Boskone 56 Schedule

It’s almost February, and that means it’s getting close to Boskone time! I absolutely love this friendly New England Con, and I’m glad to be returning. If you like science fiction and/or fantasy, and live anywhere near Boston, why not drop by to check it out?

This year brings a couple of firsts for me: my first time as a panel moderator at Boskone, and my first reading, as part of the Broad Universe group. Besides my own program items, I’m looking forward to catching up with friends and hopefully making a few new ones; watching a couple of panels (see full program here); and maybe attending a reading. Let’s see how much I can cram into the two days I’ll be there!

If you’re planning to attend, here’s my schedule:

Agency and Free Will in Speculative Fiction

Friday 15th Feb 2019, 18:00 – 18:50, Harbor III

Fantasy often makes use of prophecy. But when a protagonist is the prophesied one, how can they experience true conflict, risk — or agency? They can’t fail, right? Shouldn’t this deflate the reader’s interest? What happens when you have conflicting prophecies? And if we’re in a mechanistic universe, governed by the laws of physics, where is free will?

Juliana Spink Mills (M), Gillian Daniels, Rebecca Roanhorse, Greer Gilman, M. C. DeMarco

Broad Universe Group Reading

Friday 15th Feb 2019, 21:00 – 21:50, Griffin

Join members of Broad Universe — a nonprofit association dedicated to supporting, encouraging, and promoting female authors of science fiction, fantasy, and horror — as they read tidbits of works and works in progress. Readers will include Terri Bruce, Trisha Wooldridge, L. J. Cohen, Roberta Rogow, Juliana Spinks Mills, Joanna Weston, and others. Moderated by Elaine Isaak.

Now, That’s a Great Action Scene!

Saturday 16th Feb 2019, 11:00 – 11:50, Burroughs

Fight scenes are not all created equal. Action scenes can make or break a story: drawing readers in, or shattering the suspension of their disbelief. Let’s look at some of the best action scenes and sequences to see how it’s done right — and why some scenes are just wrong. How do you keep the energy up without confusing the readers with a flurry of movements that only martial arts enthusiasts can follow — or care to?

Errick Nunnally (M), S L Huang, Bracken MacLeod, Juliana Spink Mills, Vincent O’Neil

The Middle Book Syndrome

Saturday 16th Feb 2019, 16:00 – 16:50, Marina 4

The first book of your series was amazing: solid story; compelling characters; great reception by publisher, critics, and fans. Now, the hard part: living up to all the high expectations. Or maybe the first book had a less receptive reception, but you still need to produce that second volume? Plus there’s the rhythm problem — first book, thrilling beginnings; last book, satisfying conclusions; middle book, recaps and repetitions … How do you deal with the pressures of a multi-book contract and impatient fans?

Fran Wilde (M), Juliana Spink Mills, Kenneth Rogers Jr., Sarah Beth Durst, Sharon Lee

Poconos Retreat, Part II

(Continued from Part I)

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Our last day dawned soft and gray, drizzle misting in from the hills around us. Luckily the weather had no impact on everyone’s enthusiasm, and after another amazing breakfast (seriously, Highlights, do you not want us to ever leave?), we gathered once again in the main room in the Barn to watch the faculty talk us through some of the (anonymous) first pages and illustrations that attendees had sent in. I’m always fascinated at these events to find out just what an experienced editor will pick out of a fragment of text.

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Mealtimes at the Barn

We broke up into workshops after this, and I chose to hear agent Kira Watson talk us through scene development. We looked at the difference between ‘core’ scenes and ‘bridge’ scenes, and how to avoid the so-called ‘fluff’ scenes. Kira told us that each scene should make a difference, even if it’s a bridge scene, and not just be there to fill space. I’m looking forward to trying her flashcard exercise!

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Kira Watson talks us through scene essentials

The final keynote was given by picture book author Tara Lazar. Tara’s speech was joyous and uplifting, even when talking about personal obstacles, and was just right for sending us home all fired up to get back to creating. She both began and ended her talk by reminding us that “there is no divide”, and that authors are just people like anyone else.

We sat down for a last lunch (with a huge round of applause for chef Amanda and her staff), and then said our goodbyes to all our new (and old) friends, and then it was time to take off my name tag, grab my bags, and drive the three hours back to Connecticut.

 

Our printed schedule ended with Master Yoda’s words: “That which you seek inside you will find.” That may be true, but all of us at the 2018 Poconos Retreat found plenty in each other, too, and in the inspiring words of our weekend mentors.

