Summer 2020 Updates

I’m back after a long summer hiatus. I also took a much-needed Twitter break, only dipping in every few days for a peek. Sometimes, taking a step away from some of the things that make our life busy (however much we may enjoy them) is a breath of fresh air!

So, what have I been up to since my last update post?

First of all, as you may have noticed, I have a new website banner. The gorgeous artwork is by the talented Olívia Guidotti ­— she takes all sorts of commissions (portraits, original artwork, etc.) and can be contacted via her Instagram page. I figured my site was overdue for a new look, and nothing better than Olívia’s fun art style to show a little of who I am and what I write.

Art by Olívia

In writing news, I have a short story out called The Sugar Cane Sea. The fabulous full color special edition of the NOT ALL MONSTERS anthology (Strangehouse Books, edited by Sara Tantlinger) came out in April, and the general release edition on Amazon comes out in October. This collection of stories by ‘Women of Horror’ is so good! And it includes gorgeous artwork by Don Noble.

There’s more anthology news! The wonderful women from the SFFChronicles.com forum who banded together to bring you DISTAFF in 2019 are back. Our latest project is the fantasy anthology FEMMES FAE-TALES, with a tentative release date of February 2021. I can’t wait to share my own story, Taste of Honey, about a woman who seeks peace and refuge in the hills of northwestern Connecticut from the mess that is her personal life, but finds something dark and addictive instead. Keep an eye out for upcoming artwork, TOC, and author bios at DISTAFFanthology.wordpress.com.

As for longer work, I’ve stepped away from YA for a bit. I spent nearly a year working and reworking a YA novel that kept going in all the wrong directions. I decided to take a break and fell into an adult urban fantasy novel that I’m having all kinds of fun with. This is my first time writing a full-length novel NOT aimed at teens, and honestly, it’s been refreshing. I’m about halfway through the first draft, and really excited about it.

Outlining and plot wrangling, with puppy photobomb

The COVID-19 lockdown with all its social distancing rules has been an interesting time. No more in-person meet-ups… On the other hand, the sheer number of offerings of online events has been almost overwhelming. For writers, there have been craft webinars, author interviews, panels, readings, book launches, and everything else under the sun. A couple of highlights among the events I’ve attended have been a great conversation between Victoria Schwab and Neil Gaiman, brought by Tor, and the all-day reCONvene convention, offered by the lovely folks of NESFA who run Boskone every year.

On a personal note, we’ve now been in the USA for seven years! It’s gone by so fast… Of course we miss our friends and family back in Brazil, and São Paulo is and will always be home for us. But we love our life in green and leafy Connecticut, and this is the country that saw all of my writing milestones take place: first story publications, first novels, first event panels, and so on. They say that the number seven marks the end of first infancy, and the start of the next period of personal growth, and I hope to see that reflected in my work, and in our lives here in general!

I know these past months haven’t been easy, and that a lot of us have been finding that our creativity took a hit, especially in the first weeks after the pandemic went global. So here’s to a positive second semester for 2020: wishing you all the brightest of creative sparks, and the energy and time to follow your star.

A Space of My Own

My mother gave me an inspirational present, many years ago, when I was in my early twenties. The title is A Room of Her Own, by Chris Casson Madden, and it’s one of those coffee table style books full of lovely photos. It contains offices, workshops, relaxation spaces, and others, belonging to wide variety of women: designers, artists, poets, TV presenters, etc. 

For years I told myself that one day I would write. I had a daydream — the perfect office, the sort of lovely sanctuary that belonged in the pages of that coffee-table compilation. Time passed, and eventually I did dust off the writing dream. But by then I had kids, a husband, and a busy home life. The space and means (and time!) to indulge in a room of my own was not something that fitted in with my reality.

Since we bought this house in 2014, my writing office has been the kitchen table. I happen to like working at the center of things (I did try a desk in the bedroom, but it felt too isolated), so I didn’t mind the lack of my own room to work in, but I did find I missed having a space in the house that was just mine. After some research, and a lot of furniture shifting, we acquired a second-hand secretary-style desk with plenty of drawers and shelf space for my bits and pieces and my project folders, and found a corner of the kitchen for it, right next to my small indoor jungle of potted plants. I added some cork board to the inside of the doors for pinning things, and done! My space was born.

Now with twinkle lights!

