Shadow Atlas is Out!

Yesterday was release day for Shadow Atlas: Dark Landscapes of the Americas, an anthology of short stories and poetry published by Hex, with a stellar list of writers.

Beautifully edited by Carina Bissett, Hillary Dodge, and Joshua Viola, and with amazing illustrations by Aaron Lovett, Shadow Atlas is a 460-page treat for fans of dark fantasy and horror:

Ancient peoples knew there were lands given over to shadow and spirit. The world is full of haunted places that exact a terrible toll on trespassers. Our forebears paid a heavy price to earn the wisdom and the warning they bequeathed to future generations.

Time transformed their precious knowledge into superstition, but there are those whose hearts beat in rhythm with the past and whose vision is not clouded by modernity. Seeking to reclaim humanity’s early secrets, the Umbra Arca Society was forged. For centuries, this private league of explorers dedicated their lives to uncovering the oldest mysteries of the Americas. Armed with boldness and guile, and equipped with only a compass, a journal, and devotion to truth, these adventurers braved cursed landscapes, dared unnatural adversaries, and exposed hidden civilizations.

Many did not survive.

None were forgotten.

Their stories are maps revealing the topography and contours of landscapes unimaginable and dark. The Shadow Atlas collects their adventures.

Shadow Atlas includes my short story, Moon Under Mangroves. Set in Santos, in the state of São Paulo, Brazil, Moon is a tale of aging, a family curse, and the ghost crabs that live and burrow in the mud of the mangrove swamps. I grew up in the city of São Paulo, an hour away from Santos, and drew upon my childhood memories of catching sand and rock crabs with the fishing folk who lived on the coast in the days before tourism took over as an industry. It was a lot of fun reconnecting with those memories, and trying to bring a deep sense of place for readers to immerse themselves in.

You can read my interview on place with Shadow Atlas editor Hillary Dodge here.

The anthology already has some great reviews!

“Dead serious in its horror, yet delightful and inviting in its design and conceit, Shadow Atlas is a rare, beguiling treat, a collective fantasy with teeth, vision, and grounded in urgent, ancient truths.” – BookLife Reviews (BookLife section of Publishers Weekly)

“Think The DaVinci Code or Indiana Jones, but with more literary force, as it comments on mortals, immortals, and the intersection of worlds which holds them.” – Midwest Book Reviews

“A host of sublime writers and settings create an entertainingly macabre collection.” – Kirkus Reviews

Shadow Atlas: Dark Landscapes of the Americas is now available. For buy links and options, check out the publisher’s page: here.

Inside peek at the special hardcover edition

LGBTQ Books by Black Authors

HAPPY PRIDE MONTH!

I am absolutely in awe of all the wonderful people out there right now, who are protesting, fundraising, debating, blogging, sharing on social media, and generally doing their part to help the world move forward as a better, more equal place to live. In support, and because this is, after all, Pride Month, I’ve gathered a few links to LGBTQ books by Black authors.

Note: I wanted to highlight some of the websites, people, and organizations already doing this work, instead of writing up my own list. This means I have not yet read many of these books — though my to-read list is suddenly a LOT longer than it was.

Please support an indie bookstore if you can. Also, many libraries are reopening, even if just for curbside pickup — consider requesting a title if they don’t already have it. And remember, there are many ways to help an author if you are not in a position to buy books, such as sharing book titles and lists with friends or on social media. Happy reading!

Black Children’s Books and Authors

12 YA Books by Black Authors

Although these are all fiction titles, this recent article includes a link to an interview by activist and author George M. Johnson about his non-fiction YA debut.

YA Pride

16 LGBTQIAP+ Books by Black Authors

An older post, written for Black History Month 2019, with a good mix of contemporary and speculative fiction.

LGBTQ Reads

Black History Month 2020

A comprehensive list of websites, fiction, graphic novels, poetry, and memoirs. Fiction is divided by age category, with middle grade, YA, and NA/adult suggestions, including a speculative fiction selection.

We Need Diverse Books

Resources for Race, Equity, Anti-Racism, and Inclusion

A resource list that includes book recommendations and Black-owned bookstores. And while you’re there, check out their blog posts and other website sections.