 

 

High points for the weekend:

  • Location, location, location. And did I mention location?
  • Star Wars references everywhere!
  • Great faculty choices: everyone was kind, generous, and friendly, full of wisdom to share.
  • Good attendee vibes. Everywhere I turned I was met with a smile and a friendly face. I returned home with lots of nice memories, and plenty of new Twitter and Instagram contacts, too.
  • My awesome roommate, Tina Holt. I was a little worried about sharing a cabin with a stranger, but Tina was a star. #TeamCabin20
  • Okay, I won’t mention the food again, but I loved the ‘help yourself’ hot/cold drinks stations set up all over the place. And the baskets of snacks, too. (Oops, did I just mention food?)
  • The Eastern PA SCBWI crew: Kim Briggs, Alison Green Myers, Lindsay Bandy, and Virginia Manning. You all rock, thanks for organizing this tremendous weekend.

 

Poconos Retreat, Part I

(In two parts, because it was just THAT great!)

 

Ever since I met the ray of sunshine that is YA author Kim Briggs, five years ago at my first ever SCBWI conference (Society of Children’s Book Writers and Illustrators), I’ve wanted to go to the annual retreat organized by her region, Eastern PA SCBWI. This year I finally made it down to Pennsylvania, and I’m so glad I did!

Around thirty or so writers and illustrators gathered with faculty and staff at the lovely Highlights Foundation center in the Poconos, for a weekend of workshops, critique sessions, good food (so much good food!), and lots and lots of creative chit chat. The theme? May The Force Be With You, of course. What else for a start date of May 4th?

The magic began on Friday evening. After appetizers, the illustrator showcase, and dinner, we were all invited to go to the podium and present our homework. Yes, homework: to prepare a short presentation of what the Force means for you and your work. A great opening for the weekend. (I’m saving mine to share in another blogpost; wait and see!)

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Wookiee Cookie from Saturday’s lunch

Saturday, after a generous breakfast in the Barn (seriously. So. Much. Food.), we were treated to an opening keynote by YA author K.M. Walton, who encouraged us to trust our goals and dreams; to know our dreams and do the work to make them happen.

Next, I headed up to the Lodge for a workshop on Plot Meets Character with Kate Prosswimmer, editor for the Sourcebooks Fire and Jabberwocky imprints. Kate went over some of the key approaches for breaking down plot and character in stories, and then suggested we chart our own novels with the tools she introduced us to.

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Plot Meets Character workshop

After lunch (more REALLY GOOD food; I was feeling thoroughly pampered by that point!), it was time for the keynote by author/illustrator Angela Dominguez. Angela talked about the difficulties of growing up bilingual — something that most people in my family can relate to! She also gave us an important reminder: that there’s a lot of waiting in publishing, and it’s okay to get frustrated.

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Keynote by Angela Dominguez

It was time for a break and a group photo, and then onto the keynote by editor and author Harold Underdown. Harold walked us through a selection of children’s books for all ages and talked about the importance of beginnings and endings: of making a promise to your reader at the start of a story, and following through on that promise at the end.

The afternoon was set aside for peer critiques (and one-on-one critiques with faculty for those who had signed up for one), but as I had been deep in revision mode when the deadline came around, I hadn’t sent anything in. Instead, I snuck off to my cabin for a bit of tea and quiet time. With so much information bouncing around in my head, it was a perfect way to unwind.

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Some much-needed downtime

Saturday evening brought nachos on the patio while the faculty signed books inside, followed by dinner and the silent auction. There were lots of amazing items to bid on, and I’m pleased that one of my bids made it to the end: a 15-page manuscript critique offered by agent Kira Watson, along with a signed ARC from her client Naomi Hughes’ upcoming release, Afterimage.

We closed the night on a high note: with s’mores on the patio by the open-air fireplace under twinkling lights. And then it was off to our cozy cabins for our last night in Writer’s Paradise.

 

Boskone 55 Round-Up

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I’m back from Boskone, aka “New England’s longest running science fiction convention.” Boskone is big enough to bring in great guests/panel participants, and yet small enough so that it still feels relatively cozy. This was my fourth time at this event — second as panelist — and probably my favorite year so far.