I love seeing writer friends post photos of their offices. And I thoroughly enjoy those pictures of famous authors behind their desks, sunlight streaming over full bookcases, with maybe a worn but comfy armchair in the corner and a couple of cats. (Yes, you all know the sort of photo I’m talking about!) But the truth is, most of us don’t have a spare room to lay claim to and call our own.

That doesn’t mean, however, that you can’t carve out a little bit of your home for yourself. Perhaps it’s a desk in a corner of the living room, like the one belonging to Northern Irish sci fi and fantasy author Jo Zebedee. A repurposed coat cupboard, a corner under the stairs, a desk that does double-duty as a bedside table — the possibilities are endless. If you’re really pressed for space, how about a rolling cart that can hold folders, notebooks, and a laptop, and move to wherever you’re sitting at the time? I spent months looking for ideas on Pinterest before I figured out a solution that worked for me (here are some of the ideas I found), and believe me, there are a lot of creative options out there.

Jo Zebedee and her new writing desk (photo from Jo)

My little secretary desk might not seem like much, but it’s all mine. When I sit there, I feel like I’m in one of those magazine spread offices, comfy armchair and cats and all. It might look like just a piece of furniture, but to me, it’s an entire state of mind. So pick your spot and create a space for yourself. Go on. You deserve it.

Diversify and Conquer

New things, new places, fresh inspiration. Photo by Alissa Mills.

Writing slumps — we’ve all had them. Times (days, months, years) where the words dry up and the joy sparks out. If the love for writing is still there, however, burning bright under the keyboard dust, then maybe all you need is a gentle push to get things flowing again.

Perhaps you’ve already tried all the tricks you can think of — long walks, browsing Pinterest, making playlists, writing to prompts, brainstorming with a friend… If so, why not take a chance and diversify your work to jumpstart the creative process?

Write poems, if prose is your thing. If you’re a novelist at heart, write a children’s picture book. Try an adult short story, if YA is your raison d’être. Write romantic flash fiction if you’re a hard science fiction author. Challenge yourself to come up with a haiku every morning for a week. You get the idea. 

You don’t have to show your efforts to anyone. You don’t even have to be good at it (though you may surprise yourself). But you do have to give it your best shot. Focusing on a different genre, format, or style will help break your brain out of its holding pattern (hopefully, and not just break your brain!) and set the words free. Then you can return to your preferences, creativity once again on the loose. 

A lot of writers do this; they publish picture books and YA, or YA and adult. They have novels and short stories, poems and prose. A middle grade sci fi novel simmers on the back burner while a fantasy novella is revised. A non-fiction think piece sits side-by-side with intricate fictional worlds. Authors alternate, or switch between projects, taking breaks and returning replenished to stalled work.

I’ve been stuck on the same YA story for a while now. I love it, but I haven’t found the right approach for it yet. I decided to take a good long break and set it aside until I’m ready. Instead, since April, I’ve reworked a short story as a poem, written two picture books (something I didn’t believe I could do!), and started my first adult novel. It’s been a good couple of months, overall. I won’t say that I’ve become an unquenchable well of creativity and energy — I still have slow days — but it’s helping. I’m writing again, and that’s enough for now.

I can’t promise this will work for you, but why not give it a try? At the very least, it’ll be a fun writing exercise. And who knows, you may even discover a love for something you would never have attempted otherwise.

LGBTQ Books by Black Authors

HAPPY PRIDE MONTH!

I am absolutely in awe of all the wonderful people out there right now, who are protesting, fundraising, debating, blogging, sharing on social media, and generally doing their part to help the world move forward as a better, more equal place to live. In support, and because this is, after all, Pride Month, I’ve gathered a few links to LGBTQ books by Black authors.

Note: I wanted to highlight some of the websites, people, and organizations already doing this work, instead of writing up my own list. This means I have not yet read many of these books — though my to-read list is suddenly a LOT longer than it was.

Please support an indie bookstore if you can. Also, many libraries are reopening, even if just for curbside pickup — consider requesting a title if they don’t already have it. And remember, there are many ways to help an author if you are not in a position to buy books, such as sharing book titles and lists with friends or on social media. Happy reading!

Black Children’s Books and Authors

12 YA Books by Black Authors

Although these are all fiction titles, this recent article includes a link to an interview by activist and author George M. Johnson about his non-fiction YA debut.

YA Pride

16 LGBTQIAP+ Books by Black Authors

An older post, written for Black History Month 2019, with a good mix of contemporary and speculative fiction.

