

A Psalm for the Wild-Built by Becky Chambers introduces a whole new world, a post-industrial wonderland where humans have learnt to live in harmony with each other and with nature. But even the most idyllic settings cannot stop people from discontent, and so it is for Sibling Dex, who is searching and failing to find meaning in their life. Dex has left their sheltered life in a monastery to be a traveling tea monk, tasked with offering patrons all over the land a moment to breathe, or to confide, or to lament. But when Dex meets one of the elusive robots who live in the wild, they are forced to consider the question: ‘what do people need?’ And to think about what they, themselves, want from life.

This tender and hopeful novel continues the narrative of change that we see in Klune’s book, but the focus of the story is on the ‘tea shop owner’ themselves. Tea, here, serves as a reason to reflect, to pause life and think about what comes next, and where one’s path should lead. Yes, tea still exists as a respite, but only for the patrons. For Dex, tea begins as an adventure, an opportunity for transformation. But what happens when the kettle brews up more questions than answers; when the necessary change must come from within and not from without?

If Under the Whispering Door makes us think about acceptance, and A Psalm for the Wild Built creates space to consider our own path in life, then my third pick, Legends & Lattes: A Novel of High Fantasy and Low Stakes by Travis Baldree takes those two themes and builds on them, arguing that even when we know exactly where we’re going and have embraced our choices, there’s still room to grow. This charming tale introduces us to Viv, a battle-weary orc warrior who is determined to hang up her sword and open the first ever coffee shop in the city of Thune. Amid the trials and tribulations of starting a business, Viv soon finds out that no one, not even formidable former warriors, can go it alone. And the life she’s been dreaming of will only become a reality once she opens her heart to the new friends she meets.

Refuge is the central theme in this one. Legends & Lattes is similar to my second pick in that here, too, we have a character seeking change through something new. But it is also different: when the desired life change is set in motion, instead of inner discontent it brews up a hunger for more, leading to new friends, a new found family, and a sense of belonging. Only when this is achieved, can the refuge that Viv builds for herself truly come to be.

Respite. Reflect. Refuge. In truth, all three words could apply to any of those three novels. Whatever the particular meaning that tea (and coffee) take on in each of these tales, they are bound by a common thread of taking time to breathe, to figure out one’s place and path in life. This trio of quiet stories focuses more on the internal than the external, gifting us a variety of answers for common desires: the desire to be free from the roles we’re given, often by ourselves; the desire for self-understanding; the wish to belong. And if we come away from reading with a little extra warmth in our hearts and the urge to sip a nice cup of something? Well. I’ll just pop the kettle on.

Have Book, Will Read #30

It’s been perfect autumn weather here in Connecticut: crisp temperatures, bright leaves, blue skies. (And the occasional soft rainy day, too!) Autumn marks the return of cozy blankets and warm cups of tea, of snuggling up to the dog to read a good tale. Here are some of my favorites from the past months…

Recent Reads: Gods, godlings, immortals.

Kelly Robson’s latest novella High Times in the Low Parliament is an absolute delight, and so beautifully written that every page is a gift. And 10/10 for amazing world-building! Robson’s England is a female-centric (as in, men do not exist at all) psychedelic wonderland, where magic and the mundane coexist side-by-side and fairy folk are considered minor deities, almost god-like in their reach.

Pitched by the author as ‘A lesbian stoner buddy comedy with fairies — about Brexit!’, this is a light-hearted romp through a version of 18th-century England. Flirtatious scribe Lana Baker is sent to work at the low Parliament, where delegates are trying to avoid a hung vote. Failure will bring a devastating flood and a return to endless war, unless Lana and her new friends, the grumpy fairy Bugbite and the enchanting delegate Eloquentia, can work together to save humanity. The perfect book for when you need something bright, happy, and just a little ridiculous — in the best sort of way!

While we’re on the subject of divinity and floodwater, I’ve just finished No Gods for Drowning by Hailey Piper, a recent release. There’s nothing lighthearted about the grim world Piper presents to us, awash in blood, violence, and the promise of death. The old gods have fled the land of Aeg, and the monsters they had kept at bay for centuries now threaten to drown the city-states and hunt down mankind. The different threads become hopelessly entangled: a ritual serial killer seeking to bring back a god to save the land; a detective duo racing to catch the killer while the city of Valentine falls apart around them; and an evacuation officer blessed by the divine. But can they solve an ancient mystery that holds the key to the gods themselves before the sea takes them all?

Part dark fantasy, part detective noir, Piper serves up a wonderful cast of characters who fit together like jagged, broken jigsaw pieces and yet somehow manage to complete each other perfectly. The worldbuilding is really interesting, too, with religion as the frame for a rich tapestry that incorporates culture, legislation, and the judiciary in a way that make a terrible sort of sense in this world the author has woven. Piper’s gods are vicious and primal beings, blood-drenched and alien, and the humans that revere them are almost as savage in their beliefs as the deities themselves. A dark but gripping read.

Nona the Ninth is the third installment in the fabulous Locked Tomb space-fantasy series by Tamsyn Muir. Overflowing with in-jokes for readers and flashes of contemporary memes and pop culture, Nona may be the funniest book in the series — quite the accomplishment as it’s set in a world that manages to be both pre- and post-apocalyptic at the same time and is the literal epitome of a dumpster fire. However, this is Muir’s talent: to deliver immensely joyful scenes and dialogue against what is, quite frankly, an absolutely horrifying backdrop.

Nona brings us familiar names and faces — Camilla, Palamedes, Pyrrha — and the enigma that is Nona herself. Nona woke up six months ago with a fractured mind and a stranger’s body, navigating a city that is falling apart with child-like wonder. Blood of Eden want Nona to be their ultimate weapon. Nona would rather go to school, hang out with her friends, pet dogs, and spend time with her completely dysfunctional family who she loves beyond all reason. Nona is a brilliant character; a main point-of-view who has no idea what’s going on, when everyone else (including the reader!) knows more than she does. It’s a great addition to the series, and I think my favorite so far.