A few thoughts about Boskone 55:

  • Being a panelist is fun! Last year, I was terrified at my first couple of panels. This year, I knew what to expect, and managed to relax and enjoy myself. Our moderators did a great job, and conversation flowed easily. If you’ve ever thought about being on a convention or conference panel, but weren’t sure if it was for you, here’s my advice: give it a try. Cons like Boskone are happy to mix up established and beginner writers, and to give a chance to new faces and voices. Keep an eye out for calls for participation. Boskone has a nice little survey you fill out, which lets you tick all sorts of boxes and tell them what you’re comfortable talking about.
  • Kaffeklatsches are still one of my favorite things to attend. Unfortunately, this year I only managed to go to one, with agent Joshua Bilmes. Joshua answered publishing and agenting questions, and gave the table all sorts of great advice.
  • I’m also sorry I only managed to get to one reading. I love having a chance to see an author engage with their own work. Jane Yolen’s reading was a nice mix of poetry and prose, and thoroughly enjoyable.
  • Informal conversations are definitely one of the highlights of going to events like this. I caught up with old friends, got to meet a couple of online friends in person, and made some new friends. Just perfect.
  • Dogs, dogs, everywhere. The Westin was full of furry companions this year. A shout out to the Mega Floof who sat politely through panels and was a very well-behaved con-goer.
  • From the Writing For Children panel: stories don’t necessarily need a happy ending, but they need a hopeful one. Also, a great debate on what to do with those pesky parents and other responsible adults in middle grade fiction…
  • From the Feminist Fairy Tales panel: a huge list of great book recommendations!
  • From the Marketing Uphill panel, lots of ‘don’ts’: Don’t overmarket; Don’t be boring; and many more… *gulp*
  • Downtime is crucial! At my first Boskone, I exhausted myself trying to cram in as many panels, readings, and events as I could. From the next year on, I realized it’s equally as important to take breathers, chat to people, and just enjoy the con atmosphere. Or maybe take an actual break from the whole thing and go for a walk or read a book in your room for a while. My husband and kids came along to get some use out of the hotel room and pool this year, and I think being able to step away from the con every now and then for family dinner or some much-needed downtime made a key difference.

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Grabbing some family time at Boston’s Seaport

SF/F conventions and writing conferences can be a lot of fun, especially if you’re willing to get out of your comfort zone and talk to people, or try new things you wouldn’t usually do. If you haven’t been to one yet, you can always start small: look for local events and meet-ups, and ease your way in. But don’t let fear hold you back! Going to cons has brought me a whole new world of writing friends, including the lovelies who became my local critique group. Who knows what it will bring you?

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Making new friends! Author and bookseller Marc Vun Kannon, who stocked my books for the con…

 

 

 

Boskone 55 Schedule

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I’m really excited to have been invited to Boskone 55 as a program participant. This will be my fourth year at “New England’s longest running science fiction and fantasy convention”, and my second taking part in panels. Boskone runs from February 16th to 18th in Boston, MA, so if you’re in the area, stop by. Not only is this a really friendly con, but it has great guests, panel themes, author readings and kaffeeklatsch opportunities. This year, there’s even a Regency Dance! Check out the Boskone 55 website for the full event schedule.

Here’s my own schedule:

Stories Before the Apocalypse

16 Feb 2018, Friday 14:00 – 15:00, Marina 4

We’re familiar with post-apocalyptic futures, from Max’s desert hellscape to Katniss’s dystopic districts. But what about right before the cataclysm — as doom and destruction loom large? How do people live? How do relationships change as we shift into survival mode? Let’s share our few existing “must-read” favorites, and discuss stories we’d like to see.

James Patrick Kelly (M), Juliana Spink Mills,  Julie C. Day, Alan Gordon, John Chu

 

Curse Your Inevitable Romantic Subplot!

16 Feb 2018, Friday 16:00 – 17:00, Burroughs

Just when things are getting good, somebody has to go and fall in love. Are romantic subplots required? And what makes them work or fail in the larger storyline?

Heather Albano (M), Suzanne Reynolds-Alpert, J. Kathleen Cheney, Kevin McLaughlin, Juliana Spink Mills

 

It’s Not Always About Sex

17 Feb 2018, Saturday 12:00 – 13:00, Harbor III

Speculative fiction is filled with friendships that turn into romantic entanglements. Is that all there is? Can’t our characters just have friends, of whatever gender, without hookups and/or heartbreaks? How about we rescue the world from the odd apocalypse or alien invasion, and forget about the sex for a change?

Darlene Marshall (M), Tamora Pierce, Juliana Spink Mills, E.J. Stevens, Steven Popkes

 

NESCBWI 17: Expand & Diversify Your Portfolio

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This past weekend, April 21-23, some 700 kid lit authors, illustrators, and industry professionals got together in Springfield, Massachusetts, for the yearly Spring Conference of the New England region of the SCBWI (Society of Children’s Book Writers & Illustrators), which this year was named Expand & Diversify Your Portfolio.