Also, don’t miss this Facebook event TONIGHT! JUNE 4TH 2020

The Brown Bookshelf 

Kidlit Rally for Black Lives

This one isn’t LGBTQ in theme, but if you have time, drop by @thebrownbookshelf on Facebook Live TONIGHT as Black authors and publishers come together in an online event.

Image from The Brown Bookshelf

Swords and Swans

Book news! Well, anthology news, actually. Tomorrow my short story King Swan comes out in a brand new collection — Gorgon: Stories of Emergence (Pantheon Magazine).

From the official blurb: “Be changed. GORGON: STORIES OF EMERGENCE contains 42 transformative stories spanning all genres from both emerging and new voices alike, with all new stories by Gwendolyn Kiste, Richard Thomas, Annie Neugebauer, Eden Royce, Beth Cato, D.A. Xiaolin Spires and more, and featuring 10 illustrations by Carrion House.”

I’ve had a peek at some of the stories and they’re awesome! You can buy Gorgon on Amazon in ebook and paperback, starting tomorrow…

Also…

It’s been two years today since HEART BLADE was published! Happy bookversary to the Blade Hunt Chronicles!

Summer 2018 Updates

We’re already halfway through 2018 — where did all the months go? Seriously, someone needs to get working on that time-turner technology, and fast! So, what have I been up to this year?

Short stories! I made one of those infamous New Year’s promises to myself that I would submit a short story every month in 2018. So far, I’ve managed to (just about!) keep that promise. Of course, it doesn’t mean every submission has been accepted. But it’s been a good push to keep writing and — just as importantly — to keep sending my work out, even if it gets rejected. And taking a chance also means the occasional success!

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In February, my sci-fi detective tale Blood Makes Noise came out in The Last City anthology (DUST, 2018). This was a really fun initiative, with a shared-world premise that led to plenty of pre-publication discussion in our collaborator Facebook group. Check out our joint author interview in SFF World.

My angel love story Dawn Chorus was published in Kraxon Magazine in March, another happy moment. Kraxon always has great stories (free, go take a peek!) and I have a soft spot for the magazine, as it gave me my first ever paid writing sale, back in 2015. I also just handed in my contribution for an upcoming all-female-writers’ science fiction anthology: a teen time travel romance set in 1985. And I had a short story accepted for another anthology — I will have to wait for the official announcement to say more on this one, but I’m thrilled to be in it as competition was apparently pretty fierce, and the list of participating authors is amazing.

Novels! I spent most of the first part of the year finishing and revising a YA science fiction thriller. It’s completely different from my Blade Hunt Chronicles series, although my critique group says it’s still ‘very me’, which is hopefully a good thing? I’m really excited about this one! After a long querying hiatus, while I fulfilled my contracts for Heart Blade and Night Blade, I now have something brand new and have begun once again looking for an agent. Wish me luck…

And no, I haven’t forgotten my Blade Hunt readers. I’m taking a writing break in July, to visit my family in Brazil, but when I get back it’s all about books 3 and 4. Yes, the plan is to write the last two books in the series together, and hopefully have them done by the end of the year. I love my characters and story, and have promised myself (and a few of you as well) to finish the Blade Hunt Chronicles and give Del, Ash, Raze and co. the ending they deserve.

Appearances! I was once again a panelist at Boskone this February, and it definitely made a difference knowing what to expect this time around. I found that I managed to relax and enjoy my panels, and I ended up having a blast! A lot of this, of course, is due to the great moderators I had. I also took part in my local library’s Author Festival, speaking on the Teen Author panel. Out theme was Inspiration, and it was a great evening and a really good conversation.

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Photo credit Avon Free Public Library

All in all, it’s been a productive year for me so far. With plans to finish the last two Blade Hunt novels in the second semester, and to keep on writing and submitting short stories, it looks like it will get even busier once August arrives.

I’ll leave you with a link to a terrific interview I gave in January on Peat Long’s blog, with bonus Deadpool-riding-on-a-Lego-dinosaur pic. Because why not? Happy summer!