My last pick for this month is The Old Guard graphic novel series. I watched the movie adaptation and really enjoyed it, so I figured it was time to check out the source material. There are three volumes currently out. The first, Opening Fire, covers pretty much the entire movie (I was pleased to see how closely the script keeps to the graphic novel!), and introduces the characters and world. The second, Force Multiplied, continues the story, and the third, Tales Through Time, is what it says on the tin: a compilation of one-shots from each of the characters’ pasts.

The premise of The Old Guard is that every few hundred years or so, a new warrior is cursed with immortality upon death. There’s no scientific or spiritual explanation. It’s not transferrable, it’s not predictable. Drawn to each other, these immortal soldiers form a family of sorts, plying their trade sometimes for money, sometimes for a cause. But in the 21stcentury, staying off the radar is increasingly difficult, and some fates are indeed worse than death. The worldbuilding is very good throughout this series, but the cast of characters is the winner here, with some absolutely stunning creations. These are not superheroes. They’re very much morally grey. We’re constantly reminded that, despite being virtually unkillable, they are still human, and fallible. (I love them all.) And the series allows for some interesting discussion on the effects of immortality. I thoroughly enjoyed the books, and I’m looking forward to the second movie adaptation!

Now Reading: An end to a dream?

I’ve loved Maggie Stiefvater’s Raven Cycle since I first found The Raven Boys, many years ago. Greywaren is the final book in the sequel trilogy, following the Lynch boys in the months after Ronan graduates from high school and delving deeper into Dreamer lore. 

I think my favorite thing in the Dreamer Trilogy has been the chance to get to know Declan, the oldest Lynch brother. In the original series, we only meet Declan through the eyes of his brother and his friends, but in this trilogy, he’s allowed to blossom. Ronan was always my favorite character in The Raven Cycle, but now, in the sequels, Declan definitely brings stiff competition. I’m only a couple of chapters in, but already stuck in ‘last book dilemma’: I need to read! But also, I’m already mourning the end of the dream…

To Read: Quests and mysteries.

I have two books sitting in my to-read pile. The first is Nettle & Bone by T. Kingfisher, aka Ursula Vernon. This sounds like the best sort of fairytale: a younger daughter sets off on a quest to save her sister and rid the kingdom of an abusive ruler, facing impossible tasks with a motley crew of adventurers (including a demon chicken!). Or, according to the publisher’s website: “This isn’t the kind of fairytale where the princess marries a prince. It’s the one where she kills him.”

The other one I have waiting for me is Mur Lafferty’s Station Eternity, the first of a brand-new series called The Midsolar Murders. Take the classic murder mystery format. Set it loose on a space station. Voilà! Mallory Viridian just can’t seem to stop getting involved in murder cases, even in space. Now she’s stuck in the middle of an extraterrestrial whodunit, and she has to solve the crime before the list of victims grows… I do love a good murder mystery, and I can’t wait to get started on this one!

Here’s to lots of good books ahead to get us through the last months of 2022! Happy reading!

A Winding Thread: Books and Journeys

A Winding Thread is an occasional blog segment which looks at tales that connect by theme, setting, character, or vibes. (For the first installment, go to Green Magic.) This time, I’ve gathered a trio of stories that touch on journeys and books — after all, it’s July, and what could be better than traveling with a good book (or ten)?

My picks are: In Other Lands by Sara Rees Brennan, The Starless Sea by Erin Morgenstern, and the graphic novel Coming Back, by Jessi Zabarsky.

In Other Lands, by Sarah Rees Brennan, published in 2017, is a standalone young adult fantasy novel that plays with the magic school trope, sending the young, bookish (and delightfully obnoxious) Elliot into a fantasy realm where scholars are underappreciated, fighting abilities and war are considered the leading traits in human society, and where all the other creatures (elves, dwarves, harpies, mermaids, etc.) that share the land are deemed lesser than their human counterparts.

Elliot, being Elliot, is excited at the chance to immerse himself in books and learn all he can about everything that is not warcraft, and less delighted by the extreme physicality of much of the Borderlands camp. He has the (mis)fortune to fall into a tangled friendship with fellow students Serene-Heart-in-the-Chaos-of-Battle (an elven warrior) and Luke Sunborn (of the legendary Sunborn clan), the biggest complication being that Elliot — unloved and ignored at home and bullied at his old school — has no idea how to do friendship in the first place. It is largely a coming-of-age tale, as we follow Elliot in the four years of training camp and watch him grow in sociopolitical awareness, compassion, and even save the world a few times.

Books in this work serve very clear purposes. Both the camp library and books themselves are a haven, a place to retreat and to hide. They’re also Elliot’s weapon of choice, in both a defensive and offensive sense, used to decipher the world and to conquer a place in it. With knowledge gained in books, Elliot goes on several missions to other lands and helps bridge the cultural differences that threaten to push the quick-to-violence humans into battle instead of peace talks. Here, books are both the familiarity that Elliot clings to when he crosses into the Borderlands, and the means to set out on journeys and problem-solve the many issues that exist in this flawed magical realm. 

Books and stories have a far more overarching role in Erin Morgenstern’s The Starless Sea, published in 2019. In this delicately woven tale by the author of The Night Circus, a book is the key to a magical place where story is everything. In the labyrinthine Harbor that sits above the underground Starless Sea, stories are past, and present, and future, and occasionally out of time entirely. They are puzzles, and riddles, and answers — sometimes to questions the protagonists had never thought to ask. And intertwined with the main story, there are shorter parallel tales that weave a background tapestry that comes sharply into focus as all the threads begin to align.

The Starless Sea is at heart a tale about finding yourself, even if you have to lose yourself to do so. When grad student Zachary Ezra Rawlins comes across a mysterious book in his college library, the last thing he expects is to find a scene inside depicting him as a young boy. His attempt to understand leads him below ground to the Harbor, a place that is more than just a library; it is a realm of lost cities and seas, of love stories and sacrifice. As Zachary travels the paths beneath with fierce Mirabel and handsome Dorian, he begins to unravel the tangled threads of his own story and that of his companions, and the new story that emerges feels both surprising and inevitable.