LGBTQ Reads

Black History Month 2020

A comprehensive list of websites, fiction, graphic novels, poetry, and memoirs. Fiction is divided by age category, with middle grade, YA, and NA/adult suggestions, including a speculative fiction selection.

We Need Diverse Books

Resources for Race, Equity, Anti-Racism, and Inclusion

A resource list that includes book recommendations and Black-owned bookstores. And while you’re there, check out their blog posts and other website sections.

Also, don’t miss this Facebook event TONIGHT! JUNE 4TH 2020

The Brown Bookshelf 

Kidlit Rally for Black Lives

This one isn’t LGBTQ in theme, but if you have time, drop by @thebrownbookshelf on Facebook Live TONIGHT as Black authors and publishers come together in an online event.

Image from The Brown Bookshelf

Have Book, Will Read #23

It’s been way too long since my last reading roundup; at the time we were just heading into winter here in the Northeast. Now, thankfully, the cold weather has given way to a glorious New England spring. Our garden is a riot of wild violets and dandelions, and the sound of birds, chipmunks, and other backyard beasties forms the perfect soundtrack for a bit of reading. Here are some of the books that made it off my to-read list lately…

Recent Reads: Magic in the air!

I’d had my eye on Leigh Bardugo’s Ninth House for a while, and managed to check it out from my town library just before lockdown kicked in. (Lucky me!) This was a departure for Bardugo, stepping away from both YA and her meticulously constructed Grishaverse. The world of Ninth House is, however, just as detailed and beautifully constructed as her fantasy universe, and this richly immersive tale is a dark feast for the senses.

Set in Yale University, in New Haven, just an hour away from my house, Ninth House dips into a hidden world of secret societies, creating an entire magical network of scholars and alumni who operate among the regular students, faculty, and the ordinary citizens of New Haven. The story winds back and forth in time, bringing us morally ambiguous magical ceremonies, sacrifice, and murder, casting shadows that hint at a much bigger tale yet to unfold. 

Imaginary Numbers is the latest installment in Seanan McGuire’s InCryptid series, and the first told by Sarah Zellaby. McGuire’s InCryptid takes a different approach to most urban fantasy series, changing point of view every couple of books. We’ve heard from all three of the Price siblings so far — Verity, Alex, and Antimony — and now it’s time for their cousin Sarah.

Sarah is a cuckoo; a telepathic humanoid creature that evolved from a wasp-like ancestor. Cuckoos may look like humans, but are in fact inhuman predators. In addition, Sarah shares the telling of the tale with her sort-of cousin Artie, who is part incubus, making for an interesting departure from the very human Price narration. This was a gripping story, and a nice addition to the series despite (noooo!) ending on a cliffhanger. And as a bonus (or a balm for the cliffhanger-wounded), readers also get a road trip novella that takes place between the previous book and this one.

Molly Ostertag’s Witch Boy graphic novel series is popular among the teens and preteens who frequent my local library, where I work. Earlier this year, I decided to see what the fuss was about. I tore through all three books in a day and have to agree with the multiple check-outs the series has received in our town. This is a really solid middle grade/lower YA collection.

The Witch Boy, and the sequels The Hidden Witch and The Midwinter Witch, tell the tale of Aster, whose family is part of a magical society where boys become shapeshifters and girls become witches. But Aster has no affinity with shapeshifting; he’d rather be a witch instead, even if it means challenging the status quo. Known for her webcomic Strong Female Protagonist, Ostertag has dealt beautifully with themes of identity and gender roles in The Witch Boy, which has a diverse cast of characters and a great plot.

Now Reading: To the stars and beyond.

I’ve just started the second book in Brandon Sanderson’s Skyward YA series. The first book, Skyward, was a fast-paced delight, with a nice balance between dark and light and a great twisty ending. Skyward tells the tale of Spensa, who lives on a besieged world that humans crash-landed upon three generations back, and dreams of becoming a pilot and redeeming her father’s ruined legacy. The sequel, Starsight, promises to be just as wonderful, as Spensa leads upward and onward her people to reclaim the stars.

To Read: Werewolves and superpowers.

I’ve had Dana Cameron’s Fangborn series on my to-read list for a while, and this feels like the perfect moment to dip into an urban fantasy book or three. The first in the series about werewolf archeologist Zoe Miller is Seven Kinds of Hell, and it’s all loaded up on my Kindle and ready to go.