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Embrace the Night

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Blue cake to match my lovely blue cover

It’s release day for NIGHT BLADE! Happy book birthday to my second Blade Hunt Chronicles novel.

NIGHT BLADE brings familiar characters you’ve met in HEART BLADE, as well as some new faces. Rose is up and center in this book, as she attempts to infiltrate a heist and steal a certain object of interest from the very thieves she’s partnered up with. Del is learning to handle all the attention she’s getting from preternatural society, while at the same time trying to figure out her past. Ash is still dealing with all the fallout from the events in the first book, while hanging onto Del like a lifeline. And newcomer Ben just wants to keep his head down, do his job, and fade back into his self-imposed obscurity, hopefully without losing his boyfriend along the way.

I’m really excited to share this new installment of the Blade Hunt Chronicles with you all. If you haven’t read Book 1 yet, HEART BLADE will be free for Kindle from November 8-12th, so don’t miss out! NIGHT BLADE is only $2.99 right now…

Heart Blade on Amazon

Night Blade on Amazon

Add Night Blade on Goodreads

 

 

 

 

Small Press Publishing

*Based off my notes for the April 2017 Barnes & Noble panel on Publishing Your Book that I took part in, along with authors Carrie Firestone, Stephanie Robinson, and Jessica Haight*

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Publishing Your Book panel participants

 

Yesterday was #smallpressday2017. Congratulations to all those hardworking small presses out there! Keep up the good work!

What is a small press?

When you’ve been part of the writing community for a while, as I have, it’s easy to forget that many of the publishing terms that we author-type people tend to toss around can be pretty obscure to those who are unfamiliar with the industry. For instance, I get a lot of people asking me what I mean when I say I’m published by a small press. I’ve been asked several times if that’s the same as self-publishing. No, I tell them, it isn’t. Of course, self-publishing is a perfectly valid option, if approached in a professional manner. I have many writer friends who have self-published, or who are ‘hybrid’ authors (both self- and traditionally published), and who thrive within that format. But that’s not the publishing model I went with for my Blade Hunt Chronicles.

Heart Blade (and the upcoming sequel Night Blade) is published by Woodbridge Press, a small Canadian publishing house. A small press follows the same model of ‘traditional publishing’ as Penguin Random House, or Simon and Schuster, or any of the big giants. The difference is the size and scope of the company.

What can you expect from a small press? Like any large press, you can (and should) expect editorial input that contributes to a polished end product. This may be only a copyeditor, or it may include other sorts of editing. For Heart Blade, I had a developmental editor, a copy editor, and a proofreader. Other things you should expect include professional cover art, professional layout and design work, etc.

What you should NOT expect: to pay for any of this from your own pocket. Just like with a large publishing house, in the traditional model the money flows TO the author, not FROM the author. If you’re paying for any of it, you’re looking at some form of vanity press, or one of the many companies that facilitate things for self-published authors. Again, that can be a valid choice, as long as you make it with your eyes open and know exactly what you’re getting into.

Downside to small press

Your main downside is going to be reach. A small press will have a much smaller marketing budget than a larger company, and visibility will be limited. Your book deal probably won’t appear in Publisher’s Weekly, your ARCs (advanced reader copies) probably won’t reach any of the big reviewers, and your book itself may not even be in physical bookstores.

Another downside is impermanence. Of course a large press can also go under (and when they do it can be spectacularly catastrophic!), but a small press is far more likely to go bankrupt, or just quit the business. Make sure you get decent reversal of rights clauses in your contract in case this happens to you.

Upside to small press

You don’t need to have an agent (query letter phobics, take note!). Most small presses take direct submissions from writers. Some have specific submission windows, some take all-year-round subs, but they rarely deal with agents, because for an agent there’s not much point in a book deal that’s going to be worth either a tiny advance or no advance at all.

A small press is more willing to take risks on subject matter. With Heart Blade, for instance, I had two agents tell me that no publishers were interested in demons, angels, and vampires; that this sort of thing was all over and done with. But a small press such as Woodbridge can take a chance on something they like. UK press Kristell Ink is a good example: they’ve been publishing some really innovative fantasy work that might not have stood a chance in one of the bigger publishing houses. And Tickety Boo Press have invested heavily in space operas and science fiction (among other genres).