Here, we have tales that serve a wide variety of purposes: they are doorways, they are destination, and they are purpose — destiny itself, if you will. The stories (within stories, within stories) are the entire journey from start to end. Books are not the practical haven that they serve as in Brennan’s novel. Instead, they are the entire and all-consuming world. One thing the two books do have in common, however, is characters thrust into strange worlds who must rely on the information they find in books and stories to navigate those alien waters.

My last pick is a graphic novel, Coming Back by Jessi Zabarsky. This one’s the outlier, not just in its narrative format, but because it is less about books themselves — though one of the two main characters is a librarian — and more about the stories that form the backbone of a society. Published in 2022, Zabarsky’s work looks at what happens when people grow rigid in their ways, adhering too strictly to the stories that make up their culture without allowing room for change.

In a community where almost everyone is magic, shapeshifter Preet is the strongest of all. Her wife Valissa, however, has no magic, but as the town librarian, it falls to powerless Valissa to face an attack upon their repository of knowledge and laws. Valissa sets out on a spiritual voyage through the magical lands accessed within the library’s depths. In the meantime, Preet is forced to leave everything she knows behind when she adopts a child and breaks one of her community’s most sacred laws.

While they are both on their own journeys — one literal and one magical — Preet and Valissa learn very different lessons. Valissa, that change and fluidity are necessary, and Preet, that there are many ways to live a life, and her community’s way is only one possibility. When they are finally reunited, things do not go smoothly, but eventually they realize these different lessons can be combined to lead their people on a new path. 

The journey here is knowledge; it’s about leaving old, outdated stories behind and creating others that make more sense. There is an intersection with The Starless Sea, in that both books deal with allowing stories to end when their time is over, and making space for new stories, for new directions in which to travel. In Valissa’s words, “We’re strongest when we can learn from each other, as our ancestors did. We’re strongest when we can bend and change to help one another.”

I’d like to make a brief note on the role of libraries; in all three works, libraries serve as gateways. This is metaphorical in In Other Lands, with the library as a house of knowledge that can cause transformation. In Coming Back, the library is a literal portal, leading to a shift in values and to making room for new knowledge. And in The Starless Sea, we have the college library, which provides the key in form of a book, and we have the Harbor, a library that is an entire storyworld in itself.

Ultimately, this trio of tales deals with how books affect us: on a personal level, in our interactions with others, and as a wider society. Stories can be a refuge, a validation, a weapon, a path, a purpose, a treatise… or simply bring joy.

“We are all stardust and stories.”

Erin Morgenstern, The Starless Sea

Have Book, Will Read #29

Spring is quickly turning into a Connecticut summer and, once the pollen count settles, I’m looking forward to lazy weekends spent with a book in the hammock. For now, I’m hiding my allergies away inside, and what better way to escape prime sneezing season than to get lost in a story?

Recent Reads: All the magic! (Science is magic too, right?)

I managed to grab John Scalzi’s new offering, The Kaiju Preservation Society, almost as soon as it hit my library’s shelves (I was second on the hold list). I love Scalzi’s clean prose and easy worldbuilding—his work always feels so effortless, and all I need to do as a reader is let go and enjoy the ride. This standalone novel was just the book I was looking for: well-paced, quirky, and a heck of a lot of fun.

Stuck as a food service app driver after getting fired from his corporate job during the Covid-19 pandemic, a lucky delivery connects Jamie Gray to an old college acquaintance who offers him a well-paying job in an ‘animal rights’ organization. The first catch? A ton of non-disclosures to sign. The second? The ‘animals’ are massive dinosaur-like creatures known as kaiju that live in an alternate dimension. And it turns out they really do need protecting—from human poachers who could put both the kaiju and our Earth at risk. The Kaiju Preservation Society is a top read, and one I thoroughly recommend.

The graphic novel Magical Boy (Volume 1) by The Kao riffs on the magical girl genre made popular by manga and anime. Teenager Max is already dealing with coming out as a trans guy and trying to navigate the pitfalls of high school. Then, just to complicate matters, he finds out that all those childhood stories of magic his mother liked to tell are real: he really is the last in a long line of Magical Girls tasked with protecting humanity from the dark forces of evil. Now, with support from a loyal group of friends, Max must accept and learn to use his powers, come out at school, get his parents to accept his gender, and become the world’s first Magical Boy. All in your average school week!

Originally a webcomic, and published as a graphic novel in 2022, Magical Boy hits all the right notes. It’s the perfect mix of sweet, sassy, and heartfelt, with darker topics such as transphobia, homophobia, and bullying handled perfectly, keeping the story light but not trivializing these issues. The main character, Max, is lovely, and this first volume slowly collects a delightful ensemble cast that promises the best sort of chaos for the upcoming conclusion in Volume 2.

I’ve been a fan of The Tarot Sequence series by KD Edwards since I found his work last year. Set in New Atlantis, which just so happens to be located on the island of Nantucket off the coast of Massachusetts, this urban fantasy has everything you want from the genre: awesome magic, secrets and lies, a wide range of supernatural creatures, and a corrupt and ancient society that coexists uneasily with the human world. The characters are wonderful, and this has quickly become one of my favorites series ever. (As a bonus, the author has a series of free novelettes and short stories available on his website to add extra color to the world.)

The Hourglass Throne is the third installment, closing off the first trilogy in what is pitched as a nine-book arc. This time, Rune Saint John is up against an ancient power that threatens all of New Atlantis. But he’s not alone; this is book three, after all, and Rune’s found family has grown. It’s not just him and Brand anymore—Rune has people who care about him now, if he can only learn to let others shoulder some of the responsibility! I have so much love for every one of Rune’s peculiar little crew, and to see him, Brand, and Addam grow into true leaders (and parents!) has been wonderful.

Now Reading: In space… Space… Space…

When I first heard that Charlie Jane Anders was dipping her toes in YA with the Unstoppable space opera trilogy, I said ‘sign me up’. The first book, Victories Greater Than Death, was just the right mix of breathless and breathtaking, with plenty of sweet and quiet moments to temper the action. I’m currently reading the sequel, Dreams Bigger Than Heartbreak, and so far, it’s living up to the first installment. This time, we’ve moved away from Tina to embrace two alternating points of view: Rachael and Elza. It’s always a gamble switching POV in a series, but so far it’s definitely paid off. I love them both so much, and we still get plenty of Tina’s voice via the text messages and emails sent to Rachael and Elza. Two thumbs up for this endearing space saga.

