Breathing Space

A while back, on Twitter, a question about revisions came up. I mentioned adding ‘breathing space’. See the tweet, below.

Screen Shot 2019-10-25 at 4.54.53 PM

Why breathing space? When I started writing seriously, back in 2012 (seriously as in: outlining, sticking with my projects, and ACTUALLY FINISHING MY DRAFTS!), my manuscripts were a headlong rush of action scenes, with barely a pause between them. There was no time to deepen my characters, or their arcs. It was frantic, it was frenetic, it was… Yeah, it was just too much.

The first time I worked with a professional editor was when Heart Blade got picked up for publication. The wonderful Teresa Edgerton, who had the challenging task of coaching me through a full rewrite, taught me a lot about allowing my stories space to breathe. I picked that manuscript apart completely, and figured out (with Teresa’s help) how to put it back together with enough spare room for full emotional arcs, proper character development, and those all-important moments of stillness.

I’ve progressed in my writing skills (I hope!) since then and have learnt to find pleasure in slowing things down a little, and in those quiet spaces between all the action. But I still need to remind myself of the need for this at times, and that’s definitely something I look for when revising.

There’s a scene from Heart Blade that I love because it’s muted, hushed, and yet it adds weight to my story, grounding it. You can click here to read the full excerpt, but here’s part of it:

He was still by the doorway when she passed, and her arm brushed his lightly in the cramped space. He felt that tingle again like an electric jolt that ran all the way down to his toes. She flinched, and he was sure she’d felt it too. He put a hand out and caught hers. She stopped where she was, waiting. He was waiting, too, but he didn’t know what for. The doorway they stood in was a frame for a captured moment, a stolen image frozen in time.

Giving your words space to breathe can give your work that extra bit of depth, and allowing the reader time to process all that awesome action helps the words hit home harder. Music can’t be all chorus and bridges; you need the regular verses too, or else the rhythm is all off. Writing is the same. Take a step back, find the spots that need some quiet, and let your story take a long exhale.

2018-10-09 17.37.21.jpg

Crossing the Streams: reaching across writing communities

Anyone who has watched Ghostbusters will remember that, although ‘crossing the streams’ was supposed to be a Terrible Thing, ultimately it vanquished the Big Bad and saved the day. Likewise, for writers, learning to cross-network between different writing communities can enrich our lives and take our work to a whole new level.

In 2012, I joined my first writing community, the SFFChronicles.com — an online science fiction and fantasy forum with an active writer’s section. At the time, I had just made the decision to get back into writing and was working on my first novel, a middle grade fantasy. While researching children’s fiction resources I found the SCBWI (Society of Children’s Book Writers and Illustrators), but back then I lived in Brazil, and we had no regional chapters I could look into.

A year later, following my husband’s job relocation, I moved to Connecticut. As soon as I arrived, I joined the SCBWI. Six months later, I went to my first SCBWI conference in New York. I was making connections, online and in person, and my writing world was growing. At the same time, I continued to be an active participant in the sci fi and fantasy community. Both were equally important in teaching me about how publishing works, and in honing my writing skills.

From the kid lit community I learned how to craft middle grade and YA; the SF/F world taught me about genre fiction. The first was invaluable in helping me understand traditional publishing; the second showed me how to navigate anthology submission calls and other short story markets. The SCBWI brought me my wonderful local critique partners; the SF/F community gave me my first beta readers, and eventually a second online critique group. The SCBWI encouraged me to volunteer at conferences and events, and to get involved at a local level, organizing meet and greets for my area. SF/F brought participation opportunities for convention panels, my first public reading, and an opening to write interviews for a genre website. Both groups have nurtured me and cheered for my successes along the way, and expanded both my horizons and my circle of friends. I couldn’t keep moving forward without both of these communities at my side.

When I go to SCBWI events I’m always intrigued by how few members seem to even consider reaching beyond the kid lit community for connection and knowledge. The SCBWI is a wonderful place to call home, but there are many other thriving organizations out there to be explored. The Romance Writers of America is a busy and inclusive example, with many small local chapters throughout the USA. The Mystery Writers of America is another great society with active chapters in different regions. And those are only two among many. Broadening our worlds and cross-networking between communities can be a wonderful way to gain further insight in our work and widen that support web that is so crucial in the difficult world of publishing.

Whatever you chosen ‘home’ community, consider stepping outside and looking for others to connect with. Have a look around, both online and in your local area, and see what you can find. Take a chance on adding a whole new side to your network by joining additional writing organizations — either official ones, like those mentioned above, or unofficial ones such as the forum I’ve been on since 2012. Getting involved with a new community may be scary at first, but by casting that net a little wider and crossing those streams, you may find your creativity shines bigger, and brighter, and bolder than ever.

There’s a whole wide world outside that window…

Dark, Darker, Darkest

I don’t do dark. I don’t do scary, or heart-wrenching. My writing is fun and happy, and full of sunshine. Until it really, really isn’t.