The ‘risk factor’ is especially important if you write something niche. For instance, Aqueduct Press specializes in feminist literature in all genres. Headmistress Press is even more niche: they only publish lesbian poetry. If you think your manuscript may be hard to pitch, perhaps a small press is for you. Do your research – there are many good small publishing houses out there.

Another advantage of a small press is it’s a lot more agile and fluid than a large press. If you get a publishing deal with a large press, it can take anything from 18 months to 3 years before your book comes out. A small press can go from signing to publication in a matter of months. So if you’ve written something time sensitive – maybe about a recent or upcoming world event – a small press can be a good fit for you.

Small press caution!

Study all your options. Look into the different publishing formats and models out there. If you decide that a small press may be the ideal home for your manuscript, then put all those researching skills to good use. There are plenty of less-than-savory companies out there, and that’s where resources such as the SFWA’s ‘Writer Beware’ page, or the Water Cooler at Absolute Write, can be invaluable in helping you avoid the scammers and find a good, legitimate fit for your work.

Also, dip a toe into the small press waters by reading a few authors who have chosen this publishing model. Get a feel for different companies by investing in the work they publish. At the very least, you may discover some hidden gems (check out the #smallpressbigstories hashtag on Twitter for inspiration). If you find a writer you like, help spread the word (and stretch the tiny marketing budget) by sharing your discovery. All of us small press authors thank you!

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Journeys Anthology

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I’m thrilled to have a short story in a brand new anthology by Woodbridge Press, to be released on February 15th. Fourteen fantasy road tales by a fabulous list of authors. And a stabby little story by yours truly, called ‘Fool’s Quest’. The collection has been edited by Teresa Edgerton, and should be a truly drool-worthy addition to any fantasy fan’s bookshelf.

Stories byJohn Gwynne, Gail Z. Martin, Julia Knight, Jacob Cooper, Steven Poore, Dan Jones, Anna Dickinson, Adrian Tchaikovsky, Juliet E. McKenna, Juliana Spink Mills, Samanda R. Primeau, Davis Ashura, Charlie Pulsipher, and Thaddeus White.

E-book pre-orders are already up, with a special 99c/99p promo price. Paperback coming soon!

Amazon US/ Amazon UK

Add to Goodreads

 

journeys
Gorgeous cover art by Tom Edwards

 

Aliens – The Truth Is Coming

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I have a short story out this week in a brand new anthology by Tickety Boo Press, UK. Aliens – The Truth Is Coming has a great line up of authors, with a wide variety of takes on the theme.

From the publisher:

Many of us look up into the wondrous night sky and know that we are looking at a galaxy full of life. It doesn’t matter that we haven’t discovered definitive proof of it yet – we know it’s out there and, perhaps, looking back at us, wondering the same thing in return.

The stories in this anthology explore myriad ideas of what ‘extra-terrestrial’ could mean. Not only to humanity, but to individuals. 

You will read stories of invasion, stories of loss and discovery, stories of trickery and subjugation, and so much more.
This anthology throws the doors wide open, and all you need do is step through… 

And here are the authors:

Foreword and Acknowledgements by Andrew Angel

Stories:

In Plain Sight by Juliana Spink Mills

Geometry by Alex Davis

Gods of the Ice Planet by Adrian Tchaikovsky

Island Visit by Nathan Hystad

Even the Klin Are Only Human by Bryn Fortey

A New Dawn by Liz Gruder

Rent by Steven Poore

Salvage by MJ Kobernus

The Devil’s Rock by William Anderson

The Man Who Wasn’t Dead by Terry Grimwood

We Three Remain by Stewart Hotston

Welcome to Cosmic Journey by Michael Chandos

The Zoo of Dark Creatures by Leslie J Anderson

Here by Tim James

 

You can find the anthology on Amazon UK and Amazon US.

Book Cover Sunday: Fantasy Cover Art

I was browsing my to-read pile and ended up going for the new Kristell Ink anthology Fight Like a Girl, in part for the glorious cover. That got me thinking about cover art. Now, I’m not hugely influenced by book covers. I tend to go by synopsis and sample pages rather than looks. But I can’t deny that when a book sounds interesting AND has a gorgeous cover, it’s a huge bonus. I’ll pick up my favorites again and again, just to feast my eyes on the artwork and maybe reread a page or two.