To Read: *does the robot* *trips and falls on face in the middle of the dancefloor*

The Murderbot Diaries series by Martha Wells should need no introduction. Spanning novellas, a novel, and short stories, the series has won numerous awards and accolades and a huge fanbase, too. I’ve had the first three novellas sitting in my Kindle for a while, and I feel like I’m finally ready to jump into the tale of the former Security Unit AI who gains independence, which it primarily uses to watch soap operas. Book 1, All Systems Red, here I come!

I hope you’ve all got some great books lined up, ready to enjoy in the warm weather (or to snuggle inside with, for those of you in the southern hemisphere). Happy reading!

Have Book, Will Read #28

2022 started off with lots of Reading Energy and I’m actually surprised at how much I’ve gotten through in the past month and a half. Two months, if you count the very end of 2021… It’s been a frosty, frozen winter, and I was more than happy to shut out the cold with a blanket, a cup of tea or two, and a good story. Here are some of my top books from these past couple of months.

Recent Reads: marvelously magical…

I took Jo Zebedee’s The Wildest Hunt on a short post-Christmas break all the way up in frozen Lake George, and it was the perfect location for this haunting tale of otherworldly peril. I love Jo’s writing style, which to me is the perfect mixture of breathtaking action, practical storytelling, and beautiful setting.

The Wildest Hunt takes us to the heart of Donegal in northwest Ireland, where a commission for an on-location painting promises the perfect Christmas holiday for a psychic artist and her boyfriend. Then a dangerous winter storm closes in around the picturesque but remote cottage, and the couple are forced to flee. But worse than the storm are the creatures that hunt within it. A thrilling story for fans of dark contemporary fantasy!

I read Tamsyn Muir’s Gideon the Ninth last year, but I needed time to get my head around the ending. Part of me wasn’t sure I even wanted to read the next book in Muir’s genre-bending space necromancers series, but I’m really glad I finally did! Harrow the Ninth is a mind-break of a complex tale, twisting in and around and up and down; a book so thoroughly confounding (in the best sort of way) that my daughter made themselves a Reddit account just to be able to discuss theories! (Spoilers for Gideon next, but not too many…)

Harrow, the second in the Locked Tomb series, picks up just after the frantic events that mark the end of Gideon. Newly made lyctor Harrowhark Nonagesimus finds herself on board the Emperor’s warship, sworn to take her place beside him in his centuries-old war. The story time-skips back and forth across the universe, landing Harrow among new allies who may just turn out to be enemies, with a sword she cannot control, and the fear that just keeps on giving: has her mind finally shattered?

I’d seen book chatter about A Marvellous Light by Freya Marske, and had it on my to-read list long before it came out last November. When I finally got hold of it, I devoured it in one long sitting. (Seriously. My family just sort of got on with life and let me be. They know me too well!) If you’re a fan of delicious Edwardian drama with healthy dollops of romance and magic, then this is the book for you. And, luckily, the sequel comes out this November.

When an administrative error appoints Robin Blyth, the young and harried baronet of an impoverished country seat, as the civil liaison to a secret magical society, things begin to go wrong from the very start. Facing new enemies, a deep-rooted plot, and a deadly curse, Robin’s only hope lies in the hands of his magical counterpart, academic bureaucrat Edwin, who may have hidden depths under his prickly exterior.

T.J. Klune’s The House in the Cerulean Sea was one of my top books of 2021, so I was pretty excited to read his latest, Under the Whispering Door. The story follows Wallace Price from his own funeral and through the in-between time that’s supposed to soften the transition between life and the great beyond. He’s placed under care of ‘ferryman’ Hugo, who runs a teashop. In coming to terms with his death, Wallace has the chance to find himself again — the self he’s somehow lost along the years. And if romance is brewing among the tealeaves? Well, that just might land Wallace and Hugo in a spot of hot water…

I took a while to warm up to Wallace and the book as a whole, but it grew on me gradually, and by the end I never wanted it to end. Now, I realize the genius in it: Wallace doesn’t particularly like himself, either. He has constricted himself into a box he’s built, year by year, and he no longer resembles who he used to be. As Wallace slowly lets go of his crafted persona, and reconnects with himself, we discover Wallace, too, and slowly fall in love with the character. 

Additionally, the book deals beautifully with saying farewell and was an incredibly cathartic read. I cried so much at the end, but good crying. It turns out that, after two years of Covid and more than that since I’ve seen my family in Brazil, what I really needed right now was a gentle, thoughtful, kind book about death in all its forms and nuances. 

Now Reading: that healing magic…

I tore through Witchmark, the first book in C.L Polk’s Kingston Cycle, in just under a day. Luckily, the next two books in the trilogy are out and ready for reading. I’m currently at the start of the second, Stormsong, and have the third, Soulstar, all ready to go once I’m done with that one.

This series is an absolute treat! Set in a fantasy world based on an Edwardian England, shadowed by a war with a neighboring country, the first book introduces us to Miles Singer, a runaway noble and mage who has followed the calling of his healing magic to work as a doctor. Miles’ world is one of hidden magic that runs the country, concentrated in the hands of a select group of powerful families, and of shameful secrets that could see the downfall of everything society takes for granted. I’m really looking forward to seeing where the plot is heading, after the breathtaking whirlwind that was the first in the trilogy.

To Read

Upright Women Wanted by Sarah Gailey sounds like the sort of unmissable romp custom made for my enjoyment. The story of Esther, who stows herself away in a Librarian’s book wagon to escape an arranged marriage, is set in a near-future American Southwest which, according to the publisher “is full of bandits, fascists, and queer librarian spies on horseback trying to do the right thing.” Yes, please!

Everything goes on hold in our house when a new Incryptid novel is released, and March brings the latest installment of Seanan McGuire’s fabulous urban fantasy world. This will be the first time we get a novel from the point of view of Alice Price — aka Verity, Alex, and Annie’s underworld-exploring, de-aged, ferociously competent hellion of a grandmother. In Spelunking Through Hell, Alice makes a final desperate pan-dimensional attempt to find the husband she lost fifty years before in an incident with the entity known simply as the crossroads, and I, for one, cannot wait to get started.

