It’s been a strange and busy few weeks since my last blog post. First, my laptop was out of commission for a solid fortnight, after an OS update went very wrong. Then, there was all the fuss in setting things back up the way I like them, which included running a search-and-rescue for lost files, photos, and emails. (Yes, I had backups of most things. But there’s still time spent finding and replacing everything.)
Personal life has also been busy. Anxiety about COVID vaccine appointments, trying to make college decisions with my son, and ramping up driving practice, as my daughter takes her test this week. Lots of distractions and minor worries, alongside the normal, usual, everyday cares and concerns.
Surprisingly, to me at least, I’ve managed to keep up my writing routine through all of this. When my laptop froze, I was luckily in a place where I needed a break from revising my sci fi novel to think a few plotlines over. I spent time letting my mind wander and writing poetry — a nice breather after many months of solid prose. And then, as soon as things were up and running again, I was back into my manuscript.
Of course, some things have to give. There are only so many of those darn pesky balls a person can juggle at once. I haven’t touched my blog in forever, and I took a semi-hiatus (for a while) from social media. I didn’t read much, either. But I did spend a lot of time simply breathing and existing; sometimes, that’s all we have mental space for, and that’s okay.
Paring back when life ramps up is fine. It’s necessary. And there’s no formula to it: sometimes the writing gets paused, sometimes it’s other activities. AND THAT’S OKAY. And that’s all I want to say, really. It’s okay.
New year, new dreams, same old Coronavirus. COVID-19 isn’t going anywhere just yet, and despite the start of vaccinations here in the USA, there’s a long road to travel before we can begin to meet up in person again. But I can’t help but feel hopeful that there is light ahead, and make plans for an amazing 2021!
Before 2020 is completely over, however, here’s a quick look at what went on in my life…
Feeling the need to step away from YA for a bit led to writing my first ever adult fantasy novel. I had a blast with it! It’s now at the final revision stage, and feedback has been extremely positive.
I had one short story — The Sugar Cane Sea — published in the Not All Monsters anthology (Strangehouse/Rooster Republic Press), a collection of stories by women of horror. The anthology came out in limited run illustrated hardback and paperback versions in April, and in October in regular paperback and e-book versions. It’s already made the Stoker reading list!
Another short story has been submitted, accepted, and edited for an upcoming collaborative anthology of women fantasy authors: Femmes Fae-Tales. My story, Taste of Honey, is set here in Connecticut and is about a woman who becomes addicted to nature’s magic.
I took part in a roundtable interview organized by Not All Monsters editor Sara Tantlinger —see link on my press page.
I managed one Con as panelist and with a reading (Boskone in Boston) before the world shut down.
I recorded a video for the Shrewsbury Library in the UK with a short reading from Taste of Honey (see link at bottom of page).
I attended a number of online book and writing events and writer meet ups.
With all in-person events cancelled, this included our New England SCBWI conference, which we will be doing an online version of in 2021. With everything being moved forward, I’m now co-director of the 2021 and 2022 regional conferences.
Favorite books this year include Leigh Bardugo’s dark and moody Ninth House and the first two books in Brandon Sanderson’s riveting YA sci fi trilogy, Skyward and Starsight. I thoroughly enjoyed Kin by Snorri Kristjansson, a murder mystery set in Viking times. I’ve also been working through the Rivers of London books by Ben Aaronovitch, and am now up to date with the most recent installment in this excellent urban fantasy series.
A couple of movies I loved were Knives Out and Birds of Prey, both of which I missed in movie theaters but caught up with at home. It was a good year for classic musicals, too — we managed to see Jesus Christ Superstar live in Hartford a few weeks before lockdown started, and then Phantom of the Opera (hello, endless earworm loop!) during the Shows Must Go On COVID fundraiser, among others.
TV shows! This, of course, was the year of The Mandalorian. But there were plenty of other shows to keep us busy. Season 2 of The Umbrella Academy was overall very good, and I’m slowly making my way through three DC shows: Doom Patrol, Young Justice, and Titans, now that they’re all available on HBO. Speaking of DC, Stargirl was a fun CW release, with a great family dynamic. What We Do in the Shadows was a big hit in our house, and all four of us loved it. Britannia is absolutely bonkers, but my husband and I enjoyed both seasons and are looking forward to the next one. Queer Eye and Nadiya’s Time to Eat were probably my top reality TV feel-good options.
Personal bits and pieces
Lockdown meant all four of us (five with the dog!) sharing space all day for most of the year — the kids did return to school for a couple of months, but have been back in full remote learning since then. It took a bit of adjusting, but on the whole things went pretty smoothly, and we are all now pros at Getting Things Done without bothering each other too much.