The first thing I ever wrote was a light-hearted middle grade novel about a group of friends in small-town Brazil trying to stop a rampaging gang of ghosts. There was a bike chase, and meetings at the local ice cream parlor. Not a sliver of a shadow in sight, right? But now, looking back, I see there was an underlying theme of the price of magic, and of good magic gone very wrong.

Another middle grade novel had themes of PTSD and abandonment. My first foray into YA was about genetic experimentation on teenagers and forced seclusion from society. Are we beginning to sense a thread of darkness in all of this? But I still had this illusion that I was writing upbeat happy stories, probably because the dark bits were interspersed with enough action to mask them, at least to my own eyes. 

(Although the torture scene in my first published book—which got a special mention from Fantasy-Faction—should have clued me in…)

I got into short stories. These tended to be a lot darker right off the bat. Probably because I felt these were somewhat separated from my usual stuff, and gave me more room to play. Published stories include an alien willing to kill to remain on Earth, a trio of cut-throat teen mercenaries on a desperate mission, and murder by flesh-eating fungus. Nice and cheerful!

But there’s a beauty to the shadows, to the gray tones and the storm clouds. We can only appreciate the light when the story has contrast. And for that, it often needs to go down dark paths.

At the moment, I’m working on something brand new. It’s my darkest novel yet, with some pretty tough subthemes. At first, I wondered who the heck the person commandeering my brain was, to be coming up with this stuff. Then I took a good hard look at my earlier writing, and realized the shadows have been there all along, from the very beginning.

In a way, this came as a relief. It’s good to know my work has actually had some consistency from the start. Until I began this latest project, I was worried that there was a huge disconnect between my short pieces and my longer stories. This new thing of mine not only seems to pull all the different sides of me together, but it also made me take a good hard look at my past work, too. And maybe embrace the dark. 

There’s a beauty to the gray tones and storm clouds…

Happy New Year!

Misty says, “Have a great year!” She also says, “Keep reading! Bring treats!!”

You should…probably do what she says.

With All Your Heart

Adapted from a guest blog I originally wrote for fantasy romance author Suzanne Jackson.

Anyone who’s been hanging around the Twittersphere lately will have seen writers sharing their ‘rules for writing’. Now, I’m not that big on ‘rules’ (what works for one person might backfire splendidly for another!), but here are a few things I figured out early on and which keep me going. Hopefully, they’ll help you too!

Three things I’ve learned about writing:

1. Take Your Time. As the saying goes, it’s a marathon, not a sprint. When I started writing ‘for real’, one of the first things I did was read a lot of bios and websites of authors I admired. To my surprise, there were very few true ‘overnight success’ stories. One author took ten years to be published, another five. Another more than that combined. Some writers didn’t become household names until their third, or fifth, or seventh book.

Beginner-writer-me found this hugely reassuring. If other people could do it, so could I. If I had to put in the time to learn the craft and get it right, then so be it. I wouldn’t be the first, or the last, to take a deep breath and tell myself, “As long as it takes.” I knew this was something I loved, and that I was prepared to be in it for the long haul. I just had to jump in, and keep going.

2. Make Mistakes. Also known as: you have nothing to prove. When I was younger, I’d always planned on becoming a writer ‘someday’. Perhaps when I ‘grew up’. But somehow, I never got around to it. Probably because I had this weird notion that writers sat down at their perfect writing desks and dashed out the Next Big Classic all in one go. Yes, I really was that naive! I knew nothing about messy first drafts, or that it takes rewrites, revisions, and a whole lot of elbow grease to produce something halfway decent. So of course, with that sort of self-inflicted pressure, inevitably I was terrified of starting and failing.

When I figured out that the writing business was a long-distance event (see number 1), this led to the realization that nothing had to be perfect right away. I could allow myself time to work things out, to back my story into corners and fall into plot holes. I could get it wrong, and dust myself off, and rewrite, and get it wrong again, as many times as necessary. The only thing I couldn’t do, was let the fear of failure hold me back from trying.

3. Have Fun!  Along with realization number 2, came the awareness that I didn’t actually want to write the Next Big Classic. I wasn’t fussed about literary immortality, or having my books on required reading lists. I couldn’t care less whether my prose was gorgeously poetic. Instead, I wanted to enjoy my writing. I wanted to fill my pages with fight scenes, and daring escapes, and fireballs. Maybe a breathless first kiss or two. I was an 80’s teen, and all those hours spent watching the likes of Star Wars, Die Hard, Back to the Future, and The Goonies had to impact my writer’s soul somehow. Once I figured out the sort of things I enjoyed writing, the stories took off and the words just flowed. I was having fun, and I never ever wanted to stop.

Of course, these discoveries may have worked for me, but may not work for you. Find the small bits of wisdom that inspire you, personally, and use them to keep going on the dark days. We all have those days – beginner writer or seasoned pro – and sometimes you just need to remind yourself of why and how you got started in the first place. And then get up, dust yourself off, and jump back in with all your heart.