Ikenga , Nnedi Okorafor’s first middle grade novel, comes out in August, but I have an ARC sitting on my bookshelf just begging for some attention. I thoroughly enjoyed her Akata series, and am looking forward to this one. Magically gifted superpowers against a backdrop of vengeance? Yes, please.

10 Do’s and Don’ts for Writers in Lockdown

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Next week marks two months of staying at home for my family. While governments everywhere are beginning the slow process of reopening in a safe and viable manner, it’s pretty clear that the coronavirus pandemic is far from being resolved, and social distancing is here for the foreseeable future.

In some ways, time has flown by. In others, it has dragged on interminably. All of us have been forced to dig within and find balance, charting the things that make our new realities bearable. For writers and other creatives, there’s that added pressure of social media reminding us to take advantage of lockdown to, you know, create. But, as many of us are finding, it’s Not Quite That Simple.

Here’s a Top 10 of my personal do’s and don’ts as a writer in lockdown. (Emphasis on personal!)

1. DON’T read any of those posts. You know the ones. SHAKESPEARE WROTE KING LEAR DURING THE PLAGUE. Yeah, those ones. Between the general uncertainty, the incessant news updates, and the overall (very real) sense of fear, many of us are finding it hard to spark our creativity right now. Be kind to yourself. It’s perfectly fine to store ideas in your head (or a handy notebook) for now and wait until the world settles a little around you.

2. DO get a change of perspective every now and then. I’m lucky enough to live in a quiet suburban neighborhood where I can safely walk the dog AND social distance. Those moments spent outside the house help me reorder my brain. If you can’t go out, try using an unusual space instead. Sit on the stairs. Lie on the bathroom floor. Stand inside a closet in the dark for five minutes.

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3. DON’T feel pressured to ‘use your time at home in an educational manner’. Sure, there are a ton of amazing webinars and author talks aimed at writers right now, many of them graciously offered free of charge. If your mind is in that place, go for it! My mind… is not. Every now and then I feel a stab of guilt when I see some cool online event advertised. But I ruthlessly squash it down. The only new skill anyone has picked up around here lately is the dog, who learnt how to roll over. And I’m fine with that!

4. DO take some time to have fun with your imaginary worlds. Just because you’re not necessarily writing doesn’t mean you can’t let your mind soar! Create a color palette. Build an aesthetic board on Pinterest. Curate a playlist for your favorite characters or bake them a cake. Be playful.

5. DON’T judge yourself by anyone else’s standards. Don’t judge yourself by anyone else’s standards. Don’t judge yourself by anyone else’s standards. If you need to fall apart sometimes and scream into a pillow, go do it. If you need to lock your family out and hide in the bedroom for a while, go do it. Find your own coping mechanisms. If those include writing — a work-in-progress or a diary or a prompt or two — that’s fine and great, but if not, don’t feel like you should be writing just because other people are channeling their fear and frustration that way. Seriously. Don’t judge yourself by anyone else’s standards.

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Me as a Tarot cat screaming into the void

6. DO find analogies for creativity that anchor you in this difficult moment. For me, it’s plants. I’ve been expanding and repotting my small indoor jungle — I’m not much of a gardener, but container plants, I can handle. Watching my beauties grow reminds me that words, like plants, have periods of plenty and periods of rest. Yes, sometimes we do have to force ourselves to push through a block or a slow patch, but at other times it’s all right to let our work grow, well, organically.

7. DON’T feel obligated to connect. Yes, a lot of writers are moving online to get together as a community. We’ve all had to learn to use Zoom or Google Meets, among other tools. But that doesn’t mean you have to like it. Join an online meet if you want, but if it’s not for you, don’t feel pressured by social media posts or the latest Microsoft ad to jump on the meet-up bandwagon. A simple email or Facebook message to friends to let them know that you’re okay works, too. Or go old-school and send a card or a surprise treat.

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A lovely surprise from a friend!

8. DO seize the moment to break your own writing rules. The work-in-progress not doing it for you right now? Try something completely different. Pen some haikus. Dabble in fan fiction. Re-imagine your latest draft as scenes from a Regency romance. Pick the most absurd writing prompt you can find on the internet and go for it, purely for your own enjoyment!