As we were all adapting our workspaces, I took advantage of the flurry of reorganization to move my writing hutch to a brighter (and quieter) spot by my indoor jungle, and have really enjoyed working there. Very inspiring!
My father visited in March, and had the misfortune to be here when all borders closed down. It took a lot of last-minute juggling to get him on an early flight back to Brazil, but he made it! Even though his trip got cut short, we still managed a great week together.
It’s been a quiet year, for obvious reasons, but we went away for a week in July, up in the White Mountains of New Hampshire, for a COVID-appropriate holiday that included lots of fresh air and hikes.
My youngest how has her learner’s permit, and my oldest is waiting to hear back from university applications. Having big kids is terrifying!
Coming in 2021
I have no Con participation scheduled for 2021, though as co-director, I’ll be putting in an online appearance at the NESCBWI regional spring conference. I miss in-person events! Hopefully, we’ll get back to seeing each other offline at some point…
The Femmes Fae-Tales anthology should be out by May, containing my short story Taste of Honey as well as work by a fabulous group of fantastic writers.
Writing goals for 2020! I’m hoping to be ready to submit my fantasy novel by the end of January. After that, while I wait for (fingers crossed!) replies, I’m going to do a rewrite of my SF YA novel. I do have several other projects lined up, like a couple of short stories that exist in first draft form and need reworking — one of these is a horror story set in the mangrove swamps of southeastern Brazil that I think will work better as magical realism… But ‘Void’ and ‘Beastie’ are my initial priorities. (Yes, I nickname all my writing projects!)
On February 6th, I headed down to New York City for the 21st SCBWI Winter Conference — one of two national events organized by the Society of Children’s Book Writers and Illustrators. It had been a while since I’d been to the national conference — since 2014 to be precise — and I was looking forward to seeing the changes.
I arrived early, as the New England team (including myself and my regional conference co-director Casey Robinson) had a meeting on Friday morning. Business attended to, I escaped for a couple of hours to meet a friend from Brazil for a visit to the Met. Oh, important detail: my friend is a tour guide, so I had an amazing personalized glimpse at the museum’s permanent collection. If you’ve never been to the Met before, I thoroughly recommend this ‘taster’ version, where you get to sample a little from several different rooms and wings. After a post-museum lunch, it was time to head back to the hotel and relax with friends before getting ready for the Golden Kite Awards at night.
“Yeah… I’m so done with this!”
Watching the awards ceremony on Friday evening was definitely one of my personal highlights (and not just because of the strawberries and champagne reception!). Besides opening words from Kwame Alexander, who reminded us that “in the end, we answer for the children, to the children”, and James Patterson, who urged the gatekeepers in the room not to get in the way of kids reading for pleasure, we heard moving acceptance speeches from the award recipients, challenging us all to strive for more in our own work. Find a full list of the Golden Kite awards at: https://www.scbwi.org/announcing-the-golden-kite-and-sid-fleischman-winners/
Saturday began with a great keynote by author Kate Messner, centering on wonder and curiosity, and setting the tone nicely for the conference. This was followed by two workshop intensives that took place throughout the day. My first was on writing genre fiction, with Tor editor Melissa Frain. We talked through the challenges of worldbuilding and the subsequent perils of info-dumping, and then she walked us through an interesting first pages exercise.
I was particularly inspired by my afternoon intensive with agent Chelsea Eberly, who talked us through identifying our author brand. She broke this down into a number of key aspects, among which were to root our work in authenticity (what makes you YOU?) and to identify and focus on our strengths (where do you shine?).
The day’s programming concluded with a heartwarming keynote address by Jerry Pinkney, who talked us through his journey as an artist, starting from his earliest place of inspiration: his father’s basement workshop. Later, the evening centered around the traditional networking dinner, with regional tables set up so attendees could meet and mingle with others from their area, if they so desired. I lingered a while afterwards, chatting to friends (old and new!), but soon called it a night.
Sunday brought my last intensive session, with Harper Collins editor Tiara Kittrell. Tiara talked us through the key elements of a variety of genres, and shared tips on how to successfully blur the lines between them to create fresh ways to tell stories. I had to leave straight after, and was sorry to miss what I’ve heard was a wonderful final keynote with author Derrick Barnes, but I still carried home a head and notebook full of new ideas and inspiration to fuel my writing work. All in all, it was a fantastic, exhausting, amazing weekend, and I’m glad I decided to return to the New York conference after such a long break!