This was my second time at this event, and it has definitely established itself as one of my favorite places to be. Not just because of the interesting panels, workshops, and keynote presentations, but because it tends to be a friendly, laid-back sort of thing, where everyone chats to everyone else, and new friends are made all the time. There is always lots of catching up to do with writer buddies I usually only see on social media, and time flies by all too quickly!

So, what were my highlights for 2017? To start with, this was my first time at a SCBWI event as a published author. I loved seeing Heart Blade up on the big screen with all the other attendee’s work, and it was great spotting it in the con bookstore.

This year, I attended several workshops on social media and marketing. Jess Keating encouraged us to brainstorm our platform with adjectives and images to get a feel for ourselves, and for the tone we want to set on social media. She urged us to think about who we are, rather than who we think we should be, and to remember: ‘you are the expert at being you’. Anika Denise suggested that an author platform is a stage where you connect with your audience, and reminded us that author platforms aren’t built in a day, nor should building them eclipse putting time and effort into the actual writing. For those who were unsure what to blog or tweet about, she suggested mining your book’s content for underlying themes you can dig into. Allison Moore showed us examples off her own Twitter feed, and reminded us (as did everyone lecturing about social media) that promoting your own book has to be something done in small and sporadic doses. To top it all off, Jen Malone gave us great tips on public speaking, and told us that “speakers who are real, honest and can share their passion have the greatest impact on their audience.”

One of my favorite workshops this year was Dana Meachen Rau on injecting characters with emotion, something I find my plot-focused brain often struggles with. She reminded us that plot elements are great, but without emotion, who cares? The plot provides the external story arc, but emotion provides the internal story arc, and becomes the engine that moves your character forward. When a reader reads a book, they go on the same emotional journey as the character, and it is this shared experience that makes a story unforgettable.

For a fun learning experience, Friday night brought Pitchapalooza, the now-traditional event hosted by The Book Doctors, Arielle Eckstut and David Henry Sterry. Names were drawn, and contenders got to pitch their story for a minute, on the clock. Then a panel of agents and editors critiqued each attempt, explaining in a positive manner what worked, and what didn’t.

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The crowd at Pitchapalooza

There were three amazing keynote talks, by authors Barry Lyga and Jane Yolen, and author/illustrator Melissa Sweet, who had the prettiest PowerPoint presentation I’ve ever seen. Jane urged us to “listen to the work, not the fears”, a sentiment I think all writers can relate to on the dark days. On the writing the rainbow panel, Kevin Lewis reminded the audience that we should always endeavor to create environments in our work that ‘are as diverse as the world we live in.’

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Jane Yolen inspires us over breakfast

I headed home on Sunday happy and exhausted, bearing pages and pages of notes, a pile of business cards and bookmarks from people I want to keep in touch with, and a ton of fresh inspiration to give my work a much-needed boost. Thank you to all the hard-working volunteers at the NESCBWI for putting together a great event, and see you next year!

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Relaxing on Sunday evening with peppermint tea and Melissa Sweet’s biography of E.B. White

Boskone 54

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Last weekend I made what has become my yearly pilgrimage to Boskone. For those who have never heard of it (and if you live in New England, you’ve definitely been missing out!), Boskone is a great science fiction and fantasy convention that leans heavily toward SF/F writers and readers. The con always has a fabulous line-up of guest speakers, and the panels are varied and interesting. The overall vibe is relaxed and friendly.

This year, I didn’t manage to go to any of the kaffeeklatsches*, one of my absolute favorite things to do at Boskone. I also went to fewer panels than I usually attend, for one simple reason: this time, I was one of the panelists myself.

So, what was the view like from the other side?

Terrifying, on the first day! By the second day, however, I’d got the hang of it. I relaxed, and really enjoyed the discussion. It helps that I had fantastic co-panelists and moderators, of course. Thanks to Boskone for inviting me! I had a great time. (Check out a list of the panels I was on here.)

Some of my Boskone 54 highlights include the panel on Skullduggery and Dastardly Deeds, hilariously moderated by Scott Lynch, and the panel on Guest of Honor Brandon Sanderson’s career. It’s always encouraging to hear great writers like Sanderson talk about the beginning of their careers…

Every year I try to catch a reading, and this time I went to a great one by Lynch – a short story that will appear in the Book of Swords anthology, out in October.

However, one of the best things to do at Boskone can’t be found on the official schedule. And that’s – quite simply – conversation. I love getting a chance to chat to SF/F fans, writers, and other industry folks. It ends up being one of the high points of the con, every single time.