9. DON’T forget to feed your writing brain. Put aside all your carefully crafted to-read or to-watch lists. Choose what you need right now, in this moment. Maybe it’s the comfort of reconnecting with a favorite book. Or the challenge of tackling a genre you usually ignore. Perhaps it’s the pleasure of watching the opening scenes of a dozen Netflix shows until you find one that lights you up inside. And again, don’t let anyone guilt you from enjoying what you want to be reading or watching.

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10. DO take a break from life every now and then to create moments of mindfulness. We all need some inner peace right now! Light a candle and meditate. Collect stones on your walks and write yourself reminders. Pray a rosary. Do divination with crystals. Stand barefoot on the grass and breathe. Make dandelion wishes. Anything goes!

Con Round-Up Part II: BOSKONE

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Life has been weird ever since COVID-19 went global. The past few weeks have been simultaneously dragonfly-quick and slow as a New England winter. One day drags by while the next is gone in a blink, and time, for me at least, has become a fickle capricious thing, heavy as stone yet as hard to hold onto as a handful of fine, dry sand.

That being so, I suddenly realized it’s been a month and a half since over a thousand sci fi, fantasy, and horror fans gathered for Boskone 57, and I’m long overdue a con round-up!

Boskone 57 was once again held at the Westin Waterfront in Boston on President’s Day weekend. For once I had no program items I was scheduled for on Friday, so I was able to drive in and settle down, catching up with friends and getting in the mood for my Saturday panels.

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With con buddies and Boskone regulars Shecky and Clarence Young (the photo is Clarence’s)

On Friday I only watched a couple of program items. One was the interview with Holly Black, Boskone’s YA Guest of Honor. This brought a fun insight into Holly’s work and creative process, as well as a chance for a sneak peek at some of her upcoming projects.

I also caught the Fashion in Fantasy Worlds panel, with Janice Gelb, Melissa Caruso, Zig Zag Claybourne, Nightwing Whitehead, and Sarah Morrison. My main takeaway from the panel was that fashion in novels is about the flavor, not the details; it’s about how the character feels in the clothes they wear, and not necessarily the clothes themselves.

Saturday morning dawned bright and sunny, and I was more than ready to go by the time programming started at 10am. I always like to sign up for a kaffeeklatsch if possible, and this year I was lucky enough to have the chance to sit down with the wonderful Charlaine Harris, who confessed that “I write because I get bored!”

Next up was Blood-Curdling Science Fiction, with Errick Nunnally moderating, and Julie C. Day, Nicholas Kauffmann, Darrell Schweitzer, and myself as panelists. We were supposed to be discussing the line between horror and sci fi, and since I write (and read) mostly fantasy, I wasn’t entirely sure what to expect. But the conversation ended up being great, and I had a really good time. Our takeaway? That horror is a matter of feeling, and mashes well with any genre. Oh, and that science is creepy!

photo by Dana Cameron
Blood-Curdling Sci Fi panel (photo credit Dana Cameron)

I had a quick lunch and then went to Holly Black’s reading at 1pm — another thing I always like to do at Boskone is fit in a reading or two, if possible, as I really enjoy hearing stories in the author’s voice.

Afterwards, it was time for a panel on Editing from Agent, to Editor, to Publisher, with Joshua Bilmes, Beth Meacham, John Kessel, and James D. Macdonald, moderated by Melanie Meadors. Some of my notes on this panel include:

  • Polish your work as much as you can before sending it to beta readers (John and James) BUT don’t over-edit, as earlier drafts can have a raw intensity that can get lost in the polishing process (Beth).
  • “When a manuscript is accepted by the publisher, that’s when we like to say the real work begins” (Beth).
  • Remember that your editor is not supposed to be your uncredited co-author! Be prepared to do the work (James).
  • Revision letters: recognize that your feelings are going to be hurt (Beth). Give yourself time to absorb editorial critiques before reacting to them.

Later in the afternoon, I headed down to the New England Horror Writers Meet Up, hosted by Jack Haringa. I was delighted to find that I wasn’t the only ‘accidental horror’ writer around, and that lots of us tend to tread the line between horror and other genres, occasionally tipping one way or the other. For more information on this group, look up http://nehw.blogspot.com.