I hope you all have some good books on your own to-read lists. Here’s to warmer days ahead, and to springtime reading outside in the sunshine!

The Book Coach Way: an interview with Christy Yaros

I met Christy Yaros at the first ever writer’s conference I attended, just a few months after moving to the USA. We’ve been critique partners for years, and Christy’s always had a keen editorial eye for plot and pacing. So when she told me she had started certification for book coaching, I knew it was a perfect fit.

Christy has been working as a certified book coach for a while now, and as a freelance editor for longer. She’s deeply connected to the kid lit world, both through her passion for YA and middle grade fiction, and her commitment to the New England region of the SCBWI, where she is the assistant regional advisor for Connecticut and Rhode Island. When I decided to take a deeper look into book coaching — something that seems to be everywhere at the moment — I could think of no one better to guide me through it then Christy.

JSM: Hi Christy, thanks for stopping by! Let’s start with the basics: what does a book coach do? Give us the nutshell description…

Hi Juliana! Thanks for having me. Basically, a book coach (also known as a writing coach or a story coach) is an expert in story and how books work. I’ve read the craft books, taken the courses, attended the workshops, studied the well-written books, and I synthesize that information and present it to the writer the way they need it to write, finish, or improve their specific story and grow as a writer.

I ask you a lot of questions, mostly “why?” and “and so?” to dig deep into your characters and your story. I tell you all the things you are doing well, and the things you can improve. I don’t just tell you what not to do, but WHY you shouldn’t do it. And then give you ideas for ways to improve it. I want you to walk away really understanding how story works, how your story works, and why your story works. And just like your characters, undergo a transformation. And that really means something different for each writer and each book.

My mentor Jennie Nash of Author Accelerator said it well: “Guiding [writers] from confusion (what am I writing, who am I writing for, what should I say, what do I believe, am I really good enough to say it, is anyone really going to care?) to the confidence of knowing (this is the book, this is the structure, this is the message, this is the audience, and these are the exact words I am going to use to engage my reader) is exactly what a book coach does.”

 JSM: There are a lot of misconceptions about coaching. What are the most common ones that you come up against?

I’ll give you three:

  1. The big one is if you need help, you’re not a real writer. If anyone finds out you worked with a coach, then they’ll think less of your writing. But pick up any book and read the Acknowledgements. You’ll find a host of people who the writer is thanking for their help on the book. We can’t write in a vacuum. If you have an editorial-minded agent, they’ve done a form of book coaching. Your in-house editor at the publishing company is doing a form of book coaching. But the fact is in today’s publishing climate, editors don’t have the time they had in the past to work with your story from the beginning.
  1. Another one is that the book coach will try to make your story theirs or steal it. The famous editor Max Perkins said (to editors), “An editor does not add to a book. At best he serves as a handmaiden to an author. Don’t ever get to feeling important about yourself, because an editor at most releases energy. He creates nothing.” And that’s exactly the goal of a book coach. I’m not trying to make your book mine, I’m trying to make your book more YOU. I’m digging deep with you into what you want to say about the world through your story, and helping you make sure you’ve said it. And that you’ve said it well. I want you to write the best story you can. Your story. Your book. But maybe I’ll end up in your Acknowledgements. 🙂
  1. A third misconception is that book coaching is a scam. This one is tougher because there are people out there who will take advantage of writers. When I first started training under Jennie Nash in the fall of 2019, if you Googled “book coach” you’d mostly see an article or a podcast featuring Jennie. Now everyone is calling themselves a book coach. You have to do your due diligence to see if your coach or editor is legit. Jane Friedman has some excellent resources on her blog for that. Personally, I have a Curiosity Call with every potential client. And I turn away more than I accept. Maybe that’s not good business, but I really want to help writers. And sometimes you’re not ready for a book coach, or at least not a book coach like me. It’s a big investment.

JSM: For the best results, what sort of mindset should a writer have when contacting a coach? And what preparation should they do beforehand?

First and foremost you need a growth mindset. You have to want to learn and get better, knowing there may be setbacks.

Second, you need to think about what you want out of a coaching relationship. What level of “toughness” can you handle? Some coaches have a gentler approach, and some don’t pull punches. What level of commitment can you make, financially and with your time? Most coaches work with weekly or bi-weekly deadlines. And 1-on-1 coaching is an investment.

You’re paying someone to tell you the truth. I’m not your mom or your best friend. I’m not going to smile and tell you your book is amazing if I think you can make it better. Obviously, you yourself are amazing. You’re brave enough to put yourself out there emotionally. So you have to be receptive to the advice you’re being given. If you want someone to pat you on the back and tell you it’s perfect, you’re probably in the wrong place. The goal is to make your story the best version of itself. And to make you a stronger writer. And sometimes that means you’re going to have hard conversations or delete your favorite scenes because they don’t move the story forward. Sometimes you’re going to have to start all over. Sometimes you figure out your idea isn’t actually a story. And I think if a writer is not ready for that kind of work, they might not be ready for a coach.

Also, do your research. Just like when you query an editor or agent, make sure they actually work on the genre/category you write. For example, I only work with children’s novels. And I don’t do horror. Some coaches I know only do speculative fiction, or only memoirs. One only works with the LGBTQ community. These coaches focus their skills in those areas, so you’ll get the most out of them. I would personally be wary of someone who says they work on anything. That’s a lot to keep up with, so can they really? You should definitely have a call or video chat before you sign a contract. You want to make sure your personalities mesh or you might not be comfortable tackling the deep questions with them.

JSM: What are the first steps when you take on a new client? How do you establish a good working relationship?

First, I have a curiosity call with every potential client to make sure we’d be a good fit for each other. If we both pass that test, we decide what service they need. Do they only have an idea? Are they stuck in the middle of a draft? Are they ready to revise? Do they keep getting rejections but don’t know why?