So here I am, two days after returning home, sitting in the middle of a pile of notes, papers, and bookmarks from this year’s Boskone, and all I can think of is: Boskone 55? Bring it on.

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Worldbuilding in Urban Fantasy

L to R: (not shown: Margaret Ronald), Robert B. Finegold M.D., myself, Adam Stemple, Leigh Perry (Moderator) – photo courtesy of Robert.

*For those who have never been to one, a kaffeeklatsch is an informal round table with someone like an author. I’ve been to several memorable ones, like the one with Myke Cole at my very first Boskone, or the one with Ginjer Buchanan that ended up being a friendly tête-à-tête after a blizzard chased most of the con goers away.

Boskone 54 Schedule

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From February 17-19 I’ll be at Boskone, in Boston, MA, for New England’s longest running science fiction and fantasy convention. This will be my third year at Boskone, but my first as a panel participant. Boskone is a friendly con with great panel themes – I’ve been to panels on everything from writing fight scenes to pirates in fiction!

Check out the Boskone website for 2017 speakers and a list of panels, readings, kaffeeklatsches, and other activities. There’s still time to register.

My own schedule:

When Villains Defy Expectation in Young Adult Literature

Friday 16:00 – 17:00, Harbor II (Westin)

In YA fiction, the bad guys used to be easy to spot. However, in a world with many shades of gray, villains just aren’t as easy to identify. The handlebar mustaches — gone; the dark trench coats — left on their hangers; the goon squads — seem like bunches of ordinary guys. What does the revamped “villain” archetype mean for our young heroes? How does it affect the story and the other characters? How might this more nuanced sense of good/bad play out as young adult fiction continues to evolve?

Tui Sutherland (M), Ken Altabef, Christine Taylor-Butler, Juliana Spink Mills, Michael Stearns

 

The Year in Young Adult and Children’s Fiction

Friday 17:00 – 18:00, Harbor II (Westin)

Last year was another great one for young adult and children’s fiction. While the explosion of new authors in these genres may be stabilizing, the number of well-written, top-shelf stories continues to soar! Join our panelists for a lively discussion about what you absolutely must read from 2016 — and what we’re looking forward to as 2017 continues.

Maryelizabeth Yturralde (M), Christine Taylor-Butler, Emma Caywood, Juliana Spink Mills, Bruce Coville

 

Indie Pub Your Backlist

Saturday 10:00 – 11:00, Marina 2 (Westin)

Do you have old stories that were published ages ago, now lingering in drawers, gathering dust — not getting read? Independent publishers can be a great resource for letting your stories see the light of day again, and drumming up interest from new readers. We’ll discuss ideas on revitalizing your backlist and finding indie publishers for your unpublished early gems.

Joshua Bilmes (M), Walter Jon Williams, Richard Shealy, Juliana Spink Mills, Craig Shaw Gardner

 

Worldbuilding in Urban Fantasy

Saturday 17:00 – 18:00, Marina 2 (Westin)

An inconsistent or poorly described worldscape can furnish a confusing story, or challenge a reader’s ability to suspend disbelief, even when you’re dealing with a world that is “just like ours.” Is creating an urban fantasy world as simple as adding magic to a place like Chicago or New York City? Or is there more to it? Hear from writers who have created fully realized urban fantasy worlds that their readers can almost see, touch, and smell.

Leigh Perry (M), Margaret Ronald, Adam Stemple, Juliana Spink Mills, Robert B. Finegold M.D.

AvonCon 2016

It seems like everywhere you turn these days there’s a new comic, literary, or gaming convention. Many of these are fan-driven events, seeking to bring together a community of genre lovers from places near and far. AvonCon, however, puts a capital C in the word community.

Organized by the public library of the town of Avon, Connecticut, AvonCon holds its second yearly event on Saturday, April 16th. The brainchild of Reference and Adult Services Manager Tina Panik and Teen Librarian Marisa Hicking, the one-day convention is free and open to all ages. There is something for everyone, from the youngest child to the seasoned con-lover, with events ranging from illustration workshops to cosplay competitions.

What makes AvonCon so special? To answer that, we first have to take a good look at the library itself. The Avon Public Library hosts a wide variety of community events. These include preschool Mother Goose sessions, book clubs and a writing group. And of course, the hugely popular teen room which the town’s middle school and high school students can frequent after class for homework, board-and-video gaming, computer use, and even karaoke. The library’s community room is used by everyone, from the Girl Scouts to Little League Baseball coaches. It truly is a cornerstone for the town.

An event like AvonCon is a wonderful opportunity to cement the library’s involvement with the local community. But don’t just take it from me: I’ve invited the Con’s two main organizers to share their thoughts on conventions, comics and, of course, AvonCon itself.