I had two more items on my schedule for the day, and I was in both of them! The first was a panel I was moderating, Books That Get Kids Reading, with Michael Stearns (who writes as Carter Roy), Julia Rios, and Trisha Wooldridge. Not a lot of people showed up to watch, unfortunately (the 6pm dinner slot is a tough one!), but we still had a great time exchanging book and graphic novel recommendations for kids and teens. Our panel was unanimous in several things, including our love for diverse books and our admiration for Carlos Hernandez’ Sal and Gabi Break the Universe (as well as for his publisher, Rick Riordan Presents).

To finish up the evening in style, I once again took part in the Broad Universe Rapid Fire Reading, where members of BU each had a six-minute slot to showcase their work. I love this reading format, which is like a literary taster menu of voice, style, and genre. For my turn, I chose an excerpt from my short story The Sugar Cane Sea, which comes out later this year in the Not All Monsters anthology by Strangehouse Books.

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With Dana Cameron after the Law & Justice panel (thanks to Dana for the photo)

On Sunday I caught one last panel, Law & Justice in Speculative Fiction, with Leigh Perry, Kenneth Schneyer, Bracken MacLeod, and Diana Rowland. The panelists discussed how concepts of law and justice work — or not! — in fictional worlds, and what were some of the common traps that writers fall into, as well as pointing out a dearth of restorative justice in fictional worlds.

After this, it was time to pack up and return to real life. Boskone was, as always, full of wonderful conversations and inspiring panels and presentations — I was sad to take off my con badge, but it’s always exciting to get home and apply that creative boost to my own writing. And of course, to start the countdown to Boskone 58!

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View from my room

Check out my Con Round-Up Part I: SCBWI NYC

Con Round-Up Part I: SCBWI NYC

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On February 6th, I headed down to New York City for the 21st SCBWI Winter Conference — one of two national events organized by the Society of Children’s Book Writers and Illustrators. It had been a while since I’d been to the national conference — since 2014 to be precise — and I was looking forward to seeing the changes.

I arrived early, as the New England team (including myself and my regional conference co-director Casey Robinson) had a meeting on Friday morning. Business attended to, I escaped for a couple of hours to meet a friend from Brazil for a visit to the Met. Oh, important detail: my friend is a tour guide, so I had an amazing personalized glimpse at the museum’s permanent collection. If you’ve never been to the Met before, I thoroughly recommend this ‘taster’ version, where you get to sample a little from several different rooms and wings. After a post-museum lunch, it was time to head back to the hotel and relax with friends before getting ready for the Golden Kite Awards at night.

Watching the awards ceremony on Friday evening was definitely one of my personal highlights (and not just because of the strawberries and champagne reception!). Besides opening words from Kwame Alexander, who reminded us that “in the end, we answer for the children, to the children”, and James Patterson, who urged the gatekeepers in the room not to get in the way of kids reading for pleasure, we heard moving acceptance speeches from the award recipients, challenging us all to strive for more in our own work. Find a full list of the Golden Kite awards at: https://www.scbwi.org/announcing-the-golden-kite-and-sid-fleischman-winners/

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NESCBWI team members with the wonderful Debbie Ridpath Ohi (photo credit goes to Debbie)

Saturday began with a great keynote by author Kate Messner, centering on wonder and curiosity, and setting the tone nicely for the conference. This was followed by two workshop intensives that took place throughout the day. My first was on writing genre fiction, with Tor editor Melissa Frain. We talked through the challenges of worldbuilding and the subsequent perils of info-dumping, and then she walked us through an interesting first pages exercise.

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Kate Messner’s ‘Curiosity License’

I was particularly inspired by my afternoon intensive with agent Chelsea Eberly, who talked us through identifying our author brand. She broke this down into a number of key aspects, among which were to root our work in authenticity (what makes you YOU?) and to identify and focus on our strengths (where do you shine?).

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Workshop notes…

The day’s programming concluded with a heartwarming keynote address by Jerry Pinkney, who talked us through his journey as an artist, starting from his earliest place of inspiration: his father’s basement workshop. Later, the evening centered around the traditional networking dinner, with regional tables set up so attendees could meet and mingle with others from their area, if they so desired. I lingered a while afterwards, chatting to friends (old and new!), but soon called it a night.

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Part of our fantastic NESCBWI regional team! (photo credit Kristine Asselin)

Sunday brought my last intensive session, with Harper Collins editor Tiara Kittrell. Tiara talked us through the key elements of a variety of genres, and shared tips on how to successfully blur the lines between them to create fresh ways to tell stories. I had to leave straight after, and was sorry to miss what I’ve heard was a wonderful final keynote with author Derrick Barnes, but I still carried home a head and notebook full of new ideas and inspiration to fuel my writing work. All in all, it was a fantastic, exhausting, amazing weekend, and I’m glad I decided to return to the New York conference after such a long break!