Then we sign a contract that lays out what we both expect out of the coaching relationship.
Next, we’ll have another call to talk about their writing goals, their timeframe, the level of commitment they can do right now. And then we’ll work backwards from there to make a schedule that makes sense for that writer at that moment. Then I give you a packet and send you off to work on your first deadline!

Signing a contract and setting boundaries helps us establish a good working relationship. Part of my job is to keep my writer accountable. Another part is to give them honest, objective feedback. But they also need to feel comfortable with all of that.

JSM: Is there a difference in how you work with an author who intends to self-publish versus an author who intends to pursue traditional publishing (i.e., with an established press)?

I only work on fiction, so there isn’t much difference in the way we work on a high level. (If you were doing nonfiction, you’d have to do an outline and sample chapters to get an agent/publishing contract vs just writing it if you are self-publishing.)

If the writer is looking to publish traditional, they need a marketable book. So we would work to figure out what that means. What conventions need to be followed? Where would it fit in the marketplace? What are some comparable titles? 

With self-publishing there’s more leeway to do things the way you want to, but ultimately you do still need to produce a good book that will sell.

When you get to the other levels of editing, usually someone seeking representation or traditional publishing would get the story in good enough shape to sell. That means coaching and/or developmental editing. Some writers might invest in line editing, but we wouldn’t waste time on copyediting or proofreading, because the agent and/or in-house editor is going to want to make more changes. Plus they handle copyediting and proofreading. When self-publishing, the writer does need to make sure that once the high-level story elements are set, that they get developmental editing and copyediting (and proofreading once the manuscript is typeset!).

JSM: Last of all, one for fun: two truths and one lie about book coaching!

1. Book coaching and editing are the same thing.

2. Working with a book coach will make you a better writer.

3. Book coaches provide a solid sounding board for your story ideas.

.

.

.

.

Drumroll! And the lie is… Number 1! Christy says: Not all book coaches are editors, and not all editors are book coaches! (But I happen to be both.)

A huge thanks to Christy for answering all my many questions! Check out her website for more information: christyyaros.com. Christy has a brand new podcast with fellow coach Sharon Skinner which you can listen to at coachingkidlit.com. And you can find Christy on Twitter and Instagram @ChristyYaros.

<All images in this post belong to Christy Yaros and are used with permission.>

Have Book, Will Read #27

We’re moving into my favorite season, and I am here for embracing those autumn clichés like long walks on blue sky days to see the changing leaf colors or cozying up with a blanket and a giant mug of tea. And you know what goes well with blankets and tea? Books. Well, warm puppy cuddles, too, but mostly I was going for books. I’ve read some great stuff over the past few months, and it was actually hard to pick which ones I wanted to share. But there’s only so much space in a blog post, so here are my latest book recommendations.

Recent Reads: The supernatural and all the super feels…

First on my list is Elatsoe by Darcie Little Badger. This YA book had been on my to-read list since before it was published; I’m embarrassed it took this long to get around to it! Little Badger’s debut novel has won a long list of awards and accolades, and it deserves them. A tale of family love, teenage friendship, and the pain of cultural and historical erasure, Elatsoe is sweet-natured and deals with some pretty difficult themes in a gentle and thoughtful manner. Plus, ghost dog!

Ellie can summon the ghosts of animals, a skill passed down through her Lipan Apache bloodline. Her family are caretakers of the stories shared from generation to generation, and when Ellie’s cousin is murdered, she draws upon this heritage to solve the case, uncovering a tangled web of greed and dark magic. Ellie —named for her six-great grandmother Elatsoe — is a wonderful protagonist, as is her best friend Jay, and I am always happy to see great boy/girl friendships that don’t need to be pushed over the line into romance.

Stepping away from speculative fiction for a bit, another YA book that had been on my to-read list for a while is Aristotle and Dante Solve the Secrets of the Universe, by Benjamin Alire Sáenz. Sáenz has won recognition both as a novelist and as a poet, and his poetic touch shines through in this book about a Mexican American teen navigating high school, family relationships, identity, and sexuality. Set in 1987, the story starts the summer that fifteen-year-old Aristotle Mendoza meets Dante Quintana at the local pool, sparking a friendship that changes the world for both boys.

This was one I savored rather than devoured, reading a few pages at a time and enjoying the beautiful prose and quiet storytelling. This isn’t a Big Action story; instead, it’s about the small ripples of emotion that feel so huge when we’re young. It’s dialogue and internal thought, it’s rainy days and introspection. It’s about the shared moments that color our lives. This book made me cry in the best sort of way! 

On the non-YA front, I finally read Good Omens by Neil Gaiman and Terry Pratchett, and it’s every bit as delightful as I expected. I loved the TV show and had already heard great things about the novel before the show was made, so I figured it was time to invest in a copy of my own. I’m just sorry it took me so long to get to it — I would have liked to have read it before the show came out, because even though it was a wonderful adaptation, it definitely colored my perception of the story.

For those who haven’t seen the show OR read the book, well, first of all, you should probably fix that. If you’re a fan of cheeky fiction with a side order of the absurd, this story about an angel and a demon who team up to try and prevent the apocalypse from happening because they enjoy life among humanity too much is an absolute treat. Add in a witch who partners with a witch-hunter, a centuries-old book of prophecies, and the young Antichrist and his gang of human friends, and the scene is set for a romp of Biblical proportions. Two thumbs most definitely up.

I’ve read some really great graphic novels lately, and I wanted to give a shout out to Power Up, a deliciously fun work by Kate Leth and Matt Cummings. Diverse in every sort of way imaginable, Power Up brings together three recently-superpowered humans (and one fish) as humanity’s newest and most clueless protectors.

The universe was expecting four champions to emerge, fulfilling an ancient prophecy. Instead, there’s a pet shop employee, a busy mother, a construction worker… and a goldfish. Power Up is lighthearted and honestly adorable, and has some really good supporting characters, too. The edition I read had all six issues of this series in one book.

Now Reading: Fight the good fight!

I saw Fonda Lee talk about her book Zeroboxer at a Worldcon panel, and it’s been on my list ever since. I’m a few chapters into it and really enjoying the punchy (ha!), well-written action and great characters. If you need a great example of how to write about a fictional sport, this is it! The novel follows Carr Luka, a rising star in the weightless combat sport of zeroboxing, as he grows in fame but uncovers a terrible secret that could risk everything that he’s worked so hard to win.

