It’s hard to avoid mentioning horses (or ponies, pack mules, etc.) if you write certain genres. These four-legged beauties are everywhere, leading the charge in a martial battle scene, galloping across the page in those sweeping epic fantasies, or slowing to a gentle walk to allow the romantic pair to gaze longingly into each other’s eyes.
So far, I’ve managed to get away with not writing about horses by setting my novels in the present day or the future. The truth is, I know very little about them, and I’m sure I would make endless mistakes if I had to include horses in my work. But other writers have no choice. If you write – for example – certain types of fantasy, or historical fiction, then you can’t really escape using horses for transportation, at the very least.
How, then, can you make sure you get your equine characters right? I asked fantasy author Kerry Buchanan, one of the owners of Fir Tree Farm Stables in Northern Ireland, to shed some light on the subject…
Photo credit: Fir Tree Farm Stables
Juliana: What horse-related mistake makes you cringe the most in fiction?
Kerry: I think the worst, and commonest, is when the writer has horses galloping all day, or even for days on end. Horses are not capable of keeping up a fast pace for a long time, and even trained endurance horses do the majority of the miles at walk/trot with only some cantering. They’re grazing animals, and need to eat frequently to keep healthy, as well as drinking too.
There are a few stories and films featuring a child and a wild or half-wild horse who inexplicably bond, with the horse allowing the child to ride it bareback, communicating (it seems) by some special telepathy. The Black Stallion film springs to mind, and maybe National Velvet. The reality is that the child would probably get nowhere near the horse in the first place, and if it was rash enough to climb aboard, would probably end up as a trampled patch of strawberry jam in the dirt.
I find it’s often the fine details that irritate me. Someone tries to be clever and Googles the parts of a horse’s tack/harness but doesn’t quite get it right. Perhaps a character hauls on the bridle (instead of the reins) to get the horse to turn or stop when they’re riding it. The same goes for descriptions of horses (green eyes? Seriously?). Sometimes I think the author’s only contact with equines has been through My Little Pony….
Juliana: Name a favorite book or movie that features horses accurately.
Kerry: It’s hard to fault Black Beauty. The story is romanticised, but the details were accurate for the era, and the characters of the horses are just beautiful. I still can’t read it without crying when the cart goes by with Ginger’s body in it. I particularly like the early section where Beauty first gets a bit in his mouth, and the way it feels, but how he is reassured by his trust in the man who trained him. Later in the book, another horse, Captain, describes how it felt to be a horse in battle in the Crimean War. The noise and confusion, plus the absolute trust in his rider, and the panic when he loses his rider, seem well-observed and, as with everything Anna Sewell wrote, beautifully done. It was a landmark book from the first day it was published, and continues to be one of the most respected fiction books featuring horses.
For a more modern example, the Green Rider books by Kristen Britain are really well written from the point of view of equine accuracy. Condor, the principal equine character, has quite a personality, and the books are well worth reading. When Karigan, the inexperienced new Green Rider of the title, tries to push her horse too hard, she has to learn that the poor animal needs recovery time, and the journey can end up being slower than it would have been had she paced him correctly from the beginning. I think a few directors of Westerns could learn something from this!
Juliana: You write a lot of mythology-inspired fiction. Are there any horse myths you particularly like?
Kerry: I love the story of Pegasus and have written a short story featuring the flying horse which will be coming out in an anthology in the near future. His birth was dramatic enough (son of Poseidon, sprung from the body of Medusa when she was killed by Perseus), but his exploits with Bellerophon kept me enthralled as a child, and still do now. Bellerophon captured Pegasus using a golden bridle (a gift from the goddess Athena), and then went on to ride the wonderful creature to victory over the dreaded monster, the Chimaera, which was terrorising the kingdom. Bellerophon and Pegasus had many adventures together, but in the end the heroic Greek over-faced himself by trying to ride Pegasus up to the top of Mount Olympus, home of the gods. Zeus unseated him and he fell, but Pegasus made it all the way and became a constellation of stars in the night sky.
Another horse myth I enjoy is the story of Bucephalus, the war horse of Alexander the Great. Famously, the young Alexander won the horse in a wager with his father. Alexander realised that the horse was terrified of its own shadow, so he simply turned Bucephalus around to face into the sun and successfully climbed aboard, but not before he’d done a deal with his Dad, Philip of Macedonia, to let him keep the horse if he could manage to ride it without being thrown off.
A version of this story is beautifully told in the book, I Am the Great Horse, by Katherine Roberts.
Juliana: Please share some tips for writers planning on including horses in their work.
Kerry: It’s much the same as any other type of research for fiction-writing, really. Don’t just rely on Google or similar to get your facts, as the interweb is not always the most reliable source. Even if you find a trustworthy article, it can be all about the interpretation.
I’d say to write the story any way you like, but then ask someone who really knows about horses and riding to read it for you, to help you clean up any gaffes. If the horse(s) are a key part of the story, it’s probably worth consulting with a knowledgeable horsey person during the writing phase, too. If you want to get it completely right, spend some time around horses, and maybe learn to ride one. You’ll soon get a feel for them, and you never know: maybe you’ll get addicted!
I’m always happy to help, and will read sections for people if asked. I can also lend out a really cute small pony for equine inspiration. She’s no trouble at all and will settle down happily in your home, watching TV with you. No? Okay. Maybe another time….
Juliana: If you could ride any fictional horse, which would you choose?
Kerry: It really has to be Shadowfax, the grey stallion ridden by Gandalf in both book and film of the Lord of the Rings. Even though I’m not usually a great fan of grey horses (you should try getting grass stains out of a grey coat), I’d definitely make an exception for Shadowfax. Of course, we’d have to get rid of Gandalf somewhere along the way, as the two of them seem to be bonded pretty tightly, but I’m sure that once Shadowfax met me, he’d quickly change allegiance.
Failing that, who could resist riding a flying horse? If Athena would only gift me with a magical golden bridle, I’m sure I could do the rest!
Check out Kerry’s website and Facebook page for updates on her writing, and follow her on Twitter @Cavetraveller.
Fir Tree Farm Stables is located in Ballynahinch, County Down, Northern Ireland. You can find more information at www.firtreefarmstables.co.uk.