NYC SCBWI and Boskone 57 Schedule

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Con bags at the ready…

It’s February tomorrow, and February brings ALL THE CONS. Or, well, two at least.

I’ll be in NYC next weekend for the SCBWI Winter Conference, which runs from February 7-9. I’m not part of any official programming, but will be wearing my ‘NESCBWI Regional Conference Co-Director’ hat (not literally. I own no fancy conference hats, alas), so come and find me if you want to talk about all things books, writing, and kid lit, or just to hang out and have a cup of tea in the hotel lobby. Hit me up on Twitter! @jspinkmills

From February 14-16 I’ll be in Boston for my yearly pilgrimage to Boskone. I’ll be on three program items, which leaves me plenty of time to catch up with people and make new friends. Planning to go to Boskone for the first time? Already a regular but we haven’t met yet? Come and find me — let’s chat!

Besides hanging around the lobby bar or attending other people’s panels, here’s where you can find me at Boskone:

Blood-Curdling Science Fiction

15 Feb 2020, Saturday 11:00 – 11:50, Marina 2

Where does the thin (red) line between science fiction and horror lie? Why does science fiction horror fascinate us so much? What is it about horror in SF that is so absolutely terrifying? What examples do we have of science fiction that will make your blood run cold? And is it getting harder to make SF fiction that is truly scary?

Errick Nunnally (Moderator), Juliana Spink Mills, Julie C. Day, Nicholas Kaufmann, Darrell Schweitzer

Books That Get Kids Reading!

15 Feb 2020, Saturday 18:00 – 18:50, Harbor II

Hundreds of new children’s books are published every year. Yet recommended reading lists still include the same old children’s classics, with only a few new titles. Our panelists share some of their favorite new children’s books and authors from recent years that should be added to the lists.

Juliana Spink Mills (Moderator), Michael Stearns (Upstart Crow Literary), Julia Rios, Adi Rule, Trisha J. Wooldridge

Broad Universe Group Reading

15 Feb 2020, Saturday 20:00 – 21:20, Griffin

Join members of Broad Universe — a nonprofit association dedicated to supporting, encouraging, and promoting female authors of science fiction, fantasy, and horror — as they read tidbits of works and works in progress. Readers will include LJ Cohen, Marianna Martin, Roberta Rogow, Juliana Spink Mills, and Trisha J. Wooldridge. Moderated by Elaine Isaak.

Finding YOUR Story

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More essence than solid shape…

I’m stuck at the moment on a passion project. I have other things I could be — should be — working on. Like revising the YA novel I wrote over a year ago. Or finally getting around to finishing Star Blade, the last part of my Blade Hunt Chronicles trilogy. But over and over, I find myself drawn back to the fantasy work-in-progress I’ve been obsessing over for the past year or so.

Sometimes, stories arrive clear-cut and blazingly obvious. We can see where we have to go and how to get there, and the characters are set from the start. There will be ups and downs in the writing — there always are — but these are stories that almost lead us by the hand. They’ll need revisions, and edits, and sometimes a full rewrite or two, but their general structure is there from the very beginning.

Other times, there are stories that are nebulous. More gut feeling than sign-posted path. More essence than solid shape. We want — need — to tell them, but it’s hard when we don’t know exactly what form the telling should take. This is one of those stories. I can almost see it, but not quite. It’s been through a full draft and a partial rewrite, besides a one-chapter experiment that just didn’t work at all. Each of these ‘takes’ has been different, with only the bare bones of worldbuilding and characters in common. And now I have an idea for an entirely new version. Part of me thinks that I’m chasing moonbeams, and that this story either isn’t really mine, or that I’m not yet ready for it. But the rest of me just can’t let it go.

I think all writers have a story like this in their past, or perhaps waiting for them to stumble upon it in the future. One that grabs us by the heart and whisper-screams ‘look at me’, that teases and begs and demands to be told. One that just won’t go down easy on the page until we’ve ripped it to pieces to find exactly what part of it is actually ours to claim. This one, this frustrating, enticing, beautiful little tale? I’ll get it written, eventually. I just need to allow myself time, I think, to dig through all the images and ideas and find my story.