I’m alternating fiction with Never Say You Can’t Survive by Charlie Jane Anders, a book which is part writing craft talk, part inspiration, and part memoir. The tagline on the cover is how to get through hard times by making up stories, and it’s just what I was needing to read right now. I’m just over halfway through, and would definitely recommend it to writers who prefer broader insights over more formal step-by-step advice.

To Read: Who’s the villain here?

Light From Uncommon Stars by Ryka Aoki was released this week, and I have a copy I preordered that I need to go and pick up from my local indie. I’m really looking forward to this one! It’s pitched by the publisher as “a defiantly joyful adventure set in California’s San Gabriel Valley, with cursed violins, Faustian bargains, and queer alien courtship over fresh-made donuts,” and honestly? It sounds fantastic.

Talking about new books, there’s an upcoming November 2021 release that I’m excited to read. All of Us Villains by Amanda Foody and Christine Lynn Herman is a sort of villainous Hunger Games, blurbed as “a blood-soaked modern fairytale” where seven families compete for control over a wellspring of magic.

A reminder to readers! I shouldn’t have to say this, but please don’t pirate books. The many, MANY moral considerations aside, it’s simple math: when sales numbers drop, publishers don’t renew contracts, so you end up without being able to read the next great thing by your favorite author. Libraries are a great free resource, or keep an eye out for e-book sales — there’s always a promo, eventually. And if you do have the money to invest in books, please consider ordering from your nearest indie store!

Wishing you all a lovely autumn (or spring, depending on where you are!), and lots of good stories to keep you going in the last stretch of 2021.

Puppy cuddles for everyone!

Have Book, Will Read #26

It’s summer! Which conjures up images of beach reads, books by poolside, or lazy afternoons lost in words under a leafy tree with blue sky above. Right now, it’s — checks out of window — yup! Pouring down. AGAIN. But hey, cozying up to a sleeping dog on the sofa works just as well. So, what have I been reading since my last Have Book, Will Read? Here are some of my favorites…

Recent Reads: Found family, forced team ups…

I absolutely adored The House in the Cerulean Sea by TJ Klune. This book deserves every inch of the praise it received. Klune immerses us in the tale of forty-year-old Linus Baker, a case worker for the Department in Charge of Magical Youth, who is whisked from his grey, bureaucratic, city existence to the sweeping ocean vistas of the Marsyas Island Orphanage, where life is anything but dull. The inhabitants are extraordinary, even for Linus’ line of work, and the most amazing of them all is perhaps the island’s master and protector, Arthur Parnassus.

This is a book about falling in love: with found family, with each other, with oneself. It’s a book about discovering that there is more to life than simply settling for safety, and that some things are worth fighting for. Beautifully written and captivating, it was also lovely to have an older protagonist and to be reminded that aging should not mean giving up on the right to happiness and joy.

I can never resist a bit of urban fantasy, and I tore through Paul Cornell’s Shadow Police series which starts with London Falling. When an investigation that brings together officers Quill, Ross, Costain, and Sefton encounters the supernatural, the four find themselves the unwilling recipients of magic that confers the Sight — the ability to see that which is hidden beneath London’s surface. A new team emerges: the only ones who can police the shadow world around them.

This series is a gritty, brutal take on the genre, and Cornell’s style takes some getting used to, as he has a tendency to hop from one character’s point of view to another’s, sometimes within the same scene. But I found it a fast and riveting read, and it’s also a little different from most urban fantasy. Usually, main characters are either already ‘in the know’, such as with Benedict Jacka’s Alex Verus or Seanan McGuire’s Price family, or else they have someone who guides them through this new world of the supernatural they have discovered, as with Ben Aaronovitch’s Peter Grant. In Cornell’s series, the four main characters stumble accidentally upon magic, and proceed to fumble their way along almost entirely on their own — a different take on the usual set up that I enjoyed immensely.

I first came across Charlie Jane Anders at WorldCon in Dublin, where I heard her read from her award-winning novel The City in the Middle of the Night and loved her writing style. So when I found out she had a YA novel in the works, I put in a preorder for Victories Greater Than Death, the first in her trilogy. Victories brings us Tina Mains, who has grown up an average teenager. Except, she’s anything but average. The clone of a famed alien war hero, she’s known all her life that at some point the beacon hidden inside her will activate and she will be swept away from Earth to join the battle in space. But when that finally happens, Tina finds out that fulfilling her destiny may be more complicated than she ever imagined.

Anders has a down-to-earth and chatty style of writing, where dialogue and character are at the forefront of everything. Much as I love an action-led tale, it’s nice sometimes to switch gears and dive into something like this, and to get lost inside a character’s thoughts and emotions. Found family is everything in this book, as are themes of acceptance, diversity, and respect for one another. I thoroughly enjoyed it, and look forward to the upcoming sequel, Dreams Bigger Than Heartbreak.

Where to start with The Last Sun by KD Edwards? There’s just so much I loved about this book! Rune Saint John is the last of the fallen Sun Court, one of the great Atlantean Houses that now live on New Atlantis, formerly known as the island of Nantucket in the USA. Rune and his companion and bodyguard Brand are hired to search for the missing son of Lady Justice, ruler of the Crusader Throne. But while investigating, Brand and Rune uncover more than the missing man — they find a legendary creature that may be connected to the massacre of Rune’s family.

Why did I like The Last Sun so much? First and foremost, the characters. Rune and Brand are fantastic, and their relationship is just perfect. Other characters that join them — Rune’s ward, Max, and Addam, the man they’re hired to find — are just as wonderful, and the overall dynamic is great. The magic and world felt fresh and interesting, and I really liked the concept of the Arcana with its Courts based on Tarot cards. Edwards’ voice is just right for this, and the story moves along quickly and is surprisingly light, considering Rune’s completely horrible backstory. But Rune never feels like a victim; he takes charge of his life and refuses to let the past define him. Also, you have to respect an author that unabashedly takes one of fanfic’s great topes (there was only one bed!) and 100% makes it work, with a great big wink at the reader to let them know they’re in on the joke.