Juliana: Tina and Marisa, thank you so much for joining me. Tell me, where did the idea for AvonCon come from? Why adopt the convention format?

Two years ago, 3 of our staff attended NYCC (New York Comic Con). On the train ride home we realized we could create a mini-convention at our library. Mirroring the convention format allows us to offer multiple programs simultaneously. Our event is free, which makes it unique amongst comic conventions. 

Juliana: What were the results from last year’s first ever AvonCon? What feedback did you receive from attendees? 

In addition to our regulars, AvonCon has attracted a completely new audience for the library. Our biggest request from last year to this year was to offer food for a longer period. This year we will have a local food truck, Toasted, on site all day. For those with a sweet tooth, we will have Dolce Vita Gelato on site as well.

Juliana: I know Marisa has a very enthusiastic teen group that frequents the library. Has the local community been involved in helping set up the convention?

Most of the preparation has been done by our awesome team of librarians. Our library Teen Advisory Board (TAB) helped paint and create a Tardis out of a large refrigerator box, as well as assemble the Iron Cosplay boxes. They were sad when they couldn’t create the costumes out of pillowcases on the spot!

Tina has also created F.A.N. (Family of Avon Nerds) a multigenerational group of science fiction, comic, and Pop Culture fans. They suggested creating a schedule by tracks-and we’ve done it. A couple of the teens from F.A.N. were part of the TAB Tardis group. 

Juliana: You have a treat for comic lovers this year – your special guest is cartoonist and comics theorist Scott McCloud. Why Scott? What do you hope Scott’s keynote lecture will bring to local graphic novel and cartoon fans?

Our focus this year is deconstructing the graphic novel. When Tina and I were brainstorming what to do and who to get, we knew we wanted an expert in the industry. Scott was our first choice. He literally wrote the book on understanding comics, called UNDERSTANDING COMICS; it was written in a graphic novel format. His visit is made possible by a grant from CT Humanities.

We want Scott McCloud to blend art, story, and technology together in his presentation. Scott McCloud has given this presentation throughout the country and he keeps adding new materials. It is a fast paced and visually engaging presentation. We hope to appeal to longtime fans of his work, those interested in graphic novels, and attract new fans. Scott McCloud has graciously agreed to answer any and all audience questions for as long as they keep asking.

Juliana: What was your favorite part of AvonCon 2015? 

Tina: I enjoyed watching people interact away from their phones. Strangers were starting conversations with each other about costumes, Pop Culture, and their favorite superheroes.

Marisa: I enjoyed the Draw Off on the center floor of the Children’s Department, hosted by Matt Ryan of Free Lunch Comics. The energy was fantastic! Mostly children and teens competed, though all ages looked on. It was friendly and competitive. I lost to Tim the Children’s Specialist attempting to draw Pikachu surfboarding. I also enjoyed hosting the Iron Cosplay event: teens got a mystery box full of pillowcases, Duct tape, paint samples and an inspiration superhero costume to recreate. Some were more successful than others, but everyone had fun.

Juliana: I know you already have a list of ideas for next year. Are there any you can share with us?

We are considering adding live music and the inclusion of other fandoms, like Downton Abbey. We’d also like to add a program centered around books.

Juliana: Thank you both for taking time to tell us a little about AvonCon 2016. Good luck with the event! I’m looking forward to it.

AvonCon takes place in Avon, Connecticut on April 16th, 2016. For more information and the full schedule of events, go to www.avonctlibrary.info.

You can find information on Scott McCloud and his work at his website, www.scottmccloud.com.

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Boskone 53 Round-up

Boskone 53, February 19-21 2016

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Boskone is a long-running New England Science Fiction and Fantasy convention that skews more to the literary side, even though it also has events centered on movies, board gaming, etc. Last year was my first time at Boskone, and I was so smitten I’d bought this year’s membership before the con even ended. Boskone is big enough to bring in great authors, and small enough to be a friendly sort of place. To me, newbie convention-goer that I am, it’s perfect.

Here’s a very brief overview of some of the panels I attended, just in case you were wondering about what goes on at event like this. I’m not including all panels or kaffeklatsches, or even mentioning readings; this is more of a taster. And by the way, sometimes the best things are the ones you least expect. The pirate panel was a personal favorite! So find a convention near you, and maybe take a chance on something unexpected. It’s worth it.

(Also, next year’s Guest of Honor is Brandon Sanderson, so if my rambling notes don’t entice you to take a look at Boskone, maybe that will!)