I began pulling out books from my shelves that really appealed to me for one reason or another. Looking through the pile on my table, I realized that the covers seemed to fall into four distinct camps. Now, I’m no expert on cover art, or art at all for that matter. So feel free to disagree in the comments and add your own categories!

Category 1: The ‘teaser trailer’ cover.

This type of cover is big in children’s fiction, and indeed my first ever cover love was C.S. Lewis’ Narnia series, beautifully illustrated by Pauline Baynes (1970’s edition). The artwork gives us a sneak peek at the story, showing us a scene or a setting, and providing a taste of things to come.

Examples for this category include the John Rocco covers for Rick Riordan’s books. Rocco created all the US covers for Riordan’s middle grade and YA work, and in my opinion pulls off the ‘teaser trailer’ aspect very well, giving us enough of a hint at what will happen to get us interested.

Of course, these are covers aimed at younger readers. However, the Michael Whelan art for Brandon Sanderson’s Stormlight Archive does much the same for an older target audience. Look at the cover for The Way of Kings, below. Can’t you just picture the soaring music of the trailer as the camera pulls out to sweep the landscape? Don’t you just want to know more, immediately?

Sometimes a ‘teaser trailer’ cover doesn’t even need human figures. The Tim Byrne cover art for the Rojan Dizon series by Francis Knight is a particularly effective example. Once again, can’t you just imagine the camera swooping in towards the streets in this cover for Knight’s Fantasy Noir novel Last to Rise?

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Category 2: The ‘character hook’ cover.

This is probably one of the most prevalent cover types in fantasy. Hooded rogues, brooding kings, towering warriors. There’s a subtype for each and every subgenre. Some can be a little cliché, others find a way to make an impression. The difference between this category and the first? While the ‘teaser trailer’ cover tries to hook us with a promise of a story, the character cover centers it all on the main protagonist(s). It wants us to immediately bond with them, anchoring our curiosity on the figure the covers portray and encouraging us to discover their story.

The cover for Swords and Scoundrels by Julia Knight is pretty typical of the category, although we have two characters in this case, and not the more usual one. Illustrated by Gene Mollica and designed by Wendy Chan, what sets a cover of this sort above others is the beautiful artwork. The characters must be appealing enough that we say, “Why yes, I will enter your domain and hear your story, dear swashbuckling people on the cover!” It’s a simple set-up, but it works.

Teresa Edgerton’s Mask and Dagger duology does something a little different. In both Goblin Moon and Hobgoblin Night, Sarah J. Swainger’s cover art opts for a dark outline, reminiscent of the silhouette portraits popular in the mid-to-late 18th century, a particularly fitting nod to Edgerton’s Victorian-inspired world. The effect is clean, crisp, but still remains within the domain of ‘character hook’ covers.

A modern take on the theme was used effectively in the US covers for Myke Cole’s new military fantasy trilogy. Illustrated by Larry Rostant and designed by Diana Kolsky, the covers for Gemini Cell and Javelin Rain pulse with energy. The enigmatic character portrayal and the vibrancy of the artwork draw us in and promises a thrilling ride.

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Category 3: The ‘one Ring to bind them’ cover.

In yet another version of the ‘teaser trailer’ cover, this category takes an inanimate object and uses it as a story hook. A mysterious symbol might promise a tale of magic. A sword, the allure of violent and heroic deeds. You get the idea. Personally, I think the ‘one Ring’ covers can be particularly effective for a series, adding a new element for each book. This form of cover art treads the line between teaser hook and my last category, the ‘graphic glory’ cover.

The Larry Rostant/David Stevenson covers for George R.R. Martin’s A Song of Ice and Fire are a good example. Simple, clean, and to the point, they each prominently feature one item relating to events in the book, using background color as an important tool to give each book a separate identity within the common thread. The gloriously red art for A Feast for Crows, for instance, is repeated on the spine, a clever ploy for on-shelf prettiness.