I usually try to keep my reading round-up to speculative fiction, but I need to make an exception for the excellent debut crime novel Knife Edge by Kerry Buchanan, and its sequel, Small Bones. I’m familiar with some of Buchanan’s fantasy work, which is very good indeed, so when I found out she was moving into the crime genre I knew I had to check it out.

Knife Edge introduces us to Northern Irish police detectives Asha Harvey and Aaron Birch in this chilling tale of a serial killer and the victim he allows to escape so he can play with her in a terrifying cat and mouse game. In Small Bones, we dive deeper into Asha as a character as she investigates a cold case that no one knew was a murder. Both books are a nail-biting read; I made the mistake of picking up the second in the evening and just had to finish it in one go! One thing I enjoyed is the pattern that Buchanan establishes, where the main point of view is shared by Asha and whichever character is connected to the case in that particular book (escaped victim Nic in the first, and Sue in the second, who accidentally digs up a child’s skeleton while gardening). If you’re a crime fiction fan, these are definitely worth reading.

Now Reading: Too late to say sorry?

It’s been a while since I’ve dipped into middle grade, and I’m thoroughly enjoying The Ship of Stolen Words by Fran Wilde. Sam Culver has one solution for tight situations: the word sorry, his go-to for anything and everything. But on the last day of fifth grade, his favorite word disappears. He soon connects the loss of his ability to apologize to a mysterious portal at the back of the local Little Free Library, and before long he’s caught up in an adventure to help save Tolver, the young goblin who stole his words.

This has been a great read so far (I’m in the middle of it right now), with a nice balance of fun, action, and deeper motifs. And although the theme of the book brings a message — don’t cheapen your words; only say sorry if you really mean it! — at no time does it feel preachy or moralistic.

To Read: Sequels and seconds.

Next up is Mister Impossible, the sequel in Maggie Stiefvater’s Dreamer Trilogy. I liked the first book, Call Down the Hawk, a lot; it’s a good ‘growing up’ of the Raven Cycle series that felt like a natural and necessary progression for Ronan, Adam, and co. Book 2 landed in our mailbox a while back, but I had other novels on my reading pile to get through first. However, my daughter, who shares my passion for Stiefvater’s work, is not-so-patiently waiting for me to get to this so we can discuss, so it’s time to catch up on Ronan Lynch’s journey into the depths of his magic.

Another Book 2, although this one is not a sequel, is the sophomore release by Casey McQuiston, One Last Stop. McQuiston established her name as a rising rom-com star with the delicious Red, White & Royal Blue back in 2019, and now she brings her talents to this time-travel romance set in the New York subway. I’m looking forward to it!

Note: You can find all editions of Have Book, Will Read on my review page, here.

You Are Valid (and so is your writing)

I’m querying a fantasy novel right now, and anyone who has been through the query trenches knows how tough this is. It’s easy for our writer brains to understand in theory that rejections aren’t personal and are NOT a reflection on our writing skills, but our little writer hearts have trouble with this notion.

It’s not personal. But it feels personal. And that leads me (us) to some of the common traps that creatives fall into.

1. The My Work Is Bad trap. I mean, it might be? But it probably isn’t. If you’re serious enough about your craft to be looking up blog posts on writing, you’re most likely ahead of the game. And if you’re at the querying point, you should have revised multiple times, sought out feedback, and done your best to make your work as shiny as can be.

To get out of this trap, step away for a while. Go read other people’s work, and then come back and read a few random scenes from your own. I guarantee it’s probably way better than you remember!

2. The Imposter Syndrome trap. Guess what? You’re not alone. Pretty much everyone in the writing world suffers from Imposter Syndrome to some extent, no matter how successful they are. It’s that horrible feeling that you’re out of your depth, that you don’t belong, that you have no idea what you’re doing. So I repeat: YOU ARE NOT ALONE.

There are so many ways to write and to publish, so many different people playing at this author game, so many forms of knowledge. The truth is, there is no truth. Just people who love writing getting along in life as best as they can. Your knowledge, your writing, your entire self is just as valid as Person X with twenty-five published novels. Trust in who you are, trust in your own truth, and trust in your place in this vast world of publishing.

3. The Everyone Is Doing Better trap. Seriously, brain? Seriously? This one is just pathetic. Terrible attempt at self-deprecation, zero stars, do not recommend. 

To escape this particular trap, there are two main tactics. The first is to gently remind yourself how far you’ve come as a writer. If you have published work, take a moment to bask in the glow of past achievements instead of getting stuck on the now and the future. If you haven’t published yet, look at feedback from critique partners and compare to feedback on early work. See how far you’ve come? (If you don’t have a critique partner yet, have a look at this post and this one.)

The second tactic is to remember how long it took some of your favorite authors to get published, or how hard some of your writer friends battled to get there. The publishing world would like us to believe in the myth of the overnight success, but the truth is that most writers travel a path littered with terrible drafts or trunked first novels, rejections, and horrible amounts of self-doubt. Even those who sold their very first novel may have spent years writing, revising, and pitching that novel. Take heart!

4. The I Am Not Valid Unless Someone Else Says So trap. Agents. Editors. Reviewers. Yes, we’d all like that stamp of approval that screams: ‘pro level publishing acknowledges this work’.

Yeah, this is a tough trap to get out of. Especially when you’re querying or on submission and it feels like your work is worth nothing without this approval. This, in fact, was the trap that got me started on this particular blog post. So I’m going to share what I did. Maybe it will help you—it certainly made me feel better.

Read through whatever it is you’re working on right now. Not the whole thing; maybe a favorite page or scene. Take a deep breath. Enjoy the rhythm and flow of words. Let it wash over you. Feel it in your heart. Feel it in every part of yourself. And repeat after me: I do not need anyone’s opinion to validate my work.

“But,” you say, “Juliana, what about rejections? What about critique feedback?”

Feedback is there to improve your work, not to invalidate it. Rejections do not invalidate your work, either. You validate your work. You are valid, you have worth, and so does your writing and your creative process. Take a deep breath. Believe. Now keep on writing.

Thank you, fortune cookie!