*The following information is a summary of notes I took during panels. They represent only a portion of what was shared by panelists, and are subject to my own interpretation while writing them down at the event.*

Friday:

Things I wish a pro had told me

Peader Ó Guillin, Walter Jon Williams, Christopher Golden, Charles Stross

Writing a first draft is like walking a tightrope. If you stop halfway to look back, you’ll get frozen with fear.

Writing a full-length novel is like marriage or a relationship – initially there’s that first flush of love, but then eventually you have to settle into the relationship to figure out where it is going. Also, you have to find a way to make the non-exciting bits exciting to write; if you’re not excited to write them, no one will be excited to read them.

After the 1st book, books often sell on outline and first chapters. Sometimes the sale takes so long you’ve cooled on the idea and have to recover the spark.

Kaffeeklatsche with Neil Clarke

Clarkesworld believes very firmly in open slush submission. They have only commissioned stories on rare occasions, for anniversary editions, and even then from regular contributors. The magazine does have ‘regulars’, but they submit through the slush pile like everyone else.

The magazine has gained an industry rep for publishing things that push the boundaries in style and subject matter. Magazines tend to be more cutting edge; they can afford to take a risk on a story. A novel can’t. If one story gets bad feedback, it quickly gets buried/forgotten by the next issue. A novel that tanks can seriously hurt the publisher.

Both magazines and writers need to treat writing as business. They need to be able to thrive, not survive.

Saturday:

Young Love and First Kiss Fiction

Darlene Marshall, Esther Friesner, Django Wexler, James Patrick Kelly, Michael Stearns

Why does first love endure so much in fiction?

A lot of these books are a roadmap. When you’re a preteen or teen, the grown-up world is all around you but you don’t necessarily understand it, or how to get from point A to point B.

First love/kiss is a naturally dramatic device you can include in a plot. Having that first love/kiss brings an intensity that adult fiction doesn’t allow. Part of the attraction for adults reading YA is recapturing the feeling that anything is possible. That life is a fresh page. These novels bring this freshness; romance without the emotional baggage of failed relationships and a divorce.

But there are differences between young protagonists written for adults (Ender’s Game) and for teens: intensity of feeling. And YA doesn’t need a happy ending, but it does need a dramatic ending.

Branding and Social Media

Jeanne Cavelos, Melanie Meadors, Jordan Hamessley, Laurie Mann, Wesley Chu

The main thing about social media is it can’t just be about you. Social media is there to build community. Fans want to know they have something in common with you.

What are you offering that’s distinct and unique? That’s your brand. As an author, you want to prove yourself an expert: on yourself, on your field… Focus on yourself as a piece of a bigger picture and where you fit in. Create a professional persona for yourself. What you tweet or share on social media is only a fraction of who you are, but it’s your persona. What makes you distinct will attract people.

Sell yourself, don’t sell your books. Nothing turns off readers and buyers more than ‘buy my book’. If someone likes what you have to say, they’ll gravitate toward your book.

Talking about writing is interesting, and other writers will follow you for that, but you want readers to follow you, too. Find other things to talk about to build connections.

Tailor your social media accounts. You don’t have to feel that every platform needs you in every way. Pick the one(s) that feels best for you. Don’t do what you don’t want to do. For instance, don’t blog if it’s not your thing. Do what you’re good at. Only have accounts where you’re active. And it’s also important to know where your target audience hangs out.

Part of branding is creating a consistent look and feel across all your platforms. Publishers will give you your font, your art, etc. to use across your platforms, and you can use that to make postcards, bookmarks etc.

Be careful with negativity. Have the discourse – it’s important – but be aware. And really own it, if you’re going to be mad about something or someone. Anything that happens on the internet lasts a long time. You don’t know who you’re going to be working with down the line. Be careful with your opinions. You never know what’s going to go viral. Something you think everyone will like gets ignored, and then a throwaway statement you don’t necessarily want repeated goes viral.

It’s a Pirate’s Life for Me

Edie Stern, Leigh Perry, Darlene Marshall

People have always been fascinated by pirates. Transgression. Also, people who left merchant ships for pirate ships were stepping up in life. Pirates ate better, were paid better, and got disability pay. Also, they had a democracy of sorts. They often voted on who would be captain. Crews were integrated.

Life expectancy on merchant ships was horrible. To free room for cargo, living quarters were cramped, and food and supplies (for bad weather, for instance) were cut back on. There were rarely doctors aboard. A sailor who became disabled was simply abandoned on shore. So pirate life was much better.

People more likely to be taken captive by pirates: carpenters and surgeons.