The covers for the Seven Realms series by Cinda Williams Chima go a step further. The original four books, as well as the newly released Flamecaster, first in a new series set many years later, join together ‘significant object’ with ‘teaser trailer’ backgrounds. Sneaky! And also very effective. Now that you’ve seen it, aren’t you just dying to know more about the mysterious amulet thing on the cover? And how does it fit in with the city behind? Art by Sasha Vinogradova and design by Erin Fitzsimmons.

The original UK cover for Joe Abercrombie’s Best Served Cold takes the ‘one Ring’ concept and runs with it, far, and fast, and wide. We have a map! And a sword! There are coins, and blood splatters! It took a whole team to create, according to Joe’s blog. It’s pretty amazing, to tell the truth, and I really wish it were the cover of the version on my Kindle. It’s not, unfortunately, so I had to resort to online drooling. But really, there are so many different objects on this cover that it’s a whole micro-story in itself. A sort of connect-the-dots intro to the story inside.

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Category 4: The ‘graphic glory’ cover.

This category of book cover is deliciously graphic, with a lean, clean beauty of a concept. It’s less about hooking the reader with the promise of a story, and more about wowing them with stunning artwork that pretty much stands alone without the novel inside. If I were to frame and display any of the books in my personal library, it would probably be the ones with this sort of cover.

I originally bought A Darker Shade of Magic, by V.E. Schwab, in e-version. But I eventually went out and bought a physical copy, too. I wanted it on my shelf; I needed it on my shelf. Although this cover does refer to the novel, the appeal isn’t in the story hook but in the sheer prettiness of Will Staehle’s artwork.

Tom Pollock’s Skyscraper Throne trilogy is another personal favorite, both in terms of covers and content. The UK cover art by Ghost is discreet, minimalist, and lovely. Even if I had no idea what was inside The City’s Son and its sequels, I’d probably peek just because I like the cover so much.

To finish where I started, Kristell Ink’s Fight Like a Girl anthology fits neatly into the ‘graphic glory’ category. The paper doll sweetness of Sarah Anne Langton’s cover art is too cute for words, and fits the book concept admirably: after all, in an anthology each author mounts their own unique character, and has their own distinct take on the theme. And you can dive deeper, taking the idea of paper dolls and examining the roles society hands out to women. Charming and clever!

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In the name of ‘blogging’, I’ve just spent a fun couple of hours on a rainy afternoon looking through my physical and virtual shelves. How about taking a look at the books you own? Which are the cover styles that appeal to you? And why?

(See also Book Cover Sunday: SFF Book SpineS aND BOOK COVER SUNDAY: BACK COVER BLURBS)
 
 

Publishing deal for Heart Blade

Yesterday was one big, smiley, happy day from start to end. It started out with a contract for breakfast and ended with an official press release from my publisher. My book publisher. I’m over the moon that I can finally talk about Heart Blade, the first in my Blade Hunt Chronicles series, to be published by Woodbridge Press.

I finished writing Heart Blade just over a year ago, and Nathan Hystad was one of my lovely beta readers at the time. This year he launched Woodbridge Press, which just came out with a deliciously spooky horror anthology, The Haunting of Lake Manor Hotel. Woodbridge has two more anthologies planned for this year, and oh, hey, I’m in one of them (it has a fabulous line-up of authors which Nathan should be announcing soon).

When Nathan approached me and made an offer for Heart Blade, I was really excited. Yes, Woodbridge is a brand new press, but I have absolute faith in Nathan and his vision, and I’m looking forward to working with him and his team to bring the Blade Hunt world out from the dusty confines of my virtual filing cabinet and into the light of the day.

Blade Hunt is an urban fantasy series that straddles the line between YA and adult. Book 1, Heart Blade, is set right here in my home state of Connecticut, and introduces us to the Chronicles lore and some of the key players of the Court of the Covenant.

Over the next months, as all the necessary pieces of the publishing jigsaw come together – such as edits and copyedits and cover art – I’ll be sharing some of my worldbuilding extras with you all. I’ll also post fun bits and pieces over on bladehunt.tumblr.com.

But for now I’ll let my publisher do the talking.

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