The difference between pirate and privateer was a piece of paper*. Privateers were legitimate, pirates were not. Privateers had been given permission by a government to operate, often functioning as a navy of sorts. There are two sides to the coin: pirate/patriot. It all depends on who’s doing the name-calling.

* The ‘Issuance of Letters of Marque and Reprisal’ was something a legitimate government could do at the time.

Robert Louis Stevenson invented a lot of the pirate myths and tropes that still endure. In real life, there was no walking the plank, and one-handed pirates didn’t have hooks, just wooden replacements. The tattoos, however, were real and used for identification. The gold jewelry was real too, a way of carrying your wealth with you so that if you died you had enough on you for a decent burial.

The worst insult in the Royal and early American navy was to call someone a marine. The original marines were in charge of onboard discipline so sailors hated them. They were the officers’ line of defense, so this antipathy was encouraged by the officers to keep the marines from siding with the sailors against them.

Why the parrot? A good-sized parrot on your shoulder gave you height leverage. A well-trained parrot could see above a crowd and give you advance warning of enemies.

Fight vs. Flight

Wesley Chu, Flourish Klink, Errick Nunnally, Tom Easton.

“An action scene is a conversation with fists” (Wesley Chu). At the end of the day, the scene should have a result, a character placement, an impact on the characters. In movies, fights are often fillers. Fillers don’t work in writing. So when writing a scene you want to think about what it leads to – the result, where the characters are, what they’re feeling.

Writing: you’re either looking at the scene broadly or going for the close look and details. Only get into the specifics if you know what you’re talking about. Long, detailed fight scenes are extraordinarily boring. Unless you’re using it to show damage, mental fatigue, etc. it’s just filler.

Things happen a lot faster in fight than you think, and are over a lot faster too. And then you have to think about cost of combat: when there is contact between two things there is damage.

Don’t underestimate flight. Indiana Jones, for instant, is a character who doesn’t mind turning and running. A lot of great characters aren’t fighters. Dick Francis’ characters are often on the receiving end, not the dealing out end.

However, the flight option can be tricky when writing female protagonists. Because even though it’s the logical option, even for a trained fighter, since women are often outside their weight class, it can send the wrong message in fiction. But the truth is, even for the trained fighter, aggression and size will win over skill anytime. In real life, any woman knows that the first thing is to run the heck away.

Knife fights: The thing about knife fights/disarms is that you’re going to get cut. In real life, when you look at emergency rooms, you’re going to see that people with knife injuries die a lot. “A knife fight is not a casual thing under any circumstance” (Flourish Klink). People underestimate knives in fantasy.

Likewise, sword fights are short, unless you’re well-armored. But is realism the best thing for entertainment? Probably not. No one is going to complain about embellishment. However, fear of death should be a key motivator. Think about tunnel vision in combat. There’s a huge difference between a controlled environment like a lesson, and something that’s actually happening.

You also have to consider your setting. How does the cold affect your weapons? Or being punched? How does having wet clothes affect your movement?

If there’s no tension, it’s not action, it’s just movement. A definition of an action scene is that there must be tension.

Sunday:

Dealing with Rejection

James Patrick Kelly, Barry Goldblatt, Bob Kuhn, Kenneth Schneyer, Darlene Marshall.

The rejection is not you, personally. If the same kind of rejection is coming over and over again, it might be time to have a good hard look at your submission. But don’t hate yourself, or the rejection.

Make a submission list. If you get a rejection, send it right back out to the next on the list. Don’t let a story sit and gather self-doubt.

“Do your due diligence before you start sending things out” (Darlene Marshall). Research what people want before submitting. Sometimes what you’ve got is really good. It’s fine the way it is. But it may not fit the current market. So you have to understand yourself AND you have to understand the market.

“When you swim in the sea of rejection, just let it roll off your back” (Jim Kelly)

Why Anthologies?

Bob Devney, Tom Easton, Esther Friesner, Leigh Perry, Erin Underwood. 

Anthology comes from the Greek for a collection of flowers, a garland. For a long time it meant a poetry collection.

Anthologies all pay in different ways. Sometimes it’s a flat fee. Sometimes it’s an advance and royalties.

Anthologies keep short fiction alive. Short stories do a job of invigorating fiction as a whole.

Story placement: the importance of a strong leading story, a strong finale, and a strong middle. If the last story can be a wrap-up one that embodies what the anthology was about, even better. Also, don’t follow a banjo act with another banjo act. Space out similar style or genre stories. There has to be a flow between stories, or else readers who read in order will complain it feels choppy.

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